https://pressto.amu.edu.pl/index.php/pt/issue/feedPrzestrzenie Teorii2024-01-05T09:45:10+01:00Prof. zw. dr hab. Anna Krajewskaakraj@amu.edu.plOpen Journal Systems<p class="oczasopismie">„Przestrzenie Teorii" – czasopismo teoretycznoliterackie powstałe w 2002 roku na Wydziale Filologii Polskiej i Klasycznej UAM w Poznaniu jest redagowane i rozwijane we współpracy z Wydziałem Polonistyki Uniwersytetu Jagiellońskiego w Krakowie. "Przestrzenie Teorii" ukazywały się jako rocznik, a od 2007 są półrocznikiem wydawanym przez Wydawnictwo Naukowe UAM w Poznaniu. Pismo jest recenzowane, ma zasięg ogólnopolski, wzbudza również zainteresowanie w uniwersyteckich ośrodkach zagranicznych. Każdy artykuł poprzedza abstrakt w języku angielskim. Pismo skupia autorów z wielu uczelni polskich i zagranicznych, prezentuje też tłumaczenia wybitnych literaturoznawców obcych. Pismo podejmuje i przedstawia kluczowe problemy współczesnej teorii literatury. Stwarza płaszczyznę dialogu naukowego, w którym kontrowersje, spory i komplementarność głosów kształtują i odzwierciedlają świadomość naukową i artystyczną. Prezentuje teksty w różnorodnych metodologiach poruszające problemy zarówno estetyki, jak i poetyki, pokazujące obszary filozofii i przestrzeni fizyki, obejmujące pola teatru i filmu, a także dramatu, plastyki i muzyki, które oświetlają się wzajemnie, korespondują ze sobą lub ujawniają sprzeczności. Pismo ma charakter transdyscyplinarny, uczestniczy we współczesnych dyskusjach z zakresu filozofii nauki, realizuje w swoich założeniach model wielogłosowego, dramaturgicznego literaturoznawstwa. Dramaturgię pisma współtworzą artykuły ułożone w działy: rozprawy, interpretacje, prezentacje, przekłady, recenzje. "Przestrzenie Teorii" przedstawiając interesującą panoramę współczesnych sposobów myślenia, stają się wielowymiarową przestrzenią ponowoczesnej wypowiedzi naukowej, a teoria nie ogranicza się do samej tylko literatury, ale otwiera na rozległe obszary kultury i sztuki.</p> <ul class="oczasopismie"> <li class="show"><a href="https://pressto.amu.edu.pl/index.php/pt/about">POLITYKA FUNKCJONOWANIA CZASOPISMA</a></li> <li class="show"><a href="https://pressto.amu.edu.pl/index.php/pt/issue/current">AKTUALNY NUMER</a></li> <li class="show"><a href="https://pressto.amu.edu.pl/index.php/pt/issue/archive">ARCHIWUM</a></li> </ul> <p class="oczasopismie"><strong>INDEKSOWANE W:<br /></strong><span style="font-size: 0.875rem;">SCOPUS, DOAJ, ERIH; ERIH Plus; CEJSH; Index Copernicus; CEEOL; PKP Index; Google Scholar; WorldCat</span></p> <p class="oczasopismie"><strong><br />WSKAŹNIKI OCENY CZASOPISMA:</strong><br />Punktacja Ministerstwa Edukacji i Nauki (2023): <strong>100<br /></strong>Index Copernicus Value ICV: 2022 = <strong style="font-size: 0.875rem;">116.37<br /></strong><strong style="font-size: 0.875rem;"><strong>h5-index: 2 </strong></strong></p> <p><br /><a title="SCImago Journal & Country Rank" href="http://www.scimagojr.com/journalsearch.php?q=21100777205&tip=sid&exact=no"><img src="http://www.scimagojr.com/journal_img.php?id=21100777205" alt="SCImago Journal & Country Rank" border="0" /></a></p> <p class="oczasopismie"><strong>DOI: </strong><a href="https://pressto.amu.edu.pl/index.php/pt/index">10.14746/pt</a></p> <p class="oczasopismie"><strong>ISSN (Print): </strong>1644-6763 <strong>ISSN (Online): </strong>2450-5765</p> <p class="oczasopismie"><strong><br />Prace publikowane w czasopiśmie od nr 24 2015 r. dostępne są na <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">licencji Creative Commons Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 4.0 </a></strong></p> <p class="oczasopismie"><strong><img src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Creative Commons License" /></strong></p> <div class="oczasopismie"><strong> </strong></div> <div class="oczasopismie"><strong><img src="https://pressto.amu.edu.pl/public/site/images/aws/przestrznie-teorii-plakat--budzet--panstwa--small.jpg" alt="" width="449" height="635" /></strong></div> <div class="oczasopismie"> </div>https://pressto.amu.edu.pl/index.php/pt/article/view/41254Spis treści2024-01-05T09:36:58+01:00Redakcja PTpressto@amu.edu.pl2023-12-29T00:00:00+01:00Prawa autorskie (c) 2023 Redakcja PThttps://pressto.amu.edu.pl/index.php/pt/article/view/41205Wspomnienie o Profesorze Stanisławie Balbusie2024-01-03T17:44:37+01:00Anna Burzyńskaanna.burzynska@uj.edu.pl<p>The article concerns the recently deceased Professor Stanisław Balbus as a literary scholar, literary critic, academic teacher and poet.