https://pressto.amu.edu.pl/index.php/srp/issue/feed Studia Romanica Posnaniensia 2020-06-17T07:44:18+00:00 dr Anna Godzich annas@amu.edu.pl Open Journal Systems <p class="oczasopismie"><strong>OPIS CZASOPISMA</strong>:<br>„Studia Romanica Posnaniensia” to czasopismo naukowe poświęcone szeroko pojmowanym badaniom nad językiem i literaturą. Wydawane jest od 1971 roku; obecnie ma formę kwartalnika. Zakres tematyczny czasopisma obejmuje publikacje poświęcone językoznawstwu i historii języków romańskich, badaniom nad literaturą obszarów romańskojęzycznych, problemom akwizycji języka obcego, teorii tłumaczenia, teoretycznym aspektom formacji zawodowej i naukowej nauczycieli języków romańskich oraz badaniom kulturowym dotyczącym krajów, w których używane są języki romańskie. W skład komitetu naukowego „Studia Romanica Posnaniensia” wchodzą wybitni literaturoznawcy, językoznawcy i tłumacze wywodzący się z ośrodków naukowych w Polsce i za granicą.</p> <ul class="oczasopismie"> <li class="show"><a href="/index.php/srp/about">POLITYKA FUNKCJONOWANIA CZASOPISMA</a></li> <li class="show"><a href="/index.php/srp/issue/current">AKTUALNY NUMER</a></li> <li class="show"><a href="/index.php/srp/issue/archive">ARCHIWUM</a></li> </ul> <div class="oczasopismie"><strong>INDEKSOWANE W:</strong> <p>INDEX COPERNICUS INTERNATIONAL - IC JOURNALS MASTER LIST; EBSCO PUBLISHING; SCOPUS; ERIH - (2007-2014); ERIH PLUS 2015; CSA LINGUISTICS AND LANGUAGE BEHAVIOR ABSTRACTS; CEJSH; PKP Index; Primo; WorldCat; Cabell's; Google Scholar; DOAJ</p> </div> <div class="oczasopismie"><strong>WSKAŹNIKI OCENY CZASOPISMA: </strong> <p><strong>MNiSW: 100</strong></p> <p><strong>ICV 2019:&nbsp;120,70</strong></p> <p><img src="/public/piotr/ikonki/gs_2.png" alt=""></p> <p><strong>DOI: </strong>10.14746/strop</p> </div> <div class="oczasopismie"><strong>ISSN (Print): </strong>0137-2475 <strong>ISSN (Online): </strong>2084-4158</div> <div class="oczasopismie"><strong>PRACE PUBLIKOWANE W CZASOPIŚMIE DOSTĘPNE SĄ NA LICENCJI CREATIVE COMMONS:</strong><br><a href="http://creativecommons.org/licenses/by-nc-sa/4.0/"><img src="/public/piotr/cc/cc_4_by_nc_sa.png" alt="CC_by-nd/4.0" border="0"></a></div> https://pressto.amu.edu.pl/index.php/srp/article/view/23237 Índice 2020-06-17T07:41:32+00:00 . . pressto@amu.edu.pl 2020-03-15T00:00:00+00:00 Copyright (c) 2020 https://pressto.amu.edu.pl/index.php/srp/article/view/23222 Nota de la editora 2020-06-11T21:50:38+00:00 Magda Potok pressto@amu.edu.pl Copyright (c) 2020 https://pressto.amu.edu.pl/index.php/srp/article/view/23174 Parodia, intertextualidad y sátira en la narrativa policial de Lorenzo Lunar Cardedo 2020-06-12T09:33:00+00:00 Jesús Gómez-de-Tejada jgomezdetejada@us.es <p>Detective fiction as parodic reformulation of genre’s defining patterns has a long history in the Latin American tradition: Borges, Bioy Casares, Soriano, Levrero, Ibargüengoitia, etc. Besides, the evolution of Latin American detective genre has always been characterized by a progressive focalization in the social aspects over the detective story line which has served as a mask to depict in a critical way the flaws of the region’s societies and governments. In nowadays Cuba it could be highlighted the crime narrative of parodic slant by Lorenzo Lunar Cardedo. Among the major features of Lunar Cardedo’s style there are the marginal atmospheres, the stylization of popular speech, the intertextuality, the humor, the parody, and the social criticism. This article focuses on the parodic, intertextual and satiric aspects of his work, particularly discernible in the novel Proyecto en negro (2013), in which the author emphasizes – in opposition to the official discourse – the perpetuation of corrupt, chauvinist, racist, and homophobic behaviors in contemporary Cuba, while relaxing the genre formula limits in order to follow a much more irreverent path within the new Latin American detective fiction.