“Loyal to Youth” – the history of the poetry magazine Kai based on the essay by Noriko Ibaragi
Journal cover Silva Iaponicarum, volume 74, year 2025, title Autumn 2025
PDF

Keywords

Noriko Ibaragi
Hiroshi Kawasaki
Kai
postwar poetry
poetry magazines

How to Cite

Wajs, E. (2026). “Loyal to Youth” – the history of the poetry magazine Kai based on the essay by Noriko Ibaragi. Silva Iaponicarum, 74, 27–48. https://doi.org/10.14746/sijp.2025.74.2

Abstract

This article aims to examine the origins and principles of the Japanese poetry magazine Kai as detailed in Noriko Ibaragi’s (1926–2006) essay Kai Shōshi (‘a brief history of Kai’, 1969). The magazine, founded by Ibaragi and Hiroshi Kawasaki (1930–2004), emerged during the post-war era as a response to the ideological constraints that previously governed Japanese poetry. Kai distinguished itself from other literary magazines like Arechi and Rettō by emphasizing individuality, creative autonomy, and a break from traditional poetic forms. Ibaragi’s reflections in Kai Shōshi provide crucial insight into the magazine’s impact on postwar Japanese poetry, fostering a space for personal expression. This article contributes to the English-language scholarship by exploring the origins of Kai. In addition to discussing the historical and ideological context of the magazine’s foundation, this article presents and analyzes selected poems by Kai poets. These close readings illuminate the group’s poetic vision and their commitment to being accessible and socially engaged.

https://doi.org/10.14746/sijp.2025.74.2
PDF

References

Adachi Kazuko, Wiesław Kotański, Tadeusz Śliwiak 1992. Wiśnie rozkwitłe pośród zimy: antologia współczesnej poezji japońskiej [cherry blossoms blooming in the midst of winter: An anthology of contemporary Japanese poetry]. Tokyo: Kokusai Bunka Shuppansha.

Burleigh, David 2004. “Sweet secrets: two poets looking at a picture”. Ferris Studies 39: 29–44.

Dolin, Alexander 2015. “Modernist gendaishi poetry on the postwar crossroad”. Akita International University Global Review 17: 59–90.

Glassman, Hank 2012. The face of Jizō: Image and cult in medieval Japanese Buddhism. Honolulu: University of Hawaiʻi Press. DOI: https://doi.org/10.1515/9780824860370

Gotō Masaharu 2010. Seiretsu: Shijin Ibaragi Noriko-no shōzō [innocence: a portrait of the poet Noriko Ibaragi]. Tokyo: Chūōkōron Shinsha. 後藤正治. 『清冽:詩人茨木のり子の肖像』. 東京都:中央公論新社 .

Ibaragi Noriko 2022a. Ibaragi Noriko shū: kotonoha 1 [the Noriko Ibaragi collection: words, vol. 1]. Tokyo: Chikuma Shobō. 茨木のり子. 『茨木のり子集:言の葉1』. 東京都:筑摩書房.

Ibaragi Noriko 2022b. Ibaragi Noriko shū: kotonoha 3 [the Noriko Ibaragi collection: words, vol. 3]. Tokyo: Chikuma Shobō. 茨木のり子.『茨木のり子集:言の葉3』. 東京都:筑摩書房.

Kawasaki Hiroshi 2007. Kawasaki Hiroshi shishū [the poetry collection of Hiroshi Kawasaki]. Tokyo: Kadowaka Haruki Jimusho. 川崎洋. 『川崎洋詩集』. 東京都:角川春樹事務所.

Keene, Donald 1984. Dawn to the West. Japanese literature in the modern era: poetry, drama, criticism. New York: Holt Rinehart & Winston.

Kim Jiyeong 2022. Tonari-no kuni-no kotoba desu mono: Ibaragi Norikoto Kankoku [after all, it is the language of a neighbouring country: Noriko Ibaragi and Korea]. Tokyo: Chikuma Shobō. 金智英.『隣の国のことばですもの:茨木のり子と韓国』. 東京都:筑摩書房.

Luo Lijie 2017. Ibaragi Noriko/Ishigaki Rin-no hyōgen kūkan-to sengo joseishi-no shinkyōchi [the expressive space of Noriko Ibaragi and Ishigaki Rin and the new boundaries of postwar women’s poetry]. Doctoral dissertation. Tōgane: Jōsai International University. 罗丽杰. 『茨木のり子・石垣りんの表現空間と戦後女性詩の新境 地』. 東金市: 城西国際大学.

Melanowicz, Mikołaj 1996. Literatura japońska. Tom 3: Poezja XX wieku, Teatr XX wieku [Japanese literature, vol. 3: 20th century poetry, 20th century theater]. Warsaw: Państwowe Wydawnictwo Naukowe.

Mizutani Maki 2006. “Kai-no kanjusei – Ibaragi Noriko-ni okeru shi-no hōhō-to shite-no gokan [the sensitivity of “Kai” – The five senses as a poetic methodology in the works of Noriko Ibaragi]”. Nihon Bungaku Bunka 6: 14–24. 水谷真紀. 『「櫂」の感受性―茨木のり子における詩の方法としての五官―』.『日本文学文化』.

Mulvey, Ben 2010. “Sweet music from a strange country: Japanese women poets as Other”. Japan Studies Review 14: 91–111.

Pycińska, Magdalena 2010. “Arabski nacjonalizm – ideologia Arabów w XX wieku [Arabic nationalism – the ideology of the Arabs in the 20th century]”. Krakowskie Studia Międzynarodowe 1: 92–107.

Rubinger, Richard 1982. Private academies of Tokugawa Japan. New Jersey: Princeton University Press. DOI: https://doi.org/10.1515/9781400856725

Sugiyama, Yoko 1961. “The Waste Land and contemporary Japanese poetry”. Comparative Literature 13 (3): 254–262. DOI: https://doi.org/10.2307/1769001

Tanikawa Shuntarō 2023. Jisen Tanikawa Shuntarō shishū [self-selected collection of poems by Shuntarō Tanikawa]. Tokyo: Iwanami Shoten. 谷川俊太郎. 『自選 谷川俊太郎詩集』. 東京都:岩波書店.

Tomura Masako 2018. Ibaragi Noriko-e-no koibumi [a love letter to Noriko Ibaragi]. Tokyo: Kokudosha. 戸村雅子. 『茨木のり子への恋文』. 東京都:国土社.

Yoshino Hiroshi 1994. Yoshino Hiroshi zenshishū [the complete poem collection of Hiroshi Yoshino]. Tokyo: Seidosha. 吉野弘. 『吉野弘全詩集』. 東京都:青土社.

Yumoto Akiko 2016. “Shijin Ibaragi Noriko-ni tsuite [about the poet Noriko Ibaragi]”. Aichi Kokubun-no Kai 10: 99– 109. 湯本明子. 『詩人 茨木のり子について 』.『あいち国文の会』 .