</p>2023-12-29T00:00:00+01:00Prawa autorskie (c) 2023 Anna Burzyńskahttps://pressto.amu.edu.pl/index.php/pt/article/view/41225Spłakane deszczem...2024-01-04T07:53:33+01:00Anna Krajewskaakraj@amu.edu.pl<p>A text dedicated to the memory of Professor Stanisław Balbus, a member of the Editorial Committee of the journal “Przestrzenie Teorii” [Spaces in Theory].</p>2023-12-29T00:00:00+01:00Prawa autorskie (c) 2023 Anna Krajewskahttps://pressto.amu.edu.pl/index.php/pt/article/view/41202O Kronosach. Garbaczewski rozczytuje Gombrowicza2024-01-03T16:59:25+01:00Judyta Pogonowiczjudyta.pogonowicz@doktorant.up.krakow.pl<p>The article presents the performance Kronos, directed by Krzysztof Garbaczewski in 2013. The performance was an immediate reaction to the extremely intimate work of art written by Witold Gombrowicz. Garbaczewski is involved in reading and staging Gombrowicz’s work since 2008. The article highlights how the creative method presented in Kronos is portrayed by actors during the performance. Moreover, the author shows the phenomenon of poetry epiphany in the play, the coexistence of corporeality and the mind, the processes of tabooisation of the body and mediatization in the play. The author points to common points in the works of Gombrowicz and Garbaczewski. She also draws attention to how the writer’s authority is invoked, a process through which the director legitimises the theatrical exploration.</p>2023-12-29T00:00:00+01:00Prawa autorskie (c) 2023 Judyta Pogonowiczhttps://pressto.amu.edu.pl/index.php/pt/article/view/41203Różne marginesy2024-01-03T17:20:37+01:00Anna Artwichannaartwich@gmail.com<p>The article contains a review of bell hooks’ Feminist Theory: From Margin to Center (1984; Wydawnictwo Krytyki Politycznej, Warszawa 2013, second edition 2022). The text by the American scholar presents groundbreaking theses for the development of the Black feminism movement – she was one of the first to draw attention to the need to take into account various social determinants of violence against women. At the same time, it emphasizes the exclusionary and marginalizing assumptions of second-wave feminism that dominated in the mid-twentieth century. In my review, I reflect on the importance of republishing a theoretical book that examines the systemic violence faced by Black women in a patriarchal and white society. For me, it is important to ask about the relevance of hooks’ reflections and the role they play in thinking about feminism in contemporary capitalist society. I also reflect on the applicability of hooks’ theory in Polish feminism context.</p>2023-12-29T00:00:00+01:00Prawa autorskie (c) 2023 Anna Artwichhttps://pressto.amu.edu.pl/index.php/pt/article/view/41255„Innobyty” – kres antropocentryzmu, początek człowieczeństwa?2024-01-05T09:45:10+01:00Anna Krajewskaakraj@amu.edu.pl<p>Editorial on the concept of other beings (non-human beings) towards the end of anthropocentrism, a new dimension of humanity, devoted to aesthetics related to the creation of ontoepistemology.</p>2023-12-29T00:00:00+01:00Prawa autorskie (c) 2023 Anna Krajewska https://pressto.amu.edu.pl/index.php/pt/article/view/41188Herbert George Wells. Socjalizm, utopia i melancholia2024-01-03T08:32:12+01:00Jerzy Franczakjerzy.franczak@uj.edu.pl<p>The article is a review of the most important works by Herbert George Wells in terms of the relationship between futurological vision, projected ideal and knowledge about the past. Wells is usually associated with a prospective attitude, with forecasting the future and modeling its desired image. Indeed, his science fiction novels, treatises and utopias try to answer the question of the paths of civilization’s development. But this work is accompanied by constant analysis of the past, correcting the scenarios of past events and shaping their new version. On the one hand, the retroactive formation of historical matter supports a utopia with a socialist profile, and on the other, it prevents its stabilization and closes it in the circle of left-wing melancholy, as described by Enzo Traverso. Some of the writer’s progressive ideas seem to be patient self-persuasion, others – such as fantasies about “fortunate disasters” – can be understood as attempts to escape from melancholy. Breaking free from its power, however, comes at a high price: it is the end of the socialist utopia, the abandonment of the idea of progress and the optimistic history of philosophy.