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A

Almen, Byron, Ph.D., is Associate Professor of Music Theory at the University of Texas at Austin. He is the author of the book A Theory of Musical Narrative and the co-editor, with Edward Pearsall, of the book Approaches to Meaning in Music, both published by Indiana U (Stany Zjednoczone Ameryki Północnej)

B

Bajda, Justyna, doctor specialising in literary studies and art history. Lecturer in the School of the History of Polish Literature of the Positivist and Young Poland periods in the Institute of Polish Philology o f the University of Wroclaw. Her academic interests are c (Polska)
Baranowski, Tomasz, doctor, musicologist and pianist, lecturer in the School of Music Theory and Aesthetics of the Institute of Musicology of the University of Warsaw. He is the author of Estetyka ekspresjonizmu w muzyce XX wieku [The aesthetic of expressionism in twentieth- (Polska)
Bielawski, Ludwik, professor emeritus in the Institute of Art of the Polish Academy of Sciences in Warsaw. In 1965 he gained his Ph.D. for the work Rytmika polskich pieśni ludowych [Rhythm in traditional polish folk songs] (Kraków, 1970). In 1974 he earned his habilitation (Polska)
Bielawski, Ludwik, professor, head of the Department of Music History at the Institute of Art of the Polish Academy of Sciences in Warsaw. In 1965 he gained his PhD for the work Rytmika polskich pieśni ludowych [Rhythm in traditional Polish folk songs] (Kraków, 1970). In 19 (Polska)
Bieńkowska, Irena, PhD graduated from the Institute of Musicology of Warsaw University (1994), where she received her master’s degree based on a thesis on musical culture at the court of Michał Kazimierz (‘Rybeńko’) Radziwiłł (1702-1762) in Nesvizh, written under the superv (Polska)
Bogdan, Izabela, studied musicology at Adam Mickiewicz University in Poznań and English philology, with major in cognitive linguistics, at Nicolaus Copernicus University in Toruń. Her dissertation concerned nuptial music and wedding ceremonies in early modern Königsberg. (Polska)
Bruhn, Siglind, bom in Hamburg, Germany and with a Ph.D. from the University of Vienna, Austria, is a musicologist, concert pianist, and interdisciplinary scholar. A fulltime researcher, she has been affiliated with the University of Michigan’s Institute for the Humaniti (Stany Zjednoczone Ameryki Północnej)
Budzińska-Bennett, Agnieszka, musicologist and early music performer. Graduated from the Musicology Department of the Adam Mickiewicz University in Poznań where she obtained her Ph.D. in 2010 with the thesis “Subtilitas in the ars antiqua Motet. Text - Context - Intertext.” Postgradua (Szwajcaria)
Burszta, Wojciech Józef, professor of socio-cultural anthropology at Warsaw School of Social Psychology and Head of the Centre for the Study of Nationalities at the Polish Academy of Sciences’ Institute of Slavic Studies. He specializes in and teaches the theory of culture, refle (Polska)

C

Carapezza, Paolo Emilio, (Rome, 1937), Emeritus Professor of Musicology at the University of Palermo, was one of the promoters of the Settimane Internazionali Nuova Musica in Palermo (1960-68). Together with Antonino Titone, he started and edited Collage. Rivista Internazionale d (Włochy)
Chmurzyńska, Małgorzata, assistant professor and editor at The Interdepartmental Chair of Psychology of Music at the Fryderyk Chopin University of Music in Warsaw. She completed her Master’s degrees in Musicology at Warsaw University and Music Education (as well as a Postgraduate (Polska)
Chłopicka, Regina, professor at the Academy of Music in Kraków. Her publications span four research fields: Polish contemporary music (e.g. Krzysztof Penderecki: Musica sacra - Musica profana. Warsaw, 2003), topos of death in music, 20th century musical theatre, methods of (Polska)
Czaja, Dariusz, habilitated doctor, lecturer in the Institute of Ethnology and Cultural Anthropology of the Jagiellonian University of Cracow, member of the editorial board of the bi-monthly Konteksty, published by the Polish Academy of Sciences (PAN) Institute of Art i (Polska)
Czekanowska, Anna, ethnomusicologist and cultural anthropologist, professor. She has lectured at Warsaw University (1953-2003), the Catholic University of Lublin (1999-2004), Collegium Civitas in Warsaw (since 2003), the Johann Gutenberg University in Mainz (1983-1984), the (Polska)

D

Dahlig, Piotr, ethnomusicologist, professor in the Institute of Musicology at the University of Warsaw and in the Institute of Art of the Polish Academy of Sciences. He has published four books: Muzyka ludowa we współczesnym społeczeństwie [Folk music in contemporary so (Polska)
Dahlig, Piotr, ethnomusicologist, professor of the University of Warsaw, works at the Institute of Musicology and at the Institute of Art of the Polish Academy of Sciences (phonographic archives). Book publications: Muzyka ludowa we współczesnym społeczeństwie [Folk mus (Polska)
Dahlig-Turek, Ewa, associate professor, habilitated doctor, ethnomusicologist, vicedirector of the PAN Institute of Art in Warsaw (since 2003), professor of Adam Mickiewicz University in Poznań (since 2009); her academic interests initially centred on musical instruments, b (Polska)
Dankowska, Jagna, Ph.D., postdoctoral degree in philosophy at the Warsaw University, sound engineer at the Fryderyk Chopin Academy of Music — AMFC and Professor at the Fryderyk Chopin University of Music. From 1991 to 2005 she was the head of the Unit of Humanities and For (Polska)
Dankowska, Jagna, professor and Dean of the Department of Composition, Conducting and Music Theory at the Fryderyk Chopin Academy of Music in Warsaw. She specializes in the philosophy of music, particularly in the area of 19th-century German philosophy, as well as Polish m (Polska)
Davis, Andrew, conducts research on late-19th and early-20th century opera and on interpretive issues in the Romantic sonata. Recent publications include “Mixed Genres and Narrativity in Chopin’s B-minor Sonata,” in Music: Function and Value (Krakow: Akademia Muzyczna); (Stany Zjednoczone Ameryki Północnej)
Dougherty, William P., is Ellis and Nelle Levitt Professor of Music at Drake University in Des Moines, Iowa (USA), where he teaches courses in music theory and composition. He has published several articles on musical semiotics and on music and text relationships in the art son (Stany Zjednoczone Ameryki Północnej)
Draus, Agnieszka, (PhD) is a lecturer at the Faculty of Musical Composition, Performance, Analysis and Education of the Academy of Music in Krakow, a member of the Division of Musicologists of the Polish Composers’ Union as well as a nominated teacher of the general musica (Polska)
Draus, Agnieszka, Ph.D., a tutor at the Faculty of Musical Composition, Performance, Analysis and Education of the Academy o f Music in Kraków. In her research activities she has focused on one hand on the issues o f sacred music with particular stress on sacred musical th (Polska)
Drożdżewska, Agnieszka, Ph.D. (2010), wrote a thesis: The musical life at the University of Wroclaw (1815-1944.) Music education, scientific research, concerts; works as a tutor in the Institute of Musicology, University of Wroclaw; research about musical life in Wroclaw and Sil (Polska)

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