A landscape embroiled: experience of nature through experience of art
Tom 2 Nr 4-5 (2019), Dyskusje/ Discussions
Tom 2 Nr 4-5 (2019)

A landscape embroiled: experience of nature through experience of art

Dyskusje/ Discussions
https://doi.org/10.14746/pls.2019.4.5.2
Opublikowane 2019-07-31
Paula Milczarczyk
https://orcid.org/0000-0002-5576-3430
Faculty of Social Sciences; University of Gdańsk
PDF (English)

Słowa kluczowe

art
environmental aesthetics
landscape
structuralism

Jak cytować

Milczarczyk, P. (2019). A landscape embroiled: experience of nature through experience of art. Polish Journal of Landscape Studies, 2(4-5), 13–22. https://doi.org/10.14746/pls.2019.4.5.2
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Abstrakt

The article sets out with the theory of “aesthetics of reality” (created by Maria Gołaszewska) and its related method of transferring artistic structures onto non-artistic reality. The resulting construct, which is dubbed a para-artistic structure, becomes the theoretical basis for the aesthetic experience of nature. The so-called “formalization”—a procedure which consists in inserting nature into artistic frameworks—makes natural phenomena acquire a pretense of artwork. Nature as a picture becomes a landscape, while terms connected with the aesthetics of nature gain artistic qualities, enabling use of such notions as picturesque or kitsch. The methodological proposal by Gołaszewska is subsequently compared with the critical perspective of environmental aesthetics.
https://doi.org/10.14746/pls.2019.4.5.2
PDF (English)

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