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poezja koreańska
wolność
metody poetyckie
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Abstrakt
W tym artykule rozważa się kilka prac napisanych przez Kim Suyǒng w latach sześćdziesiątych, w których występuje negacja jako metoda poetycka zgodna z trendem rewolucyjnym. Autor przeżył późny okres kolonialny, wojnę koreańską, kwietniową rewolucję i reżim Parku Chung Hee'a, i był w pełni świadomy, że Koreańczycy nie mówili o wolności jako w swoim języku ojczystym. Swoje wszystkie wiersze poświęcił uświadomieniu ludziom, dlaczego o wolności nie można mówić po koreańsku. W toku pracy twórczej ukształtował się jego prawdziwy język poetycki stanowiący pomnik milczenia męczennika, język śmierci i miłości. Dzięki temu to mógł „żyć wolnością” tworząc poezję zgodnie ze swoim sumieniem jednocześnie żyjąc w społeczeństwie autorytarnym.Bibliografia
Bataille, Georges. 2009. Erotism. tr. by Cho, Hankyung, Seoul; Minǔmsa.
Cho, Kangsok. 2010. “A Study on the Turning Points of Kim Soo-young's Poetics - Focusing on the ‘dramatic features in poetry’ and ‘Alberto Giacomettian transformation.”, The Korean Poetic Studies Vol. 28.
Choi, Seoyoon, 2012. A Study on Aporia of Kim Sooyoung’s Poetry. Seoul: Yonsei University.
Chung, Myǒngkyo. 2008. “Kim Suyǒng and French Literature.” The Korean Poetic Studies Vol. 22.
Kang, Gyesook, 2013. “Study on the importance of bilingualism and ‘Alberto Giacomettian Transformation’ in Kim, Soo-Yŏng's literature.” Journal of Modern Korean Literature Vol. 27.
Kim, Suyǒng. 2003. Collected Works of Kim Suyǒng Volume 1, 2. Seoul; Minǔmsa.
Kim, Suyǒng., Lee Siyoung. & Shin Kyongnim. (eds.).2001. Variations: 사랑의 변주곡: Three Korean Poets. Tr. by Anthony of Taizé, Brother and Kim, Youngmoo, Ithaca, NY: East Asia Program, Cornell University
Küplen, M. 2015. Beauty, Ugliness, and the Free Play of Imagination. Switzerland: Springer
Lee, Youngjun. 2015. “Sovereignty in The Silence of Language: The Political Vision of Kim Suyǒng’s Poetry”, Acta Koreana Vol. 18. No. 1.
William, Raymond. 2010. Keyword. tr. by Kim, Sǒngki, Seoul; Minǔmsa.
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