Abstrakt
Dzieło koreańskiego reżysera Kim Ki-Younga o tytule Pokojówka po swoim debiucie w 1960 roku, doczekało się w 2010 nowego obrazu w wizji reżysera Im Sang-soo. Oba te filmy mogą być traktowane jako materiał badawczy nauk filmowych w zakresie analizy fabuły i gatunku, jak i studium socjologiczne obrazu społeczeństwa. Jednocześnie niewiele badań dotyka dyskursu, który w tych filmach jest nie tylko obrazem komunikacji między postaciami, ale także ważnym narzędziem wyposażonym w elementy niewerbalne, uzupełniającym tło komunikacji. Artykuł niniejszy bada więc dyskurs filmowy w świetle analizy teorii dramaturgicznej Ervinga Goffmana, mając na celu ukazanie różnic między bohaterami obu tych dzieł. Wykazuje także cechy interdyscyplinarności badań na styku nauk o filmie i językoznawstwa w postaci analizy dyskursu filmów z różnego okresu.
Bibliografia
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하녀 Ha-nyeo (The Housemaid). 1960. Directed by Kim, Ki-Young (김기영). 한국문예영화사, 김기영프로덕션 (Hangug Mun-ye Yeonghwa-sa, Kim Ki-Yeong Peurodeogsyeon (Korean Literature Film History, Kim Ki-Young Production).
하녀 Ha-nyeo (The Housemaid). 2010. Directed by Im, Sang-Soo (임상수). 싸이더스, 미로비젼 Ssaideoseu, Mirobijyeon (Sidus, Mirovision).
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