@article{Pająk_2018, title={Early 21st-century Serbian exploitation cinema}, volume={23}, url={https://pressto.amu.edu.pl/index.php/i/article/view/17075}, DOI={10.14746/i.2018.32.07}, abstractNote={<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span>Exploitation </span><span>fi</span><span>lms are one of the main trends of the Serbian cinema of the beginning of the 21</span><span>st century, when Serbia enters the second phase of systemic transformation, striving to neutralize the e</span><span>ff</span><span>ects of the crisis in the </span><span>fi</span><span>rst phase of transformation – towards the end of the 20</span><span>th century – due to the authoritarian policy of Slobodan Milo</span><span>š</span><span>evi</span><span>ć </span><span>and Yugoslav wars. </span><span>Th</span><span>is non-</span><span>fi</span><span>lm context allows better understanding of the phenomenon of these </span><span>fi</span><span>lms, which in many respects are a continuation of the cinema of self-balkanization cultivated in the 1990</span><span>s, and at the same time di</span><span>ff</span><span>er from it, because they do not o</span><span>ff</span><span>er a compromise with di</span><span>ffi</span><span>cult transformational reality, but express the need to release the social trauma born of experience of political violence in the Milo</span><span>š</span><span>evi</span><span>ć </span><span>era.</span></p></div></div></div>}, number={32}, journal={Images. The International Journal of European Film, Performing Arts and Audiovisual Communication}, author={Pająk, Patrycjusz}, year={2018}, month={grudz.}, pages={77–96} }