2024-03-28T17:38:28Z
http://pressto.amu.edu.pl/index.php/cbes/oai
oai:ojs.pressto.amu.edu.pl:article/726
2015-07-02T21:12:05Z
cbes:FRS
driver
v2
http://pressto.amu.edu.pl/index.php/cbes/article/view/726
2015-07-02T21:12:05Z
Adam Mickiewicz University Poznan
No. 9 (2012): Wobec śmierci; 303-323
"Zamień moją żałobę w taniec". O narracji filmowej Wima Wendersa
Artykuł naukowy
Okupnik, Małgorzata; Akademia Muzyczna im. I.J.Paderewskiego
w Poznaniu
2012-01-01
url:http://pressto.amu.edu.pl/index.php/cbes/article/view/726
pl_PL
Pina, a fi lm (2011) directed by Wim Wenders, falls outside any simple genre classifi cation. It may be treated as a documentary only, but it can also be regarded as an artistic fi lm because it talks about artists – dancers from the Tanztheater in Wuppertal (Germany) and their choreographies. Wenders uses artistic means of expression in the montage of scenes and particular takes. A three-dimensional technique allows him to enter the world of dance and show its beauty as well as the physicality of dancers. Wenders ncludes four Pina Bausch’s choreographies in the fi lm: Frühlingsopfer, Café Müller, Kontakthof,and Vollmond. The main themes of the fi lm are death, loss and loneliness, which also appear in all Pina Bausch’s choreographies. Work on the fi lm was a kind of “going through mourning”, both for the director and the dancers.
oai:ojs.pressto.amu.edu.pl:article/727
2015-07-02T21:12:05Z
cbes:FRS
driver
v2
http://pressto.amu.edu.pl/index.php/cbes/article/view/727
2015-07-02T21:12:05Z
Adam Mickiewicz University Poznan
No. 9 (2012): Wobec śmierci; 325-332
"Rytuały rodzinne'. Wobec śmierci w filmie
Artykuł naukowy
Kulig, Agnieszka; Uniwersytet im. Adama Mickiewicza w Poznaniu
Instytut Kulturoznawstwa
2012-01-01
url:http://pressto.amu.edu.pl/index.php/cbes/article/view/727
pl_PL
In the article Family rituals in the face of death the author analyzes fi lms from the perspective of the experience of a family confronted with death. The author is interestedin what family rituals are still used at this time and what actions have been abandoned.The presented fi lms demonstrate fascination with the topic of death, which is present in every culture with different intensity, by means of various descriptions which are attractivebecause they are fi lled with the richness of symbols. The majority of these films emphasize a shift in the discourse about death in social space towards an individual subject. The author wanted to observe and show the moment when the community experience of death and mourning was given up and the ritual passed into the hands of specialized institutions.