</p> 2020-03-15T00:00:00+00:00 Copyright (c) 2020 https://pressto.amu.edu.pl/index.php/srp/article/view/23214 ¿Hacia una renovación de la Historia? Post-apocalipsis, ideología y lengua en Mecanoscrito del segundo origen de Manuel de Pedrolo 2020-06-12T09:35:10+00:00 Alfons Gregori alfons@amu.edu.pl <p>The aim of the present paper is to determine several fissures and inconsistencies leading to unsolvable ambiguities of meaning in Manuel de Pedrolo’s novel Typescript of the second origin by means of a critical analysing of its linguistic and ideological issues, specially its religious groundwork – which is both stylistic and related to ideological content. However, some elements weaken the narrative’s disrupting character, making almost inevitably the failure of this revolution, as it is evidenced in the epilogue. In short, Predolo’s novel may be interpreted as a strong claim against History.</p> Copyright (c) 2020 https://pressto.amu.edu.pl/index.php/srp/article/view/23215 El grito de los «fracasados». Sobre Mariluz y el largo etcétera de Alejandro Cuevas 2020-06-12T09:35:07+00:00 Katarzyna Gutkowska-Ociepa katarzyna.gutkowska@us.edu.pl <p>The purpose of the article is to reflect upon the role of political context in the short story collection published by Alejandro Cuevas in 2018: Mariluz y el largo etcétera. The politics is defined here according to one of the most commented theory of the aesthetics by Jacques Rancière and his concept of the “sensible”. It also focuses on the impact of the democratization of the subject-matter presented in the literary works of art since 19th century. Rancière’s approach together with considerations by Gonzalo Navajas, Vicente Luis Mora and others on the specificity of Spanish contemporary narrative reveal the intensity of the collective anxiety and problematical aspects of socio-economic reality that permeate the short stories by Cuevas, letting the reader notice in them glimpses of the series of issues regarding the Bubble Generation, sometimes also referred to as the Millennials or the 15-M Movement and other groups forming Spanish contemporary society. Cuevas manages to build in the political context without afflicting neither the humour nor the engaging expressiveness of his literary style.</p> Copyright (c) 2020 https://pressto.amu.edu.pl/index.php/srp/article/view/23216 Política y escritura de frontera en La hija extranjera de Najat El Hachmi: la migrante como paria 2020-06-12T09:32:42+00:00 Cristina Jiménez Gómez l62jigoc@uco.es <p>The autofictional novel La hija extranjera (2015), by the Catalan-Moroccan author Najat El Hachmi, is linked to the figure of exclusion and to what, in particular, Hannah Arent called “modern pariah”. Her literary writing vindicates a border thinking and the vision of a fragmentary, multiple and plural migrant female subject –contrary to the unitary male hegemonic subject – that shows, in Jacques Rancière’s terms, the close relationship that literature maintains with politics.</p> 2020-03-15T00:00:00+00:00 Copyright (c) 2020 https://pressto.amu.edu.pl/index.php/srp/article/view/23184 Funciones narrativas e ideológicas de los personajes de inmigrantes y de sus descendientes en la narrativa española 2020-06-12T09:32:44+00:00 Marcin Kołakowski m.kolakowski@uw.edu.pl <p>The present paper is aimed to analyze how certain concepts of political identity are translated into poeticsof identity in contemporary Spanish narrative. The analysis covers four novels published since 1998,written by Spanish authors and which achieved high rates of sales and positive critical recognition. Thestudy was not limited to specific immigrant groups in order to reflect a variety of experiences and politicalpositions represented in the texts. The paper is a study of the image and functions of immigrantcharacters in selected Spanish novels of the last three decades: Háblame, musa, de aquel varón (1998) by Dulce Chacón, Ventajas de viajar en tren (2000) by Antonio Orejudo, Cosmofobia (2007) by Lucía Etxebarria and En la orilla (2013) by Rafael Chirbes. Sociologists and psychologists indicate three main classes of negative attitudes towards immigrants (citizen insecurity, threat to cultural identity and competitiveness in obtaining resources). Within this context the article aims to determine to what extent the literary representations of immigrant characters constitute reproductions or transgressions of culturally prefabricated images of the Other and explores the different narrative and ideological functions these characters play. The paper also studies the presence of discourses that support social exclusion of immigrants and the means of subverting them.