Symbolae Philologorum Posnaniensium Graecae et Latinae 2020-12-30T09:18:36+00:00 Monika Miazek-Męczyńska, Marlena Puk Open Journal Systems <p class="oczasopismie"><strong>OPIS CZASOPISMA</strong><br>„Symbolae Philologorum Posnaniensium Graecae et Latinae” powołano do życia w roku 1973 w ówczesnej Katedrze Filologii Klasycznej UAM jako pismo periodyczne poznańskiego środowiska naukowego filologów klasycznych, otwarte również dla innych ośrodków filologicznych w Polsce oraz dla przedstawicieli pozostałych dyscyplin naukowych, zajmujących się antykiem greckim i rzymskim. Założycielem czasopisma i redaktorem pierwszych tomów był prof. Jan Wikarjak. Redaktorami prowadzącymi „Symbolae” byli i są stale profesorowie filologii klasycznej UAM. Artykuły w SPhP są drukowane w języku polskim, a także, od samego początku, część z nich ukazuje się w językach zachodnioeuropejskich oraz w języku łacińskim. Pojawiają się także autorzy z zagranicznych ośrodków naukowych. Wszystkie artykuły zaopatrzone są w abstrakty oraz summaria w językach obcych. Drukowane są tylko prace oryginalne, które przejdą pomyślnie proces recenzji.</p> <ul class="oczasopismie"> <li class="show"><a href="/index.php/sppgl/about">POLITYKA FUNKCJONOWANIA CZASOPISMA</a></li> <li class="show"><a href="/index.php/sppgl/issue/view/3">AKTUALNY NUMER</a></li> <li class="show"><a href="/index.php/sppgl/issue/archive">ARCHIWUM</a></li> </ul> <div class="oczasopismie"><strong>INDEKSOWANE W:</strong> <p>CEJSH; INDEX COPERNICUS; WorldCat; Google Scholar; CEEOL, ERIH PLUS</p> </div> <div class="oczasopismie"><strong>WSKAŹNIKI OCENY CZASOPISMA: </strong> <p><img src="/public/piotr/ikonki/gs_2.png" alt=""><br><br><strong>MNiSW: 13 punktów (do 2018 roku)</strong><br><br><strong>Index Copernicus</strong> IVC 65,8 (2017)</p> </div> <div class="oczasopismie"><strong>DOI: </strong>10.14746/sppgl</div> <div class="oczasopismie"><strong>ISSN: </strong>0302-7384</div> <div class="oczasopismie"><strong>PRACE PUBLIKOWANE W CZASOPIŚMIE DOSTĘPNE SĄ NA LICENCJI CREATIVE COMMONS:</strong></div> <div class="oczasopismie"><strong>Od 2016 r. do 09.2020 r. <a href="" rel="license">Uznanie autorstwa - Bez utworów zależnych 4.0 Międzynarodowe</a>.</strong><br><a href=""><img src="/public/piotr/cc/cc_4_by_nd.png" alt="CC_by-nd/4.0" border="0"></a></div> <div class="oczasopismie"><strong>Od 10. 2020 r.&nbsp; publikowane na <a href="" rel="license">licencji Creative Commons Uznanie autorstwa 4.0 Międzynarodowe</a>.</strong></div> <div class="oczasopismie"><a href="" rel="license"><img style="border-width: 0;" src="" alt="Licencja Creative Commons"></a><br><br></div> Natura i charakterystyka bogów w mitologii 2020-12-30T09:18:29+00:00 Silvio Bär <p>This article is intended for students and teachers of classical mythology. It gives an overview of the nature and the characteristics of the gods in Greek and Roman mythology, explaining what the Greek and Roman gods are and what they are not. Furthermore, the relationship between gods and humans in classical mythology is discussed.</p> 2020-12-15T00:00:00+00:00 Copyright (c) 2020 Silvio Bär Cagnazzo Daniela Immacolata, Alcune note su Eschilo (?), P.OXY. XX 2247 2020-12-30T09:18:27+00:00 Daniela Immacolata Cagnazzo <p>This paper analyzes P.Oxy. XX 2247, which is attributed to Aeschylus on the paleographic basis. After a general presentation of the papyrus, a linguistic commentary is proposed, suggesting, where it is possible, some remarks and overall reconstruction of the context; moreover, we discuss elements that confirm the attribution of this work to Aeschylus.