</p>2023-12-29T00:00:00+01:00Prawa autorskie (c) 2023 Franczak Jerzyhttps://pressto.amu.edu.pl/index.php/pt/article/view/41189Bruegel według Majewskiego. Literackie i malarskie problemy adaptacji2024-01-03T08:53:30+01:00Seweryna Wysłouchsewwys@onet.pl<p>Lech Majewski’s The Mill and the Cross (2011) is a full-length feature film, a screen adaptation of Pieter Bruegel’s painting The Way of the Cross (1564). Majewski proves to be an excellent interpreter of Bruegel’s art, whom he considers a philosopher, an epic, and a poet. He relies on the research of Michael F. Gibson, and in his plotting he draws on a long-standing tradition of literary experience and digital technology (without this, it would have been impossible to faithfully reproduce the overall plan and realities of the painting). Majewski exposes the palimpsest nature of the narrative and shapes the film like a contemporary novel of space. In order to make the ideas of the screened painting comprehensible and to emphasize the fictionality of the depicted world, he introduces various versions of “literature about literature”. In the film, he perfectly integrates painterly features (word reduction, stop motion, long static camera shots) and literary features (the structure of an episodic novel of manners).</p>2023-12-29T00:00:00+01:00Prawa autorskie (c) 2023 Seweryna Wysłouchhttps://pressto.amu.edu.pl/index.php/pt/article/view/41190Święta ironia. Dwa oblicza parodii ekfrazy katedry w Pani Bovary Gustave’a Flauberta 2024-01-03T09:17:37+01:00Piotr Shuklapioshu@amu.edu.pl<p>This article aims to analyze the use of parodic ekphrasis of the cathedral in Gustave Flaubert’s Madame Bovary. This matter was first brought to attention by Małgorzata Czermińska, who pointed out the satirical nature of the literary description of the gothic church in Rouen. However, to truly understand the way in which the novelist transformed the traditional formula of ekphrasis in Madame Bovary one must consider two drastically different dimensions of this treatment. The inspiration for this division comes from the work of Renata Lis, who argued that Flaubert’s work is marked by a fundamental ambivalence concerning spirituality, resulting in a variety of representations of holiness in his novels. On one hand, the parody of ekphrasis in the novel serves the most obvious function – it’s a cause for the mockery of the bourgeoisie and its distorted spiritual and aesthetic sensibilities. On the other hand, the parodic aspect of the discussed fragment is reminiscent of Olga Freudenberg’s approach. According to this Russian scholar, the essence of parody is not expressed through comedy and ridicule but rather through tragedy and an inseparable connection to the sacred. Such an understanding of the parodic ekphrasis of the gothic temple in Madame Bovary highlights the remarkable consistency with which Flaubert reflected on the existential condition of the protagonist. Emma’s inability to grasp the aesthetic values and sanctity of the cathedral expresses her tragic tendency to misrecognize, which leads to the novel’s somber finale.</p>2023-12-29T00:00:00+01:00Prawa autorskie (c) 2023 Piotr Shuklahttps://pressto.amu.edu.pl/index.php/pt/article/view/41191Multimodalność wtórna i widzialność tomograficzna na przykładzie Nakarmić kamień Bronki Nowickiej2024-01-03T09:39:26+01:00Maciej Mazurmaciej_mazur@interia.eu<p>The research paper presents the concept of secondarily multimodal work, which problematizes the status of e.g.: visual elements added to further editions of an initially monomodal text in the context of its interpretation. This issue is discussed using the example of Bronka Nowicka’s volume To Feed a Stone (2015; 2017), which was expanded in the second edition with photographs and tomographs of the objects described. The analysis shows that some added graphic elements break up the coherence of the narrative and both reinforce and undermine the mimesis in the work. They function based on the principle of a Derridean supplement: they complement and condition the content of the verbal passages. The article concludes with a study of art volumes that are part of Nowicka’s intermedia project focusing on exploring the relationship between image and memory.