Davis, Andrew, conducts research on late-19th and early-20th century opera and on interpretive issues in the Romantic sonata. Recent publications include “Mixed Genres and Narrativity in Chopin’s B-minor Sonata,” in Music: Function and Value (Krakow: Akademia Muzyczna); “Old Age and Late Works? The Case of Puccini,” in Le grand âge et ses oeuvres ultimes (Rennes: University of Rennes); II Trittico, Turandot, and Puccini’s Late Style (Bloomington: Indiana University Press, 2010); and, with coauthor Howard Pollack, “Rotational Form in the Opening Scene of Gershwin’s Porgy and Bess,” Journal of the American Musicological Society 60, no. 2 (2007): 373-414. He is at work on a book, Musical Meaning in the Romantic Piano Sonata. He is Associate Professor of Music Theory and Director of Graduate Studies at the Moores School of Music, University of Houston, in Houston, Texas, USA., Stany Zjednoczone