</p> 2020-12-15T00:00:00+00:00 Copyright (c) 2020 Daniela Immacolata Cagnazzo De Aeschyli Amymona satyrica 2020-12-30T09:18:25+00:00 Paulus B. Cipolla <p>The paper offers a survey of Aeschylus’ satyr drama Amymone, which was staged probably in 463 BC together with the trilogy of the Danaids. After discussion on the argument of the play and its possible reconstruction, the three surviving fragments are presented with critical text, Latin translation and thorough commentary.</p> 2020-12-15T00:00:00+00:00 Copyright (c) 2020 Paulus B. Cipolla Hipercortesía verbal en Eurípides 2020-12-30T09:18:23+00:00 Sandra Rodríguez-Piedrabuena <p>This paper presents an overview of the theoretical background on over- and under-politeness as well as on conventionalised irony. It goes on to explore these phenomena in relation to a collection of suppliant scenes by Euripides, since they are easy to compare in terms of the narrative pattern and the role performed by the characters. Along with other examples from the sample, this article attempts to propose that the idioms οὐκ οἶδ’ ἐγώ ‘I am not aware that’, ὡς ἔοικε ‘it seems’ and βούλῃ (+ subj. / acI); ‘do you want…?’, εἰ βούλῃ ‘if you want’ are likely cases of conventionalised overpoliteness.</p> 2020-12-15T00:00:00+00:00 Copyright (c) 2020 Sandra Rodríguez-Piedrabuena Sąd Parysa. Widowisko pantomimiczne (w relacji filozoficznego osła) 2020-12-30T09:18:33+00:00 Anna Maria Wasyl <p>This paper focuses on the description of a pantomimic spectacle given by Apuleius in the 10th book of his Metamorphoses. Set in a theater in Corinth and narrated by Lucius the ass, this performance relates the story of the judgment of Paris. Lucius, as the viewer of the performance (and, from our perspective, its main teller), styles himself as an objective ‘connoisseur’ of the art of pantomime. Upon a closer look, however, one realizes that he has been absorbed by the scenic illusion and takes it for his own reality. Consequently, despite his penchant for philosophizing, he turns out to be not merely Lucius the ass, but an asinine philosopher, indeed.</p> Copyright (c) 2020 Laughing at Numbers: Evidence for Numeracy in the “Philogelos” 2020-12-30T09:18:34+00:00 Kai Brodersen <p>Ancient numeracy is reasonably well attested in scientific sources. However, any study of applied mathematics faces the problem of a dearth of evidence. The paper suggests that the jokes collected in the “Philogelos” provide such evidence, and discusses the failings which are referred to in these jokes.</p> Copyright (c) 2020 Plautyńskie maski w komedii „La Cassaria” Ludovica Ariosta 2020-12-30T09:18:36+00:00 Klaudia Stachowicz <p>The aim of the paper is to indicate the common features of the characters of Ludovico Ariosto’s Renaissance comedy La Cassaria with their Plautine prototypes. The article explores, therefore, how Roman concepts went onto influence Ariosto with regards to character creation and the use of names that belong to the category of nomen omen.</p> Copyright (c) 2020 Uwagi do łacińskich inskrypcji z fary poznańskiej 2020-12-30T09:18:30+00:00 Rafał Rosół <p>The Parish Church in Poznań (the former Jesuit Church) is known to house about 200 Latin inscriptions. The majority of them have not been investigated in detail yet. The paper deals with six different inscriptions that require some comments from the philological or cultural point of view.</p> 2020-10-15T00:00:00+00:00 Copyright (c) 2020