Słowa kluczowe
archaeological museum
archaeological heritage
Jak cytować
Abstrakt
The text aims to reflect upon the notion of landscape in the context of exhibitions; more precisely, it aims to do so in relation to the musealization of archaeological heritage and presentation of archaeology. The last 30 years of museum transformations, referred to as “the age of museums,” and the digital shift in museology have had a significant impact on building archaeological narratives in museums and beyond. Immersive and telematic landscapes, currently being constructed in museums, allow for sensorial engagement, broadened perceptive possibilities, and more intense interest in archaeology with the use of complex and convincing visions of the past. Hence, the musealized landscape presented in this paper is to go beyond the traditional criticism of multimedia in museums; it is an attempt to appreciate the cognitive opportunities provided by modern archaeological exhibitions.
Bibliografia
Buchli, Victor. 2002. “Introduction.” In The Material Culture Reader, edited by Victor Buchli, 1-22. Oxford: Berg.
Brown, Mark. 2016. “Palmyra’s Arch of Triumph recreated in Trafalgar Square.” The Guardian, April 19.
Chołdzyński, Andrzej M. 2011. “Architektura współczesna i muzea” [Contemporary architecture and museums]. In Ekonomia Muzeum. Materiały polsko—brytyjskiej konferencji naukowej 25—26 listopada 2010, edited by Dorota Folga-Januszewska and Bartłomiej Gutowski, 67-68. Kraków: Universitas.
Clair, Jean. 2007. Malaise dans les musées. Paris: Flammarion.
Classen, Constance and David Howes. 2006. “The Museum as Sensescape: Western Sensibilities and Indigenous Artifacts.” In Sensible Objects: Colonialism, Museums and Material Culture, edited by Chris Gosden, Elisabeth Edwards, and Ruth B. Phillips, 199-222. Oxford: Berg.
Duncan, Carol. 1995. Civilizing Rituals: Inside Public Art Museums. Oxon: Routledge.
Forte, Maurizio. 2007. “Ecological Cybernetics, Virtual Reality, and Virtual Heritage.” In Theorizing Digital Cultural Heritage: A critical discourse, edited by Fiona Cameron and Sarah Kenderdine, 389-408. London: The MIT Press.
Forte, Maurizio. 2010. “Introduction to Cyber-Archaeology.” In Cyber-Archaeology, edited by Maurizio Forte, 9-13. Oxford: Archaeopress.
Forte, Maurizio. 2014. “Virtual Reality, Cyberarchaeology, Teleimmersive Archaeology.” In 3D Recording and Modelling in Archaeology and Cultural Heritage: Theory and best practices, edited by Fabio Remondino and Stefano Campana, 113-27. Oxford: Archaeopress.
Hamilakis, Yannis. 2013. Archaeology and the Senses: Human Experience, Memory, and Affect. New York: Cambridge University Press.
Holtorf, Cornelius. 2016. “Why Cultural Heritage is Not ‘At Risk’ (in Syria or Anywhere).” Heritage for Transformation, April 4. https://heritagefortransformation.wordpress.com/2016/04/04/why-cultural-heritage-is-not-at-risk-in-syria-or-anywhere/.
Jalabi, Raya. 2016. “Replica of Syrian arch destroyed by Isis unveiled in New York City.” The Guardian, September 20.
Kalitko, Krzysztof. 2006. “Współczesna architektura muzeów a strategie obecności w przestrzeniach publicznych” [Contemporary museum architecture and the strategies of presence in public spaces]. In Muzeum sztuki. od Luwru do Bilbao, edited by Maria Popczyk, 388-96. Katowice: Universitas.
Kotler, Neil and Philip Kotler. 1998. Museum Strategy and Marketing: Designing Missions Building Audiences, Generating Revenues and Resources. San Francisco: Jossey-Bass.
Květina, Petr, Jiří Unger, and Petr Vavrečka. 2015. “Presenting the invisible and unfathomable: Virtual museum and augmented reality of the Neolithic site in Bylany, Czech Republic.” Archaeologické rozhledy (67): 3-22.
