2024-03-28T10:06:48Z
http://pressto.amu.edu.pl/index.php/cbes/oai
oai:ojs.pressto.amu.edu.pl:article/1214
2016-02-04T10:33:32Z
cbes:OS
driver
nmb a2200000Iu 4500
"140101 2014 eng "
1895-2984
10.14746/cbes.2014.12.12
doi
dc
Figury samotnej żałoby
Kaczmarek, Agnieszka
The intention of the author of this paper is to juxtapose the image of
mourning that accompanies the experience of death as represented in Blue, a film directed by Krzysztof Kieślowski, as a part of a The Three Colors Trilogy, and its personal linguistic expression in The Mourning Diary by Ronald Barthes. Both figures of mourning render to us an intimate world of mourning linked to a loss of somebody dear and express a peculiar state of exclusion as well as various yet real images of mourning “at work”. In both Blue and The Mourning Diary we are exposed to a different rhythm of life
closely linked to the melancholy of loss and a resultant vulnerability of the mourner towards
the world.
Adam Mickiewicz University Poznan
2015-07-09 09:12:29
application/pdf
http://pressto.amu.edu.pl/index.php/cbes/article/view/1214
Zeszyty Naukowe Centrum Badań im. Edyty Stein; No. 12 (2014): Wobec samotności
pol
Copyright (c) 2015
oai:ojs.pressto.amu.edu.pl:article/1216
2016-02-04T10:33:32Z
cbes:OS
driver
nmb a2200000Iu 4500
"140101 2014 eng "
1895-2984
10.14746/cbes.2014.21.13
doi
dc
Samotność spojrzenia. O czułej pracy dokumentalisty
Michałowska, Marianna
In a cultural discourse a solitude is often presented as a state of mind or
a social situation. In the both cases, to be lonely means to be alienated, lost or generally unhappy. Is it possible, however, to look at the solitude differently and to notice its potential power of phenomenological insight into the world? In the article the solitude leads the artist to the self reflection and creation. Having based on chosen examples of photography by Zbigniew Tomaszczuk I discuss the idea of
contemplation of the world that is possible only when the photographer looks through the lens of the camera from a sole distance. I consider three aspects of such gaze like:
1. a looking at the landscape, which distances the spectator from the time and space and helps in the composition of the frame, 2. a looking at the own past from the distance of
passing time, and finally 3. narrating the home city through a visual metaphor
Adam Mickiewicz University Poznan
2015-07-09 09:12:29
application/pdf
http://pressto.amu.edu.pl/index.php/cbes/article/view/1216
Zeszyty Naukowe Centrum Badań im. Edyty Stein; No. 12 (2014): Wobec samotności
pol
Copyright (c) 2015
oai:ojs.pressto.amu.edu.pl:article/1221
2016-02-04T10:33:32Z
cbes:OS
driver
nmb a2200000Iu 4500
"140101 2014 eng "
1895-2984
10.14746/cbes.2014.12.11
doi
dc
Samotność w prywatnym świecie
Topp, Izolda
The text is concentrated on relations between concepts of privacy and solitude nowadays. The author claimed that privacy replaced traditional metaphors and images of solitude like island, mountain or dessert. Protection of privacy and bringing it to the limelight, privatization of religion and the special place occupied in contemporary culture by a search for one’s own identity reveal not only a change in society’s ideas about privacy, but also its axiotic dimension connected with authenticity, creativity and freedom. The meaningful result of this process is connected with replacing religious Transcendence by private individual internal experience, which became unrecognizedand mysterious for the subject itself. It proved to new conceptualization of privacy and ofsolitude as well.
Adam Mickiewicz University Poznan
2015-07-09 09:12:29
application/pdf
http://pressto.amu.edu.pl/index.php/cbes/article/view/1221
Zeszyty Naukowe Centrum Badań im. Edyty Stein; No. 12 (2014): Wobec samotności
pol
Copyright (c) 2015