@article{Zywert_2016, title={Krwawa karuzela (Władimir Zazubrin, „Drzazga”)}, volume={40}, url={https://pressto.amu.edu.pl/index.php/strp/article/view/4955}, DOI={10.14746/strp.2015.40.1.9}, abstractNote={<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 9.0pt; font-family: ’Book Antiqua’,’serif’; mso-bidi-font-family: ’Book Antiqua’; mso-ansi-language: EN-GB; mso-fareast-language: PL;" lang="EN-GB">This article presents a comparative analysis of Vladimir Zazubrin’s story titled </span><em><span style="font-size: 9.0pt; font-family: ’Book Antiqua,Italic’,’sans-serif’; mso-bidi-font-family: ’Book Antiqua\,Italic’; mso-ansi-language: EN-GB; mso-fareast-language: PL;" lang="EN-GB">The Splinter </span></em><span style="font-size: 9.0pt; font-family: ’Book Antiqua’,’serif’; mso-bidi-font-family: ’Book Antiqua’; mso-ansi-language: EN-GB; mso-fareast-language: PL;" lang="EN-GB">(1923) and its contemporary screen adaptation, i.e. Alexandr Rogozhkin’s film </span><em><span style="font-size: 9.0pt; font-family: ’Book Antiqua,Italic’,’sans-serif’; mso-bidi-font-family: ’Book Antiqua\,Italic’; mso-ansi-language: EN-GB; mso-fareast-language: PL;" lang="EN-GB">The Chekist </span></em><span style="font-size: 9.0pt; font-family: ’Book Antiqua’,’serif’; mso-bidi-font-family: ’Book Antiqua’; mso-ansi-language: EN-GB; mso-fareast-language: PL;" lang="EN-GB">(1992), in the context of the Russian nation’s tragedy during the formation of a new socio-political system. Just as Zazubrin text is a peculiar testimony to a certain epoch, Rogozhkin’s film (if one also takes into account the date of its premiere) is a picture that warns contemporary people so as to prevent them from repeating their predecessors’ mistakes.</span></p>}, number={1}, journal={Studia Rossica Posnaniensia}, author={Zywert, Aleksandra}, year={2016}, month={luty}, pages={83–92} }