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Munhakdongne
literackość jako sztuka dla sztuki
‘własne ja’
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Abstrakt
Artykuł, nawiązując do niedawnych krytycznych opinii dotyczących literatury koreańskiej lat 90. wieku XX, sugeruje, że podejście krytyczne powinno być realizowane w sposób nieco bardziej refleksyjny i skupiony na wnętrzu. Autor zamierza przeanalizować racjonalność skomplikowanego założenia o ‘literackości’ (zasada ‘sztuka dla sztuki’) w latach 90. wieku XX ze szczególnym skupieniem uwagi na Munhakdongne (Literacka Wioska), uznawanym za jej negatywne źródło. Nie chodzi bowiem jedynie o taką ‘racjonalność’, która jest powtarzalna i przekonująca we współczesnej literaturze, ale także taką, która dzieli się doświadczeniami z perspektywy ocenianej krytycznie Munhakdongne. Autor, wyszedłszy z krytycznego ujęcia natury owej ‘racjonalności’ próbuje definiować współczesną literaturę koreańską, czyniąc tym samym punkt wyjścia dla dalszych badań.
Bibliografia
Adorno, Theodor W. 1984. Aesthetic Theory. trans. by Seung-yong Hong. Seoul: Moonji Publisher.
Bae, Haeun (배하은). 2016. 만들어진 내면성: 1990년대 초 문학의 내면성 구성과 전복양상 (Mandeureojin naemyeonseong 1990-nyeondae cho munhag-ui naemyeonseong guseong-gwa jeonbok yangsang; On Internality, a Discursive Construct in Early 1990s’ Literature). 한국현대문학연구 (Hangug Hyeondae Munhag Yeongu; The Journal of Modern Korean Literature), no. 50: 547-585.
Hwang, Jeonga (황정아). 2020. 근대성의 판타지아 (Geundaeseong-ui pantajia; A Fantasia of Modernity). 개념과소통 (Gaenyeom-gwa sotong; Concept and Communication), no. 25: 117-145.
Hwang, Jongyeon (황종연). 2001. 비루한 것의 카니발 (Biruhan geot-ui kanibal; Carnival of the Boredom). 서울: 문학동네 (Seoul: Munhakdongne Publisher).
Hwang, Jongyeon (황종연). 2012. 탕아를 위한 비평 (Tanga-reul wihan bipyeong; Criticism for debauchee). 서울: 문학동네 (Seoul: Munhakdongne Publisher).
Jin, Jeongseok (진정석). Lee, Gwangho. (이광호), Kim, Dongsik. (김동식), Hwang, Jongyeon. (황종연). 1993. 좌담: 90년대 문학을 어떻게 볼 것인가 (Jwadam: 90-nyeondae munhag-eul eottokkae bol geosinga; How will we see literature in the 90s?) In 90년대 문학 어떻게 볼 것인가 (90-nyeondae munhag-eul eottokkae bol geosinga; How will we see literature in the 90s), ed. Hwang Jongyeon (황종연), 11-80. 서울: 민음사 (Seoul: Mineumsa Publisher).
Jin, Taewon (진태원). 2019. 애도의 애도를 위하여 (Aedo-ui aedo-reul wihayeo; For the mourning of mourning). Seoul: Greenbee Publisher.
Cho, Yeonjeong (조연정). 2018a. 문학주의의 자기동일성: 1990년대 문학동네의 비평담론 (Munhagjuui-ui jagi donggilseong: 1990-nyeondae Munhag dongnae-ui bipyeong damron; Self-Identity of ‘Literaturism’ – Discourse of Criticism Produced by the Literary Community in the 1990’s.) 상허학보 (Sanghur Hakbo; The Journal of Korean Modern Literature), no. 53: 9-46.
Cho, Yeonjeong (조연정). 2018b. 문학동네의 90년대와 386세대의 한국문학 (Munhakdongne-ui 90-nyeondae-wa 386 sedae-iu hangug munhag; The ‘90s’ in the Literary Community and ‘386 Generation’s Korean Literature). 한국문화 (Hangug Munhwa; The journal of Korean Culture), no. 81: 221-246.
Kang, Dongho (강동호). 2020. 언표로서 내면 (Eonpyoroseo naemyeon; Interiority as Énoncé) 한국학연구 (Hangug-hag yeongu; The Journal of Korean Studies), no. 56: 249-273.
Lee, Soyeon (이소연). 2017. 진정성이라는 환상 (Jinjeongseong-ira-neun hwangsang; The illusion of sincerity). 문학과사회 (Munhag-gwa sahoe; The Literature and Society), vol. 30, no. 1: 183-194.
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Seo, Yeongchae (서영채). 2005. 문학의 윤리 (Munhag-ui yulli; Ethics of literature). 서울: 문학동네 (Seoul: Munhakdongne Publisher).
Taylor, Charles. 2001. The Malaise of Modernity. trans. by Young-bae Song. Seoul: EHAK Publisher.
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