Abstrakt
A gifted professor constructs a combat machine at a secret military base. He equips a cyborg with human traits; personality, emotions and memories of his deceased wife. Numero Uno, known as ‘Laura’, is the heroine of the precursory novel entitled Il Grande Ritratto published by Dino Buzzati in 1960. In this article, I try to extract her human and inhuman features and try to place this into a post or transhumanist concept. I consider the balance of these traits, taking into account the author’s relationship to the essence of humanity, of which he spoke about in interviews.
Licencja
Prawa autorskie (c) 2020 Joanna Bartkowiak

Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne 4.0 Międzynarodowe.
