2024-03-28T10:45:41Z
http://pressto.amu.edu.pl/index.php/srp/oai
oai:ojs.pressto.amu.edu.pl:article/608
2015-10-16T08:13:59Z
srp:cul
driver
"140101 2014 eng "
2084-4158
0137-2475
dc
Intelectualul român în tranziţie. Poziţionări după 1989
Ivancu, Ovidiu
Delhi University, New Delhi
The present paper aims at analysing the trajectories of the Romanian intellectuals immediately after the Revolution in 1989, and the fall of Communism. During the Communist years, the term itself (intellectual) had been used with ideological connotations. The intellectual (as a social value) was discussed according to the Marxist ideology, taking into consideration his concrete usefulness and his contribution to the Communist society. Immediately after 1989, the fundamental dilemma faced by the Romanian intellectual represents the necessity of the implication of the intellectuals inside the society or, on the contrary, the isolation in an Ivory Tower of creation. The second challenge aimed at the necessity of synchronizing the Romanian elite with the European one; the topics for debate in Western and Eastern Europe during the Cold War were fundamentally different. The purpose of this paper is to analyse the influence and the commitment of the Romanian intellectuals in reshaping the Post-Communist Romanian society.
Adam Mickiewicz University Poznan
2015-05-13 00:00:00
Artykuł naukowy
application/pdf
http://pressto.amu.edu.pl/index.php/srp/article/view/608
Studia Romanica Posnaniensia; Tom 41 Nr 2 (2014): Studii de românistică: perspective integratoare
pol
Prawa autorskie (c) 2015 Ovidiu Ivancu
oai:ojs.pressto.amu.edu.pl:article/638
2015-10-16T08:13:59Z
srp:cul
driver
"140101 2014 eng "
2084-4158
0137-2475
dc
Repere ale artei teatrale în cultura populară română
Orian, Georgeta
Universitatea „1 Decembrie1918”, Alba Iulia
The paper aims to offer a synthetic perspective upon the dramatic genre in the Romanian folklore. We present several preliminary elements within a short historical account of the dramatic manifestations; afterwards we create an inventory of the forms of theatrical arts, following the first historical records, a description of the rituals and props in order to depict the folk syncretism and all its beauty. The working instruments are those offered by historiography and the methodology in the field as well as the ethnographic description. Although less consistent than the folk poetry or epic, folk theatre contributes to the complexity and flavour of Romanian folklore. The unseen mechanisms of syncretism have functioned and are still functioning, generating new forms of folk art. The laic and the religious, the traditional and the modern, the epic and the drama, the masks, the dances as well as the costumes and the props – all these contribute to the survival of this particular folk genre. Moreover, being the least discreet of all Romanian folk genres, the folk theatre represents also an element of attraction and cultural export nowadays.
Adam Mickiewicz University Poznan
2015-05-13 00:00:00
Artykuł naukowy
application/pdf
http://pressto.amu.edu.pl/index.php/srp/article/view/638
Studia Romanica Posnaniensia; Tom 41 Nr 2 (2014): Studii de românistică: perspective integratoare
pol
Prawa autorskie (c) 2015 Georgeta Orian