Diálogos metaficcionales e intermediales (II) entre Agustín Fernández Mallo y Enrique Vila-Matas
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Słowa kluczowe

Metafiction
intermediality
Darío Villanueva
Umberto Eco
Agustín Fernández Mallo
Enrique Vila-Matas
Nocilla Lab

Jak cytować

Gil González, A. J. (2013). Diálogos metaficcionales e intermediales (II) entre Agustín Fernández Mallo y Enrique Vila-Matas. Studia Romanica Posnaniensia, 40(2), 39–49. https://doi.org/10.14746/strop.2013.402.003

Abstrakt

The essay, dedicated to Darío Villanueva, one of the most important Spanish specialists in literary theory and comparative literature of the 20th century, explores in the first part his contribution to the research on metaliterature and metafiction in the Spanish contemporary novel of the decades of 1980-1990. His works establish the relationships of these concepts with postmodernity theories and with umberto Eco’s thesis in Il nome della rosa, Postille and other relevant essays of the Italian author. In the second part of the text, the aim is to apply these concepts of literary self-consciousness and reflexivity in the novel as a story-telling device in the work of one of the most relevant Spanish young writers of the 21st Century, Agustín Fernandez Mallo’s Nocilla Lab. In this sense, we will focus the ending sequence, written (and designed) in form of a comic book or graphic novel, in which the young author puts himself beside the more recognized Enrique Vila-Matas, as an allegoric and fictional reflection of Pierre Bourdieu’s theories about the literary field.
https://doi.org/10.14746/strop.2013.402.003
PDF (Español (España))

Bibliografia

Andrés-Suárez, Irene; Casas, Ana [eds.] (2002): Enrique Vila-Matas. Neuchâtel: Cuadernos de Narrativa, 7 (universidad de Neuchâtel).

Eco, Umberto (1984): Apostillas a “El nombre de la rosa”. Barcelona: Lumen.

Fernández Mallo, Agustín (2006): Nocilla dream. Barcelona: Candaya.

Fernández Mallo, Agustín (2008): Nocilla Experience. Madrid: Alfaguara.

Fernández Mallo, Agustín (2009): Nocilla Lab. Madrid: Alfaguara.

Fernández Mallo, Agustín (2011): El hacedor (de Borges). Remake. Madrid: Alfaguara.

Fernández Porta, Eloy (2007): Afterpop. La literatura de la implosión mediática. Córdoba: Berenice.

Mora, Vicente Luis (2007): La luz nueva. Singularidades en la narrativa española actual. Córdoba: Berenice.

Vila-Matas, E. (2002): “Aunque no entendamos nada”. In: Irene Andrés Suárez y Ana Casas [eds.], Enrique Vila-Matas. Nauchâtel: Cuadernos de Narrativa, 7 (Universidad de Neuchâtel), 11-25.

Villanueva, Darío (1987): “La novela”. In: Andrés Amorós [ed.], Letras españolas (1976-1986). Madrid: Castalia, 19-64.

Villanueva, Darío [ed.] (1992): Los nuevos nombres (1975-1990). Historia y crítica de la literatura española, volumen 9 [Francisco Rico (dir.)]. Barcelona: Crítica.

Villanueva, Darío (1996): “El Quijote desde la novela española actual”. In: Irene Andrés Suárez y Ana Casas [eds.], Huellas del Quijote en la Narrativa Española Contemporánea. Neuchâtel: Cuadernos de Narrativa, 1 (Universidad de Neuchâtel), 13-31.