Piotrowska, Magdalena, doctor, lecturer in the School of Drama and Theatre of the Institute of Polish Philology of Adam Mickiewicz University in Poznań. Author of several dozen scholarly articles and two books: Lubownicy sceny, czyli polskie teatry amatorskie w Wielkopolsce (1832-1875) [Lovers of the stage, or Polish amateur theatres in Wielkopolska (1832-1875)] (Poznań, 2000) and Zanim „te księgi zbłądziły pod strzechy”. Wielkopolska recepcja Mickiewicza [Before “these books ended up in the attic”. Mickiewicz reception in Wielkopolska] (Poznań, 2006), co-editor of the collective publication Mickiewicz daleki i bliski [Mickiewicz far and near] (Poznań, 2005). Her academic interests focus on theatre and literature of the nineteenth and early twentieth century, the reception o f Mickiewicz, amateur theatres, national anniversaries, pageantry and issues relating to the culture of Wielkopolska around the turn of the twentieth century.
Podhajski, Marek, professor of arts, music theorist, musicologist, composer. Polish and Icelandic citizenships. Graduated from the Academy of Music in Gdańsk in Music Theory and Composition. He received a Ph.D. in Humanities in the area of Music Theory at the Academy of Music in Warsaw. He is a doctor habilitatis in History- Musicology at the Academy of Catholic Theology, Warsaw. He is the author of 7 books and some 100 published research papers. The most important books include: Formy muzyczne [Musical Forms] (1991), Nowy system muzyki X. Jana Jarmusiewicza w perspektywie polskich prac z harmonii XIX wieku [The New Musical System of X. Jan Jarmusiewicz from the Perspective of Polish 19th Century Works on Harmony] (1992), Dictionary of Icelandic Composers (1997) - the first dictionary of this kind in the history of music, and Kompozytorzy polscy 1918-2000. T. 1 Eseje. T. 2 Biogramy [Polish Composers 1918-2000. Vol. 1 Essays. Vol. 2 Biographies] (editor, 2005). Honoured with numerous Polish and international distinctions. He is also a member of the Polish Composers’ Union, International Musicological Society, International Biographical Centre Advisory Council in Cambridge, Life Fellow of the American Biographical Institute Research Association.
Podlipniak, Piotr, assistant professor at the Department of Musicology of Adam Mickiewicz University in Poznań. He received his PhD from Adam Mickiewicz University in 2005 (Uniwersalia muzyczne jako problem badawczy muzykologii [Music universals as a research problem of musicology]). His main areas of interest are the biological sources of human musicality, emotional communication by means of music, musical cognition and the methodology of musicology. He is author of the book Uniwersalia muzyczne [Music universals] (Poznań, 2007) and a number of articles. In his musicological research, he refers to such academic disciplines as cognitive science, evolutionary psychology and cultural anthropology.
Podlipniak, Piotr, is an assistant professor at the Department of Musicology at Adam Mickiewicz University in Poznan. His main areas of interest are the cognitive musicology, biological sources of human musicality, psychology of music and methodology of musicology. He is author of the book Uniwersalia muzyczne [Musical universals] (Poznan, 2007). In his musicological research, he refers to such academic disciplines as cognitive science, evolutionary psychology and cultural anthropology. He is an editorial secretary of the journal Interdisciplinary Studies in Musicology and a member of Society of Interdisciplinary Musicology.
Podlipniak, Piotr, Ph.D., he took his degree in 2005 from the Adam Mickiewicz University in Poznań, where he is assistant professor in the Department of Musicology. His main areas of interest are the biological sources of human musicality, emotional communication by means of music, musical cognition and methodology of musicology. He is the author of the book Uniwersalia muzyczne [Musical universals] (Poznań, 2007) and a numbers of articles. In his musicological research he refers to such academic disciplines as cognitive science, evolutionary psychology and cultural anthropology.
Polony, Leszek, Polish musicologist, music critic, publisher, born on 31 January 1946 in Kraków. In 1970 he graduated in theory of music from the Cracovian State Higher School of Music (now Music Academy), where he became a member of staff; during the years 1991-93 he served as prorector, and from 1993 as professor at the Music Academy. During 1995-2013 he headed the Chair of Theory of Music and Education of Aural Skills, and was awarded the title of professor in 2004. From 1991 until 2001 (except for the years 1994-95) he was Editor-in-Chief of Polskie Wydawnictwo Muzyczne [Polish Music Publishers], and from 1995 also director; after the publishing house became a limited company he became its Chairman and Editor-in-Chief. He is a member of ZKP [Polish Composers’ Union] (member of the Executive Board 1983-85 and 1987-88) and Polska Izba Książki [Polish Chamber of Books] (head of Regional Department in Kraków 1998-2001). His areas of interest include: philosophy of music and history of aesthetic thought on music; music of the romantic and modernist periods; Polish twentieth century music, piano music and the performance art of outstanding pianists. He has authored some 70 articles and dissertations on music, as well as the following books: W kręgu muzycznej wyobraźni [‘Musical Imagination’] (1980), Poetyka muzyczna Mieczysława Karłowicza [‘Music Poetics of Mieczysław Karłowicz’] (1986), Polski kształt sporu o istotę muzyki [‘Debating the Essence of Music the Polish Way’] (1991), Hermeneutyka i muzyka [‘Hermeneutics and Music’] (2003), Kilar. Żywioł i modlitwa [‘Kilar. An Elemental Force and a Prayer’] (2005), Symbol i muzyka [‘Symbol and Music’] (2011).
