Słowa kluczowe
T.S.Eliot
Choi Il-soo
ruch dramatu poetyckiego
historia koreańskiego dramatu poetyckiego
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Abstrakt
Niniejszy artykuł mierzy się z próbą definicji i charakterystyki dramatu poetyckiego, jak i usiłuje ustalić znaczenie dzieł dramatycznych w czasie funkcjonowania ruchu dramatu poetyckiego. W przeciwieństwie do sztuk czy poezji dramatycznej, dramat poetycki jest odrębnym gatunkiem. Wizja artystyczna jest uwidaczniana w konflikcie poetyki i dramatu. Jedność poetyki i dramatu, osiągana przez muzykę, wewnętrzny przymus, obraz sceniczny efekty dźwiękowe, wizualne odniesienia publiczności sprawiają, że dramat poetycki jest częścią sztuki ujmowanej kompleksowo. Całe dzieło funkcjonuje jak poemat i musi być realizowane na scenie. Zdaniem Choi Il-soo, by rozwinąć opis tych sztuk poetyckich należy zachować w nich wewnętrzne zasady wolnego wiersza. Przyjął on więc koncepcję Eliota i podjął próbę opracowania podstaw zakładających, że zachodnie dramaty poetyckie oraz teorie są atypowe dla Korei. Ten pogłębiający się odbiór teorii doprowadził do wykształcenia się ruchu dramatu poetyckiego, W artykule dokonana zostanie klasyfikacja cech charakterystycznych na podstawie około 18 dzieł dramatycznych. Wybrane osiemnaście dzieł, które powstałe w latach 1920-1999 sklasyfikowano według kryterium ukończenia i pełności pracy jak i ze względu na uznanie artysty. Opisy dzieł mogą być ogólnie podzielone na historyczne, narracyjne, realistyczne i filozoficzne. Klasyfikacja ta może stać się punktem wyjścia dla dramatów poetyckich do przekształcenia w bardziej zróżnicowane formy lub tematy. Ruch dramatu poetyckiego został zdominowany przez krytyków i poetów, których głównym celem było popularyzowanie niezależnych dzieł sztuki koreańskiej, i mimo, że nie zyskał on wielu odbiorców ani na popularności, to uznaje się go za znaczne osiągnięcie ówczesności, pozwalające na wgląd w możliwości dramatów poetyckich. Mogą one być traktowane jako nowy element w gatunkach lirycznych i dramatycznych, tracących swój pierwotny charakter literacki a które należy odzyskać w literaturze koreańskiej.
Bibliografia
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