</p>2023-12-29T00:00:00+01:00Prawa autorskie (c) 2023 Maciej Mazurhttps://pressto.amu.edu.pl/index.php/pt/article/view/41192Kod, platforma, interfejs. Strategie czytania Nieszuflady w perspektywie krytyki genetycznej na przykładzie twórczości Tomasza Pułki2024-01-03T09:59:07+01:00Paulina Chorzewska-Rubikp.chorzewska@uw.edu.pl<p>The article discusses the strategy of reading the body of texts published by Tomasz Pułka on the Nieszuflada poetry portal, which is almost completely overlooked in literary reception and publishing practice. The author answers the question of how the technological aspects of the publication, such as the user interface and code, are relevant in the context of the philological and genetic reading of the texts posted on the portal. The source code of the website is treated as material for philological research.</p>2023-12-29T00:00:00+01:00Prawa autorskie (c) 2023 Paulina Chorzewska-Rubikhttps://pressto.amu.edu.pl/index.php/pt/article/view/41193Tęsknota za człowieczeństwem. Dehumanizacja w muzyce gry Cyberpunk 20772024-01-03T10:26:39+01:00Tomasz Bonikowski tomasz.bonikowski@us.edu.pl<p>Video games are often analysed as textual objects. This default literary point of view, while providing valuable conclusions, fails to observe some essential points that are realised in different modes of narration. Here I will analyse the Cyberpunk 2077 video game from a musical perspective. I will be “listening to” the game rather than “reading” it. This kind of hermeneutical approach will highlight certain ideas of CP2077. I will focus on the issue of dehumanisation, and show that musically the game places special emphasis on this. I will point out the musical characteristics that can affect players and interpret the rationale behind it.</p>2023-12-29T00:00:00+01:00Prawa autorskie (c) 2023 Tomasz Bonikowskihttps://pressto.amu.edu.pl/index.php/pt/article/view/41194Realizacja projektu „człowieka czułego” w Dzienniku wojskowym z 1813 r. i Wspomnieniach mojej młodości Kazimierza Brodzińskiego2024-01-03T12:00:25+01:00Patrycja Bąkowskapb33211@amu.edu.pl<p>The article is devoted to the anthropological “man of feelings” project. This pattern, formed in the 18th century, found its most well-rounded form in Franciszek Karpiński’s work. However, it is worth considering how the “man of feelings” project functioned in the late Enlightenment. This kind of perspective may give an opportunity to show “the long duration” of sentimentalism, defined not only as a literary movement but also a set of anthropological attitudes and ideas, playing a crucial role in Polish culture in the first decades of the 21st century. Kazimierz Brodziński’s literary legacy is one of the most important examples of this phenomenon.</p>2023-12-29T00:00:00+01:00Prawa autorskie (c) 2023 Patrycja Bąkowskahttps://pressto.amu.edu.pl/index.php/pt/article/view/41195Thomas Hettche Pfaueninsel (2014): powieść historyczna jako współczesna refleksja o Innym2024-01-03T12:15:28+01:00Katarzyna Lukaskatarzyna.lukas@ug.edu.pl<p>The paper deals with Thomas Hettche’s novel Pfaueninsel, which is interpreted as a story about the Other. The category of otherness refers to the main character, Marie Strakon, a dwarf in the service of the King of Prussia in the 19th century, and to the place of action, Peacock Island near Berlin. Hettche’s historiographical metafiction is a fictional biography of a woman whose physical otherness places her in opposition to the orders established by humans: social, cultural, aesthetic, and historical. Peacock Island, in turn, transformed into an artificial paradise, is a heterotopic sphere of otherness contrasting with Berlin, an urban space of civilisation, progress, and the Industrial Revolution. The story of the Peacock Island biotope illustrates the emergence and evolution of ecological consciousness in the 19th century; it constitutes a motif of non-anthropocentric history being “the Other” of the ‘great’ history of humans. The paper shows how different dimensions of otherness are constructed in relation to the main protagonist and to the island space.