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Abstrakt
Artykuł ma na celu przedstawienie koreańskiego malarstwa pejzażowego na tle historycznym. Niektóre elementy malarstwa pejzażowego pojawiły się w sztuce już w V wieku, a od VII wieku motyw gór stał się ważnym tematem. Od X do VII wieku widać wpływy chińskie na malarstwo koreańskie. Natomiast od XVIII wieku wyraźnie można zaobserwować nowy trend koreanistyczny oraz styl ludowy malarstwa pejzażowego. Natomiast we współczesnym malarstwie widoczne są tendencje do odnajdywania własnej wizji artystycznej w tym zakresie.Bibliografia
Ahn, Whijun. 1995. “한국미술 5천년 조망한다” (Five thousands of Korean art) [in:] 세계일보 (Daily Segye) 2nd of Dec. 1995.
Bush, Susan and Hsiao-Yen Shih, 1985. Early Chinese Texts on Painting. Yenching Institute. Cambridge: Harvard University Press.
Cho, Insoo. 1999. “조선 전기 회화 연구의 길잡이” (Introduction to analyses of the paintings during the earlier period of Joseon dynasty) [in:] 월간미술 (Monthly Fine Art). January of 1999.
Kim, Pyongchong. 1989. 중국회화의 조형의식 (Formation Consciousness in Chinese painting). Seoul Univerity Press.
Plante, D. La. 1992. Asian Art. Boston: McGraw-Hill.
Pratt, Keith. 1995. Korean Painting. Oxford University Press.
Song, Soonam. 1995. 한국화의 길 (The way of Korean painting). Seoul: Mijinsa.
Trzeciak, Przemysław. 2002. Idea i tusz. Warszawa: Prószyński i S-ka.
Whitfield, Roderick and Young-Sook Pak, 1986. Korean Art Treasures. Seoul: Yekyong Publishing.
Yu, Junesang. 1995. “Light and color in Korean art”. [in:] Koreana. Vol. 9. Korea Foundation.
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