Słowa kluczowe
art
ecology
post-modernism
Jak cytować
Abstrakt
The analysis sets out from the exhibition entitled Ressource Kunst. Die Elemente Neu Gesehen. The author attempts to outline an area which emerges from the encounter of ecology (as a domain of reflection about the human surroundings) and aesthetics (as a discipline concerned with sensory experience) from the standpoint of post-modernism. The inquiry thus focuses on the moment in which contemporary artistic practices “internalize” ecological issues. Aesthetics becomes a branch of ecology, but at the same time ecology becomes a domain within aesthetics. According to the author, post-modernism has offered advantageous perspectives for pursuing ecological postulations.Bibliografia
Adorno, Theodor W. 1991. Notes to Literature, vol. 2. Translated by Rolph Tiedemann. New York: Columbia University Press.
Czajka, Anna. 1991. Człowiek znaczy nadzieja. O filozofii Ernesta Blocha [Human Stands for Hope: On Ernest Bloch’s Philosophy]. Warsaw: FEA.
Heidegger, Martin. 1971. “Building, Dwelling, Thinking.” In Martin Heidegger, Poetry, Language, Thought. Translated by Alfred Hofstadter, 143—62. New York: Harper & Row.
Heidegger, Martin. 2001. “What Are Poets For?” In Martin Heidegger, Poetry, Language, Thought. Translated by Alfred Hofstadter, 87—139. New York: Harper & Row.
Heidegger, Martin. 2002. “The Origin of the Work of Art.” In Martin Heidegger, Off the Beaten Track. Edited and translated by Julian Young and Kenneth Heynes, 1—56. Cambridge: Cambridge University Press.
Jappe, Georg. 1989. Ressource Kunst. Die EIemente neu gesehen. Köln: DuMont Buchverlag.
Jameson, Frederic. 1991. Postmodernism, or, the Cultural Logic of Late Capitalism. London: Verso.
Lyotard, Jean-François. 1984. The Postmodern Condition: A Report on Knowledge. Translated by Geoff Benington. Manchester: Manchester University Press.
Morawski, Stefan. 1992. Główne nurty estetyki XX wieku [Main Trends in 20th Century Aesthetics]. Wrocław: Wiedza o kulturze.
Newman, Charles. 1985. Postmodern Aura: The Act of Fiction in an Age of Inflation. Evanston: Northwestern University Press.
Rilke, Rainer Maria. 1948. Letter of Rainer Maria Rilke. Volume 2 1910—1926. Translated by Jane Bannard Green and M.D. Herter Norton. New York: Norton.
Vattimo, Gianni. 1991. The End of Modernity: Nihilism and Hermeneutics in Postmodern Culture. Translated by Jon R. Snyder. Baltimore: John Hopkins University.
Welsch, Wolfgang. 1992. “Ku jakiemu podmiotowi—dla jakiego innego?” [“To What Subject—For Whom Else?”]. In Schelling o pojęciu subiektywności [Schelling on the Idea of Subjectivity], edited by Mirosława Czarnawska. Białystok: ldea.
Welsch, Wolfgang. 1991. Ästhetisches Denken. Stuttgart: Reclam.
Welsch, Wolfgang. 1987. Unsere postmoderne Moderne. Weinheim: VCH.
Wilkoszewska, Krystyna. 1990. “Estetyka ekologiczna” [“Ecological aesthetics”]. In Nauka o pięknie. Rozprawy z pogranicza estetyki, aksjologii ogólnej antropologii filozoficznej [The Science of Beauty: Papers on the Crossroads of Aesthetics, General Axiology, and Philosophical Anthropology], edited by Maria Gołaszewska. Kraków: Wydawnictwo UMCS.
Wilkoszewska, Krystyna. 1992. Sztuka jako rytm życia. Rekonstrukcja filozofii sztuki Johna Deweya [Art as the Rhythm of Life: A Reconstruction of John Dewey’s Philosophy of Art]. Kraków: Wydawnictwo UJ.
Zeidler-Janiszewska, Anna. 1988. Sztuka, mit, hermeneutyka [Art, Myth, Hermeneutics]. Warsaw: Wydawnictwo Naukowe Instytutu Kultury MkiSz.