</p> 2020-03-15T00:00:00+00:00 Copyright (c) 2020 https://pressto.amu.edu.pl/index.php/srp/article/view/23217 «Digo carne»: La repolitización del cuerpo femenino en la narrativa de Marta Sanz 2020-06-12T09:32:39+00:00 Concepción Martín Huertas martinhuertas.c@gmail.com <p>With the start of the new century, and especially during the last decade, many writers are starting to putt he focus on the body and its various problems derived from the current socioeconomic system. One of them is Marta Sanz, for whom, in her own words, writing consists of “naming the body” and, thanks to that, “conquering the territory”. His discourse is frontally opposed to the discourse of postmodernity and to the models of advanced capitalism, above all and more consciously in his latest novels. What this article aims to show is how and in what way the body and its repolitization constitute one of the central axes of this author’s writing.</p> 2020-03-15T00:00:00+00:00 Copyright (c) 2020 https://pressto.amu.edu.pl/index.php/srp/article/view/23218 La performatividad de género según La hija extranjera o el compromiso político de Najat El Hachmi 2020-06-12T09:35:05+00:00 Katarzyna Moszczyńska-Dürst k.moszczynska@uw.edu.pl <p>The objective of this article consists in analysing how and to what extent “the psychic life of power” (Butler, 2001) and the “synchronicity of the non-synchronic” (Cros, 2002) organise discourse practices of the hybrid identity (Sabaté, 2014) encoded in Najat El Hachmi’s La hija extranjera (2015), a novel written from a marked transcultural and feminist perspective. The protagonist and narrator in first person, a young Catalan woman of Moroccan origin (“the foreign daughter” of the title), is torn between contradictory ideologies, hopes and desires. She is suspended between the Spanish and the Moroccan cultures, between submission and rebellion. Likewise, we will see how the narrator reveals the great political potential of literature that lies in “resignification” (Butler, 2002).</p> Copyright (c) 2020 https://pressto.amu.edu.pl/index.php/srp/article/view/23219 Mujer y economía. La “narrativa de la crisis” desde la perspectiva de género 2020-06-12T09:35:03+00:00 Magda Potok mpotok@amu.edu.pl <p>For the last two decades, especially since the 2008 economic crisis, there has been a notable increase in literary works exploring social, political and economic themes in Spain. The growing number of “crisis novels” has reignited the debate about the political role of literature and its ability to challenge and modify existing social models. This article seeks to highlight the female perspective within this discussion.<br>The aim of my analysis of the five novels written by contemporary Spanish female authors (Belén Gopegui, Cristina Fallarás, Cristina Morales, Elvira Navarro and Marta Sanz) and published between 2007 and 2018 is to expose the distinctive female experience as represented in the literature, where it often turns into undermining the system. If women’s literary practice takes the form of political intervention, it is not just because of the collapse of the fundamental trust in the state and its institutions, but mainly due to the shifts in the distribution of the sensible, as we tend to understand the politics of literature after Jacques Rancière.</p> Copyright (c) 2020 https://pressto.amu.edu.pl/index.php/srp/article/view/23177 Estética y política en la obra de Sebastián Lelio 2020-06-12T09:32:58+00:00 Wiosna Szukała wiosna.szukala@amu.edu.pl <p>Art that addresses socio-political issues is exposed to various hazards. Its creators can easily fall into a moralizing or propagandistic tone, being accused of impoverishing ideologization, on the one hand, or opportunistic populism, on the other. In the case of this type of work, the discussions on the importance of the social problem addressed relegate aesthetic issues to the background, turning them, according to the opinion of some, into second-rate works, which serve a greater cause but lack real artistic value. These dilemmas, as he himself affirmed on many occasions, lie at the heart of Sebastián Lelio’s cinematographic creation. In his films, the