2024-03-29T07:49:11Z
http://pressto.amu.edu.pl/index.php/srp/oai
oai:ojs.pressto.amu.edu.pl:article/582
2015-10-08T11:12:12Z
srp:el
driver
nmb a2200000Iu 4500
"130101 2013 eng "
2084-4158
0137-2475
10.14746/strop.2013.401.004
doi
dc
A reinterpretação do sebastianismo em Fernando Pessoa
Świda, Monika
Universidade Jaguelônica, Cracóvia
The present paper depicts alterations undergone by the sleeping king motif (sebastianism) in the writings of Fernando Pessoa. The data to conduct the study were collected in thematic anthologies and several unpublished pieces. The myth of the King Sebastian was given a congregational dimension by Pessoa, thus conveying his cultural and identity project subsumed under the metaphor of the spiritual empire. Pessoa introduces some readjustments in the way the historical king is to be conceived of. In his theory, Sebastian becomes the figure of the individual effort on the way towards the national renewal. The messianic character of D. Sebastião is defeated in this theory despite having been associated with the figures of either Jesus or the Antichrist. The messiah of the Portuguese foundation myth is replaced with the idea of great man and the task to be carried out in this field, included the metaphor of the Fifth Empire, gains a cultural character. That is why Pessoa’s theories must no longer be interpreted in messianic terms. The Pessoa’s transformations of the sebastianism analyzed in this article are the starting point for the new national narration in the poetic cycle of "Mensagem".
Adam Mickiewicz University Poznan
2015-06-12 00:00:00
Artykuł naukowy
application/pdf
http://pressto.amu.edu.pl/index.php/srp/article/view/582
Studia Romanica Posnaniensia; Tom 40 Nr 1 (2013): As facetas da filologia portuguesa de hoje. Reflexões teóricas e metodológicas
pol
Prawa autorskie (c) 2015 Monika Świda
oai:ojs.pressto.amu.edu.pl:article/585
2015-10-08T11:12:12Z
srp:el
driver
nmb a2200000Iu 4500
"130101 2013 eng "
2084-4158
0137-2475
10.14746/strop.2013.401.002
doi
dc
Entre a submissão e a rebeldia – o retrato da mulher moçambicana em “Balada de amor ao Vento” de Paulina Chiziane
Díaz-Szmidt, Renata
Universidade de Varsóvia
The purpose of this article is to analyze the psychological stance of Sarnau, the main character of the novel "Ballad of Love in The Wind" of the Mozambican writer Paulina Chiziane. The writer describes the Mozambique of today, which is divided into tradition and modern life, ancestral and native way of life. The analysis of the novel shows that Paulina Chiziane breaks the stereotyped image of the woman by representing her as a being aware of her inferior social situation and as a being who intends to oppose the sexist and patriarchal society. Sarnau must face up to the cultural clash resulting from the encounter between the Western and African cultures. She lives in a polygamous family and has to find her place within this family and within the society. Chiziane’s protagonist tries to change her situation in order to find her identity as a women, mother and African wife.
Adam Mickiewicz University Poznan
2015-06-12 00:00:00
Artykuł naukowy
application/pdf
http://pressto.amu.edu.pl/index.php/srp/article/view/585
Studia Romanica Posnaniensia; Tom 40 Nr 1 (2013): As facetas da filologia portuguesa de hoje. Reflexões teóricas e metodológicas
pol
Prawa autorskie (c) 2015 Renata Díaz-Szmidt
oai:ojs.pressto.amu.edu.pl:article/586
2015-10-08T11:12:12Z
srp:el
driver
nmb a2200000Iu 4500
"130101 2013 eng "
2084-4158
0137-2475
10.14746/strop.2013.401.003
doi
dc
Entre internacionalização e esquecimento: o fenómeno do Fado e da Copla andaluza durante a ditadura
Pielacińska, Nina
Universidade Adam Mickiewicz, Poznań
The main objective of the article is to analyze the socio-political situation and the other factors determining the development of music types such as Fado and Copla during the dictatorship times in Spain and Portugal. These genres were used for the political and propaganda purposes. Many artists like for example Lola Flores or Amália Rodrigues have become famous exactly during the regime times, however, their real success can be measured with the arrival of democracy. Copla which represents the image of Franco’s Spain has been replaced by some new music genres and it has never been reborn as it had happened in the case of Fado. This Portuguese music genre was a subject of changes starting from 60’s. Significant modifications have been done in both: lyrics and accompaniment; Fado survived the anti-Fado period (1974-1975) and from the 90’s until present experiences an ongoing rebirth. Studies on Fado’s and Copla’s popularity may also prove to be crucial in understanding the phenomenon of transculturalism. All the factors that boosted the process of internationalization of this music in the twenty-first century should become an object of a multifaceted analysis.
Adam Mickiewicz University Poznan
2015-06-12 00:00:00
Artykuł naukowy
application/pdf
http://pressto.amu.edu.pl/index.php/srp/article/view/586
Studia Romanica Posnaniensia; Tom 40 Nr 1 (2013): As facetas da filologia portuguesa de hoje. Reflexões teóricas e metodológicas
pol
Prawa autorskie (c) 2015 Nina Pielacińska
oai:ojs.pressto.amu.edu.pl:article/589
2015-10-08T11:12:12Z
srp:el
driver
nmb a2200000Iu 4500
"130101 2013 eng "
2084-4158
0137-2475
10.14746/strop.2013.401.001
doi
dc
Pessoa e Saramago – diálogo de eruditos
Charchalis, Wojciech
Universidade Adam Mickiewicz, Poznań
Portugal has been always on the periphery of the main history, also the literary history, so that in order to go out of the localism of the poetry, F. Pessoa created a group of poets whose purpose was to create a modern Portuguese poetry. José Saramago, going in the same direction dozens of years later, seems to have been a slave of the concept of portugality created by F. Pessoa. Both authors are interconnected in a surprising way, as if one could not exist without the other. Saramago’s novels are influenced by Pessoa’s literary creation, like a great part of the contemporary Portuguese literature, both poetry and prose. The paper depicts the influence of F. Pessoa on J. Saramago and discusses the phenomenon of portugality and the role of Pessoa in its formation.
Adam Mickiewicz University Poznan
2015-06-12 00:00:00
Artykuł naukowy
application/pdf
http://pressto.amu.edu.pl/index.php/srp/article/view/589
Studia Romanica Posnaniensia; Tom 40 Nr 1 (2013): As facetas da filologia portuguesa de hoje. Reflexões teóricas e metodológicas
pol
Prawa autorskie (c) 2015 Wojciech Charchalis