Contemporary sites of contemplation: contemplative nature of the aesthetic experience of natural and transformed landscape in Roden Crater by James Turrell and Lucid Stead by Philip K. Smith
Tom 2 Nr 4-5 (2019), Short notes
Tom 2 Nr 4-5 (2019)

Contemporary sites of contemplation: contemplative nature of the aesthetic experience of natural and transformed landscape in Roden Crater by James Turrell and Lucid Stead by Philip K. Smith

Short notes
https://doi.org/10.14746/pls.2019.4.5.9
Opublikowane 2019-07-31
Nadia Issa
https://orcid.org/0000-0001-9393-6331
Faculty of Media Art; Academy of Fine Arts in Warsaw
PDF (English)

Słowa kluczowe

contemporary art
land art
James Turrell
Philip K. Smith

Jak cytować

Issa, N. (2019). Contemporary sites of contemplation: contemplative nature of the aesthetic experience of natural and transformed landscape in Roden Crater by James Turrell and Lucid Stead by Philip K. Smith. Polish Journal of Landscape Studies, 2(4-5), 99–105. https://doi.org/10.14746/pls.2019.4.5.9
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Abstrakt

The aim of this paper is to offer an interpretation of two contemporary art works: James Turrell’s Roden Crater and Philip K. Smith’s Lucid Stead. They are seen as projects that may be qualified as examples of art based on the artists’ playing with light. The claim being that one of the factors that engenders a contemplative attitude on behalf of the beholder is the presence of light in relation to the artwork’s structure.
https://doi.org/10.14746/pls.2019.4.5.9
PDF (English)

Pobrania

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Bibliografia

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