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Jabłoński, Maciej
Jabłoński, Maciej, (1962), a musicologist (Dept, of Musicology, University in Poznań). Jabłoński’s musicological interests focus on the history and theory of opera, aesthetics of 20th century music, musical semiotics and methodology of musicology. He is author of the books: Krzysztof Meyer. Ein Komponistenportrait (Poznań, Koln, 1998) and Music as Sign (Poznań, 1999; Helsinki: Acta Semiotica Fennica, 2010). Jabłoński is editor-in-chief of the international musicological series Interdisciplinary Studies in Musicology, co-editor of the Poznań Studies in Opera and Res Facta Nova. He is also president of the editorial committee of Henryk Wieniawski’s Complete Works. From 1992 till 1994 he held the post of artistic director of the Opera House in Poznań. Since 1999 till 2008, he has been president of the Poznań Section of the Polish Composers’s Union and director of contemporary music festivals Poznań Music Spring. Jabłoński is author of many musicological papers published in Poland, Finland, the Czech Republic, Slovakia, Slovenia, Germany, Italy and the USA.
Jabłoński, Maciej, a musicologist (Deptartment of Musicology, University in Poznań). Jabłoński’s musicological interests focus on the history and theory of opera, aesthetics of 20th century music, musical semiotics and methodology of musicology. He is author of the books: Krzysztof Meyer. Ein Komponistenportrait (Poznań, Koln, 1998) and Music as Sign (Poznań, 1999; Helsinki: Acta Semiotica Fennica, 2010). Jabłoński is editor-in-chief of the international musicological series Interdisciplinary Studies in Musicology, co-editor of the Poznań Studies in Opera and Res Facta Nova. He is also president of the editorial committee of Henryk Wieniawski’s Complete Works. From 1992 till 1994 he held the post of artistic director of the Opera House in Poznań. Since 1999 till 2008, he has been president of the Poznań Section of the Polish Composers’s Union and director of contemporary music festivals Poznań Music Spring. Jabłoński is the author of many musicological papers published in Poland, Finland, the Czech Republic, Slovakia, Slovenia, Germany, Italy and the USA.
Jabłoński, Maciej, assistant professor at the Department of Musicology of Adam Mickiewicz University in Poznań. In the years 1992-1994 he was Artistic Director of the Teatr Wielki in Poznań, and from 1999 to 2008 chair of the Poznań Section of the Polish Composers’ Union. His research interests embrace the aesthetics and semiotics of music, the theory and history of operatic theatre and the methodology of musicology. His is the author of the books: Krzysztof Meyer. Do i od kompozytora [Krzysztof Meyer. From and to the composer] (Poznań, 1994; Ger. trans. Poznań and Cologne, 1998) and Muzyka jako znak [Music as sign] (Poznań, 1999), as well as numerous articles published in Poland and abroad. His is editor of the series Interdisciplinary Studies in Musicology (Poznań, 1993-), Res Facta Nova (Poznań, 1994-) and Poznańskie Studia Operowe (Poznań, 1999-). He is also chair of the Editorial Committee of The Complete Works of Henryk Wieniawski.
Jankowski, Wojciech Benedykt, associate professor emeritus at the Eisner School of Music, Warsaw. He completed his Master’s degree at the University of Warsaw, Dept, of Psychology and Education, and Ph.D. at the University of Gdańsk, Dept, of Education. Since 1964 he was a lecturer at the Fryderyk Chopin Academy of Music in Warsaw (1974-1922 - a director of the Department of Music Pedagogy). He is a pedagogical employee at COPSA - the Pedagogical Center for Music & Artistic Schools, Warsaw. He has also been a member of IKS - International Kodaly Society since 1975 (honorary member of IKS since 2005); president of the Kodaly Division of Polish ISME 1982-2005), Honorary Member of the Board of GIML - the Gordon Institute for Music Learning since 1995. His interests include: Music Education; the Music School System in Poland in the international perspective; Z. Kodaly and E.E. Gordon concepts of music education. He is the author of many books, among them Wychowanie muzyczne w szkole ogólnokształcącej [Music Education in the General School System] Warsaw 1970; Pierwsze w Polsce klasy śpiewające [The First Kodaly Singing Classes in Poland], Warsaw 1991; Polskie szkolnictwo muzyczne. Geneza i ewolucja systemu [The Polish Music School System; its origin and evolution], Warsaw 2000; Dlaczego z muzyką w szkole są kłopoty? [Why Music at General School level always runs into trouble?], Warsaw 2006; Kształcenie wokalisty. Wybrane problemy [The Training of Vocalists. Selected Aspects] Wroclaw 2010, as well as more than 200 articles, essays etc.. He was awarded numerous Polish medals (including the Medal of the National Educational Committee), as well as Hungarian medals: by the Ministry for Culture, by the Z. Kodaly Institute for Music, Kecskemet, and by the Hungarian Government (Pro Cultura Hungarica).