Poniatowska, Irena, professor, habilitated doctor, associated with the Institute of Musicology o f the University of Warsaw from 1965 to 2003, where for ten years she also served as deputy dean for student affairs and for academic research and finances of the Department of History. From 1974 to the 1990s, she organised Polish-Italian musicological collaboration with the University of Bologna. From 1975 to 1985, she chaired the Academic Board and to 1990 was vice president of the Fryderyk Chopin Society. Since 1994, she has been chair of the Polish Chopin Academy, and since 2001 chair o f the Programme Committee of the Fryderyk Chopin Institute. She has written around three hundred studies, essays and scholarly reviews, including many books, such as Faktura fortepianowa Beethovena [Beethoven’s piano texture] (Warszawa, 1972), Muzyka fortepianowa i pianistyka w wieku XIX [Piano music and pianism in the nineteenth century] (Warszawa, 1991), Historia i interpretacja muzyki. Z badań nad muzyką od XVII do XIX wieku [The history and interpretation of music. Of research into music from the seventeenth to the nineteenth century] (Kraków, 1993, 2nd edn 1995 ), Słownik szkołny - Muzyka [School dictionary - Music] (Warszawa, 1991, 2nd edn 1993), W kręgu recepcji i rezonansu muzyki. Szkice chopinowskie [From the reception and resonance o f music. Chopin sketches] (Warszawa, 2008), the album: Chopin. Człowiek ijeg o muzyka [Chopin. The man and his music] (Warszawa, Polish- English version 2009, Polish-French version 2010), Romantyzm część druga A: 18501900. Twórczość muzyczna [Romanticism part two A: 1850-1900. Musical output] (vol. v in the series Historia muzyki połskiej [The History of Music in Poland]) (Warszawa, 2010); she is also co-author, together with Agnieszka Morawińska, of the ninelanguage publication Chopin i jeg o dzieło [Chopin and his work] (in the series Composers and the Art o f Their Time, Warszawa 2005-2009), and the separate publication Chopin ijeg o twórczość [Chopin and his oeuvre], in Arabic (Warszawa, 2010). An important area of her work is music editing: she has edited a facsimile edition of the autograph of Chopin’s 24 Preludes, Op. 28 (Warszawa, 1999), Etudes, Op. 10 (Warszawa, 2007), Allegro de concert (Warszawa, 2008) and co-edited, with Zofia Chechlińska, the following Chopin works: the Sonata in B minor (Warszawa, 2005), and 24 Preludes, Op. 28 (Warszawa, 2010). She is also editor of the five-volume (vol. v with Daniele Pistone) Chopin w kręgu przyjaciół [Chopin in his circle of friends] (Warszawa, 1995-1999) and the two volumes of material from the Chopin Congress of 1999: Chopin and his Work in the Context o f Culture (Warszawa, 2003). Her academic interests are centred on the history of piano music and pianism, musical culture and music reception, and Chopin studies.
Popinigis, Danuta, graduated in musicology from the University of Warsaw in 1981 and gained a doctorate in musicology at the same university in 1994 for a dissertation on the music of Andrzej Hakenberger. She works at the Stanisław Moniuszko Academy of Music in Gdańsk (since 1980) and is head of the Gdańsk branch of the Repertoire International des Sources Musicales (since 1997). Her academic interests include the musical culture of old Gdańsk, musical manuscript sources and the history of carillons and carillon music.
Poprawa, Adam, Historian, literary critic, music critic and writer. His publications include literature studies Kultura i egzystencja w poezji Jarosława Marka Rymkiewicza [‘Culture and existence in the poetry of Jarosław Marek Rymkiewicz’] (1999) and Formy i afirmacje [‘Forms and affirmations’] (2003), as well as the non-fiction reflections Walce wolne, walce szybkie [‘Slow waltzes, fast waltzes’] (2009). His articles, essays and reviews have appeared in numerous journals, such as ‘Teksty Drugie’, ‘Ruch Literacki’, ‘Kresy’, ‘Odra’, ‘Jazz Forum’ and ‘Tygodnik Powszechny’. His academic interests include the literature of the twentieth and twenty-first centuries, in particular the works of Stanisław Barańczak, Miron Białoszewski and James Joyce. He holds the post of assistant professor at the Polish Philology Institute at the University of Wroclaw.
Przerembski, Zbigniew Jerzy, Ph.D., ethnomusicologist, he works in the Institute of Art of the Polish Academy of Sciences in Warsaw and in the Department of Musicology at the University of Wroclaw. His research interests lie at the styles and genres of Polish and European folk music, computerized analysis, musical instruments and performance practice. He has contributed more than 150 articles on these topics. His books include Style i formy melodyczne polskich pieśni ludowych [Styles and melodie forms of Polish folk songs] (Warsaw, 1994), Dudy. Dzieje instrumentu w kulturze staropolskiej [The bagpipes. The history of the instrument in the old-polish culture] (Warsaw, 2006) and Dudy. Instrument mało znany polskim ludoznawcom [The bagpipes. An instrument almost unknown to the Polish folklorists] (Warsaw, 2007). He has also done some editorial work on the series Polska pieśń i muzyka ludowa. Źródła i materiały [Polish folk song and music. Sources and materials].
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