</p>2023-12-29T00:00:00+01:00Prawa autorskie (c) 2023 Katarzyna Lukashttps://pressto.amu.edu.pl/index.php/pt/article/view/41197Kinship w ujęciu posthumanistycznym. Międzygatunkowe rodziny przyszłości2024-01-03T15:25:53+01:00Grażyna Gajewskagajewska@amu.edu.pl<p>The author analyzes the works of Patricia Piccinini (sculpture), Shaun Tan (literature) and Joon-ho Bong (film) in terms of the post-humanist idea of interspecies familiarity. The text begins with an explanation of the term Kinship, and then indicates to what extent post-humanism extends its scope and describes the emotional ties between human and other-than-human members of the household. The author presents this kind of post-humanist, multi-genre family life in three different versions: in the field of visual arts, these will be works from the Welcome Guest, and Families of the Future by Piccinini, in the field of the literature – Tan’s Tales from the Inner City, and the film representation – Okja by Bong. Although each of these works brings out slightly different aspects and contexts of the post-humanist vision of the concept of Kinship, they share an openness to what is other-than-human, combined with care and tenderness.</p>2023-12-29T00:00:00+01:00Prawa autorskie (c) 2023 Grażyna Gajewskahttps://pressto.amu.edu.pl/index.php/pt/article/view/41198Dehumanizing Discourses: Margaret Atwood’s MaddAddam Trilogy on Post-Humans2024-01-03T15:37:15+01:00Izabela Porębaizabela.poreba@uwr.edu.pl<p>This paper examines four discursive strategies: colonizing, animalizing, infantalizing and (plant) vegetative that characters in Margaret Atwood’s MaddAddam trilogy use to name the Crakers, post-humans with modified DNA structure. In discussing them, I expose a dehumanizing effect this seemingly neutral processes of naming and describing have. The interpretative findings discussed in this paper constitute a response to largely anthropocentrically oriented extensive criticism on Atwood’s writing. By questioning the neutrality of the narrative through a postcolonial reading of the trilogy, I argue that MaddAddam challenges the divisions between human and non-human. The paper investigates whether these dehumanizing discursive tactics of animalization, colonization, infantilism or vegetation, which are fundamentally oppressive, can become a means of resistance.</p>2023-12-29T00:00:00+01:00Prawa autorskie (c) 2023 Izabela Porębahttps://pressto.amu.edu.pl/index.php/pt/article/view/41199Homoerotyzm a homoestetyka w dziełach literackich Ołesia Ulianenki2024-01-03T16:08:06+01:00Feliks Shteinbukfeliks.shteinbuk@uniba.skYulia Gordiienkoyulia.gordiienko@uniba.sk<p>The article is devoted to the literary heritage of Oles Ulianenko, who was virtually the only national author addressing LGBTQIA+ subject matter. The corporal-mimetic method was applied to analyze fiction works, which enabled us to draw a number of meaningful conclusions. On the one hand, LGBTQIA+ themes are typologically represented by a variety of images which are characterized by both an ironic dimension and dramatic pathos, interpreted not in ethical but in aesthetic terms. On the other hand, Oles Ulianenko was the first to shift homosexuality into the visible realm, and to represent the “splendors and miseries” (H. de Balzac) of homoeroticism to Ukrainian society; who, with his sexualized, homosexualized and lesbian narrative of his literary works attempted to speak of a future when his country would overcome the lack of social and sexual freedom.</p>2023-12-29T00:00:00+01:00Prawa autorskie (c) 2023 Feliks Shteinbuk, Yulia Gordiienkohttps://pressto.amu.edu.pl/index.php/pt/article/view/41200Jean-Luc Nancy: przyjemność (w) dekonstrukcji2024-01-03T16:44:49+01:00Bartosz Kowalikbartosz.kowalik@doctoral.uj.edu.pl<p>The article deals primarily with the concept of pleasure in Jean-Luc Nancy’s thought. It occurs in many texts by the philosopher and connects with key concepts of his deconstructive project: the body, relational ontology and the writing. For Nancy, pleasure is, among other things, a particular somatic experience, the effect of peculiar writing practice, and finally, the experience of non-identity of a singular plural subject. The distinctive feature of pleasure (in various conceptualizations) is the opening that it makes every time, which Nancy derives from his deconstructive considerations on the works of Freud, Kant and Barthes. In the thesis, Nancy’s revised concept of pleasure as an opening is also referenced to Derrida’s thought in order to analyse the general relations between pleasure and deconstruction and to consider how deconstruction can be a source of pleasure.</p>2023-12-29T00:00:00+01:00Prawa autorskie (c) 2023 Bartosz Kowalik