Re-tilting the Dramatic Realism: the Obari Gomba’s Guerrilla Post Experience

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Eziwho Emenike Azunwo


From the past centuries, realism and its attendant understanding has been the subject of numerous academic and artistic discourses, observations, analysis, findings and recommendations. Today, the shape of realism and her scholarly projections therein is gradually becoming outdated and has subsequently transformed into contemporary artistic movements. The drive to be constantly engaged in academic postulations have kept academics restless, pontificating in different intellectual round-tables, which have led to adaptation, alteration, imitation, replication, and above all, freshness of ideas and scholarly improvements in all ramifications. This article reflects on the prism of re-tilting the dramatic realism as the only adequate mirror in concretely reflecting the society the way it is. This paper anchors its analysis on Obari Gomba’s Guerrilla Post with the character of Kafta on the centre of magnetism. This research relies on the Lifestyle theory which alleges that human beings are targeted as a result of their lifestyle choices. The aim of this consideration is to show how Guerrilla Post interrogates and reflects the modern day Nigerian society with the pockets of agitations, insurgencies, insurrections, hate speech propaganda, political inconsideration, rape, and police brutality thereof. The paper recommends that equitable distribution of wealth, political appointments and justice for those killed by the state apparatus and insensitive administration is the only panacea for national stability and economic productivity.


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Azunwo, E. E. (2019). Re-tilting the Dramatic Realism: the Obari Gomba’s Guerrilla Post Experience. Journal of Gender and Power, 11(1), 89-104.


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