Kasperski, Jakub, PhD student at Adam Mickiewicz University in Poznań. In 20052006, he studied at the Sorbonne in Paris as an Erasmus-Socrates student. In 2006, he received his MA for a thesis on French requiems o f the nineteenth and twentieth centuries. At present, he is implementing a project financed by the Polish Ministry of Science and Higher Education concerning popular music studies in musicology.
Kasperski, Jakub, PhD student at the Department of Musicology of Adam Mickiewicz University in Poznań. In the years 2004-2005 he studied at the Sorbonne in Paris. His research focuses on thanatological issues, including funeral masses by French composers, and popular music.
Keym, Stefan, habilitated doctor, graduate of musicology, history, and German language and literature in Mainz, Paris and Halle. In 2001, he received his PhD from Martin Luther University in Halle for a dissertation on Olivier Messiaen’s opera Saint François d ’Asssise (published Hildesheim: Olms, 2001); in 2008, he gained his habilitation on the basis of the thesis Symphonie-Kulturtransfer. Untersuchungen zum Studien-aufenthalt polnischer Komponisten in Deutschland und zu ihrer Auseinandersetzung mit der symphonischen Tradition 1867-1918 (Hildesheim: Olms, 2010). Since 2002, he has been an assistant in the Institute of Musicology in Leipzig University. His interests centre on analytical, aesthetic and cultural issues relating to French, German and Polish music of the eighteenth-twentieth centuries, in particular by such composers as C. P. E. Bach, Händel, Franck, Schumann, Liszt, Karłowicz, Mendelssohn, Paderewski, Messiaen, Szymanowski and Penderecki.
Kiwała, Kinga, Music Theory and Interpretation Department, Composition, Interpretation and Musical Education Faculty, The Academy of Music in Cracow
Kominek, Mieczysław, studied at the Jagiellonian University in Cracow and in Warsaw University (musicology), at the Warsaw Music Academy (sound engineering) where he obtained his doctorate (theory of music) and at the Utrecht University (sonology). He has authored a book on the history of recordings Zaczęło sie od fonografu... [At the Beginning Was the Phonograph... ]. He has worked for Polish Radio as music editor and sound engineer. He was editor-in-chief of the monthly “Studio, Recording and Radio Magazine” which he founded in 1992. Since 2001 he has been director of the Polish Music Information Centre POLMIc, and since 2009 president of the “Polskie Nagrania” recording company. Member of the Polish Composers’ Union since 1973 (1999-2003 vicepresident, 2003-2009 secretary general) and a Board member of the International Association of Music Information Centres IAMIC since 2005.
Kopaniecki, Jakub, Institute of Musicology, University of Wrocław
Kornacki, Krzysztof, doctor, film historian, lecturer in the School o f Drama, Theatre and Film o f the Institute o f Polish Philology o f the University of Gdańsk. Also a lecturer at the Gdynia Film School. His main areas of interest are Polish cinema and the sacred in film. Author of Kino polskie wobec katolicyzmu (1945-1970) [Polish cinema and Catholicism (1945-1970)] (Gdańsk, 2005) and „Popiół i diament” Andrzeja Wajdy [Andrzej Wajda’s Ashes and Diamonds], (Gdańsk, in print), coeditor with Mirosław Przylipiak o f Poszukiwanie i degradowanie sacrum w kinie [The seeking and degrading of the sacred in cinema] (Gdańsk, 2002). Author of several dozen scholarly and popular academic works on the history of film, mostly in Poland. A member of the editorial board o f the audiovisual cultural periodical Panoptikum.
Kostka, Violetta, Faculty of Conducting, Composition and Theory of Music, The Stanislaw Moniuszko Academy of Music in Gdańsk
Koszewska, Anna, PhD student at the Department of Musicology of Adam Mickiewicz University in Poznań. Her research centres around the relationship between the ethics and aesthetics of the work of art, as reflected in the title of her PhD thesis, Etyczna wartość muzyki w refleksji i twórczości kompozytorów dwudziestego wieku [The ethical value of music in the reflection and works of twentieth-century composers] and a number of published articles. Since 2003 she has worked with the periodical De Musica (http://free.art.pl/demusica).
Kozłowski, Krzysztof, professor of the Drama and Theatre Department of the Institute of Polish Philology at Adam Mickiewicz University in Poznań. His academic focus is musical theatre of the 18th and 19th centuries and the relations between art and film. Book publications: Teatr I religia sztuki. ‘Parsifal’ Ryszarda Wagnera [The theatre and religion of art. Richard Wagner’s Parsifal] (Poznań, 2004), Opera i dramat muzyczny. Szkice [Essays on opera and musical drama] (Poznań, 2006) and Kubrick’s Barry Lyndon (Poznań, 2007).
Kraus, Guido, was born 1968 in Fulda. After Abitur he started his studies 1991 in Musicology, History and Russian literature at the Frankfurt University Johann Wolfgang von Goethe. In 1997 he achieved the degree Magister Artium with his thesis on Pyotr Ilyich Tchaikovsky's 6th symphony. Since 1998 he is employed at the RISM-Zentralredaktion in Frankfurt am Main. There he is coordinating the Eastern Europe countries, teaching and supporting to catalog music sources in the program Kallisto. He also has editorial charges on the several RISM series, on library sigla and other indexes.
Krupińska, Eliza, graduated from Musicology at the Jagiellonian University in Cracow (MA - 2009). She was awarded The French Government’s fellowship in 2009. Currently Krupińska is a doctoral student associated with the Department of Ontology of the Institute of Philosophy at UJ. With the guidance of her supervisor, Prof. Andrzej J. Nowak., Krupińska has been working on her doctoral thesis focused on structural semiotics of music. The main fields of her interests are the theory and philosophy of music.
Krzywoszyński, Przemysław, Assistant professor at the Chair of Political-Legal Doctrines and Philosophy, Department of Law and Administration of the Adam Mickiewicz University, musicology graduate from the Chair of Musicology of the Adam Mickiewicz University in Poznań. He is currently working on his doctoral thesis, The significance o f the works by Giovanni Simon Mayr and Vincenzo Bellini in the shaping of the Italian opera o f the early romantic period, at the Chair of Musicology, Department of History of the Adam Mickiewicz University. His main research interests include Italian and French opera from the turn of the eighteenth and nineteenth centuries and the first half of the nineteenth century. He has authored a number of articles on musicology, both scientific and popular, as well as presenting 10 papers at national and international conferences. He has been a member of the Donizetti Society since 2008.
Kubicki, Roman, professor of the Institute of Philosophy at Adam Mickiewicz University in Poznań and of the Department of Artistic Education at the Academy of Fine Arts in Poznań. His main pursuits comprise the philosophy of man and art theory and criticism. He has written several books and a few dozen articles. Since 2003 Roman Kubicki has been Chairman of the Program Council of the Arsenal City Gallery in Poznań and a member of the Chapter of the Artistic Award of the City of Poznań.
Kuligowski, Waldemar, assistant professor of the Institute of Ethnology and Cultural Anthropology at Adam Mickiewicz University in Poznań and professor of the School of Social Psychology in Warsaw. He is the author and co-author of numerous book and articles on anthropological issues, including Antropologia refleksyjna. O rzeczywistości tekstu [Reflexive anthropology. On the reality of the text] (Poznań, 2001) and Miłość na Zachodzie. Antropologia historyczna [Love in the West. An anthropological history] (Poznań, 2004). He is a member of the editorial staff of the periodical Czas Kultury.
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