Jarzębska, Alicja, professor in the Institute of Musicology at the Jagiellonian University in Kraków. In the centre of her scholarly interests are history of music theory, methods of analysis o f a musical work and history and aesthetics of 20th century music. She has published many articles in Polish and foreign journals. Her books include Idee relacji serialnych w muzyce XX wieku [Ideas of serial relations in 20th century music] (Kraków, 1995), Strawiński. Myśli i muzyka [Stravinsky. Ideas and music] (Kraków, 2002), Z dziejów myśli o muzyce [History of ideas in music] (Kraków, 2002) and Spór o piękno muzyki [Debate on the beauty of music] (Wroclaw, 2002). Her new book entitled Liczba i afekt w muzyce [Number and affect in music] is in the course of publication.
Jasińska, Danuta
Jasińska, Danuta, professor on the Department of Musicology of Adam Mickiewicz University in Poznań. Gained her habilitation in 1997 on the basis of the work Styl brillant a muzyka Chopina [The style brillant and the music of Chopin] (Poznań, 1995). From 1999 to 2005, she was Head of the Department of Musicology at Adam Mickiewicz University. The main area of her academic interests and work covers the history of music and of Polish music in particular during the nineteenth and twentieth centuries and the analysis and interpretation of the musical work and its contexts. Her published articles have treated of issues concerning instrumental and vocal music, virtuosity, the music of Chopin and its tradition, as well as stylistic idioms, including the poetics of neoclassicism. She has also been source editor, lexicographic editor or co-editor of Contexts of Musicology (Poznań, 1997), Henryk Wieniawski. Composer and Virtuoso in the Musical Culture o f the XIX and XX centuries (Poznań, 2001), Henryk Wieniawski and the 19th Century Violin Schools. Techniques o f Playing, Performance, Questions of Sources and Editorial Issues (Poznań, 2008) and Interdisciplinary Studies in Musicology 7 {Music as a Medium of Communication) (Poznań 2008).
Joachimiak, Grzegorz, is a musicology graduate of the University of Wroclaw (MA thesis on a lute tablature from the Łopaciński Public Library in Lublin (PL-Lw 1985) as evidence of European music culture at the end of the seventeenth century, 2009), and a classical guitar graduate of the Karol Lipiński Academy of Music in Wroclaw (MA, 2010). His research interests concern mainly Silesian musical culture, especially lute music from that region, and the Commonwealth of Poland-Lithuania during the seventeenth and eighteenth centuries. As a PhD student, he is preparing a dissertation on handwritten lute tablatures from Silesia (University of Wroclaw, Institute of Musicology). He is also a grant-holder of the Polish Ministry of Science and Higher Education and the Deutscher Akademischer Austausch Dienst, among others. He participates actively in various research projects, including an ethnomusicological expedition to Siberia (2006), ‘Collections of old music sources from the sacral and secular centers in Silesia within music culture in Centre Europe context. Cataloging of survived sources (on-going) and ‘The cultural legacy of the monasteries resolved in the former Polish Commonwealth and in Silesia during 18th and 19th centuries: the fate, importance, inventory’ (on-going), has co-organised student workshops cataloguing Silesian music sources in Opole (2008) and organised the Lute Weekend in Wroclaw during the 15th Wroclaw Guitar Festival (2012), and also participates in regional cultural life (concert reviews, lectures on lute music, etc.).
Jochymczyk, Maciej, graduated in musicology from the Jagiellonian University of Cracow. For his master’s thesis, he received the Ray and Ruth Robinson Musicology Award (2007). In 2012, he completed his PhD dissertation on the life and church music of Amandus Ivanschiz. His interests centre upon Central European sacred music of the seventeenth and eighteenth centuries, problems of musical editing and musical sources. A member of the Musica Claromontana editorial committee since 2005, he has been working on the largest collection of eighteenth- and nineteenth-century Polish church music, held at the Pauline Fathers’ Monastery in Jasna Góra (Częstochowa). He has had several papers published in leading Polish and European musicological journals (including Muzyka and International Review of the Aesthetics and Sociology of Music) and a book on the oeuvre of the seventeenth-century Polish composer Damian Stachowicz.

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