Chilean director seeks to overcome the difficulties that come with the desire to tell a socially relevant story in a non-biased way that is both unique and universal. The director’s last three works touch on “urgent” subjects. Gloria (2013), Una mujer fantástica (2017), Disobedience (2018) portray figures excluded or placed on the margins of hegemonic society. Lelio confronts the non-normativity of his characters with a whole series of mechanisms of social discipline. The aim of the article will be the analysis of the director's artistic project – the characterization of its aesthetic qualities and its political consequences. In this task we will rely on the conceptual apparatus constructed on the basis of ideas taken from Jacques Rancière’s theory, the essential reference for any approach to the relationship between aesthetics and politics.</p> 2020-03-15T00:00:00+00:00 Copyright (c) 2020 https://pressto.amu.edu.pl/index.php/srp/article/view/23220 La discapacidad como forma de diversidad humana en la narrativa española actual. El significado de las imágenes de la discapacidad en Lectura fácil de Cristina Morales 2020-06-12T09:35:01+00:00 Justyna Ziarkowska justyna.ziarkowska@uwr.edu.pl <p>The representation of the disability in the recent Spanish narrative raises several questions: by the role and place that the excluded occupy in the fictitious worlds, by the point of view and the tonality in which they are represented, by the reaction of the other participants of fiction. In the recent novel by Cristina Morales titled “Lectura fácil”, four protagonists are presented with intellectual disability. For his condition the metaphor of slavery is used, but it is not an internal oppression, but external and institutional one. The social system is much more oppressive and violent than the experience of the disease itself. They radicalize and oppose the therapeutic and normalizing attempts of society and thus question the dominant culture. The presentation of the disability made by Morales lacks the perspective of superiority, but also cedes from a different emotional perspective compared to the portraits of normative characters.</p> Copyright (c) 2020 https://pressto.amu.edu.pl/index.php/srp/article/view/23182 Carmen Becerra Suárez, El mito de Don Juan. Madrid: Biblioteca Castro, 2019 2020-06-12T09:32:48+00:00 Andrea Fidalgo Giráldez pressto@amu.edu.pl 2020-03-15T00:00:00+00:00 Copyright (c) 2020 https://pressto.amu.edu.pl/index.php/srp/article/view/23180 Donde el sueño tropezaba con realidad: Poemas y conferencias de F.G. Lorca en la edición polaca: Federico García Lorca, Wiersze i wykłady; wstęp i opracowanie Justyna Ziarkowska, wybór przekładów Marcin Kurek. Wrocław: Zakład Narodowy im. Ossolińskich. 2020-06-17T07:44:18+00:00 Judyta Wachowska pressto@amu.edu.pl 2020-03-15T00:00:00+00:00 Copyright (c) 2020 https://pressto.amu.edu.pl/index.php/srp/article/view/23181 Carme Gregori, Ramon X. Roselló (eds.), L’empremta del mite en la literatura del primer terç del segle XX. Barcelona: Publicacions de L’Abadia de Montserrat, 2018 2020-06-15T09:12:25+00:00 Barbara Łuczak pressto@amu.edu.pl 2020-03-15T00:00:00+00:00 Copyright (c) 2020 https://pressto.amu.edu.pl/index.php/srp/article/view/23178 Familias no sagradas: Mariola Pietrak, Hacia La Pos / Familia. Representaciones de la familia en siete autoras Argentinas (1981-2013). Sevilla: Padilla Libros, 2018 2020-06-12T09:32:56+00:00 Wiosna Szukała wiosna.szukala@amu.edu.pl 2020-03-15T00:00:00+00:00 Copyright (c) 2020 https://pressto.amu.edu.pl/index.php/srp/article/view/23179 El hombre y sus fantasmas. sobre una propuesta de la disección analítica de la narrativa de Antonio Muñoz Molina y Javier Marías: Wiosna Szukała, Męskość i fantazmat w prozie Javiera Maríasa i Antonia Muñoza Moliny. Poznań: Wydawnictwo Naukowe UAM, 2019 2020-06-12T09:32:54+00:00 Katarzyna Gutkowska-Ociepa katarzyna.gutkowska@us.edu.pl 2020-03-15T00:00:00+00:00 Copyright (c) 2020 https://pressto.amu.edu.pl/index.php/srp/article/view/23183 Wiosna Szukała, Patrycja Tomczak, Judyta Wachowska (red.), Książka dla Julia. Cortázar po latach. Poznań: Wydawnictwo Naukowe UAM, 2019 2020-06-12T09:32:46+00:00 Barbara Jaroszuk pressto@amu.edu.pl 2020-03-15T00:00:00+00:00 Copyright (c) 2020