MacLeod Suzanne, Hourston-Hanks Laura, and Jonathan Hale. 2012. “Introduction: Museum Making; The Place of Narrative.” In Museum Making: Narratives, Architectures, Exhibitions, edited by Suzanne MacLeod, Laura Hourston-Hanks, and Jonathan Hale, 1-21. New York: Routledge.
Minta-Tworzowska, Danuta. 2011. “Badania nad kulturą wizualną i ich wpływ na konstruowanie obrazów przeszłości przez archeologów” [Research on visual culture and its influence on constructing theimage of the past by archaeologists]. In Digitalizacja dziedzictwa archeologicznego. Wybrane zagadnienia, edited by Rafał Zapłata, 315-34. Lublin: Wiedza i Edukacja.
Minta-Tworzowska, Danuta. 2013. “Pamięć ‘miejsca pamięci’ jako budujące tożsamość w ujęciu archeologicznym” [The Memory of ‘places of memory’ as constructing identity in an archaeological context]. Przegląd Archeologiczny (61): 33-50.
Newhouse, Victoria. 1998. Towards a New Museum. New York: The Monacelli Press.
Ouzman, Sven. 2006. “The Beauty of Letting Go: Fragmentary Museums and Archaeologies of Archive.” In Sensible Objects: Colonialism, Museums and Material Culture, edited by Chris Gosden, Edwards Elisabeth, and Ruth B. Phillips, 269-301. Oxford: Berg.
Pawleta, Michał and Rafał Zapłata. 2011. “Obrazowanie przeszłości w świetle nowych mediów — technologii cyfrowych” [Imagining the past in light of new media — digital technologies]. In Digitalizacja dziedzictwa archeologicznego. Wybrane zagadnienia, edited by Rafał Zapłata, 335-53. Lublin: Wiedza i Edukacja.
Piotrowski, Piotr. 2011. Muzeum krytyczne [Critical Museum]. Poznań: Rebis.
Popczyk, Maria. 2013. “Autonomia ekspozycji muzealnej” [The Autonomy of museum exhibition]. In Muzeum a zabytek. Konflikt czy harmonia? Materiały z konferencji naukowej w MN w Krakowie 31 marca — 2 kwietnia 2011, edited by Krystyna Stefaniak, 12-21. Kraków: Muzeum Narodowe.
Saumarez-Smith, Charles. 1989. “Museums, Artefacts, and Meanings.” In The New Museology, edited by Peter Vergo, 6-21. London: Reaktion Books.
Sirefman, Susan. 1999. “Formed and Forming: Contemporary Museum Architecture.” Daedalus (3): 297-320.
Solli, Brit, Burström Mats, Domanska Ewa, Edgeworth Matthew, González-Ruibal Alfredo, Holtorf Cornelius, Lucas Gavin, Oestigaard Terje, Smith Laurajane, and Christopher Witmore. 2011. “Some Reflections on Heritage and Archaeology in the Anthropocene Heritage and Archaeology in the Anthropocene.” Norwegian Archaeological Review 1 (44): 40-88.
Stanco, Filippo, Tanasi Davide, Allegra Dario, Milotta Filippo L.M., Lamagna Gioconda, and Giuseppina Monterosso. 2017. “Virtual Anastylosis of Greek Sculpture as Museum Policy for Public Outreach and Cognitive Accessibility.” Journal of Electronic Imaging 26 (1): 1-12.
Stefanik, Magdalena and Marta Kamel. 2013. “Muzea i wystawy interaktywne w Polsce — współczesna atrakcja turystyczna” [Interactive museums and exhibitions in Poland — contemporary touristic attraction]. Turystyka kulturowa 8: 5-24.
Vergo, Peter, ed. 1989. The New Museology. London: Reaktion Books.
Ziębińska-Witek, Anna. 2014. “Renesans materialności, czyli o powrót obiektów do muzeum” [“The Material renaissance or about the return of objects to museums”]. In Historia — dziś. Teoretyczne problemy wiedzy o przeszłości, edited by Ewa Domańska, Rafał Stobiecki, and Tomasz Wiślicz, 217-28. Kraków: Universitas.
Ziębińska-Witek, Anna. 2015. “Muzea wobec nowych trendów w humanistyce. Refleksje teoretyczne” [Museums and new trends in the humanities: Theoretical reflections]. Historyka. Studia metodologiczne 45: 97-115.