Acid Rider. Mark Fisher’s Idea of “Acid Communism” and Experience of Outerness
PDF (Język Polski)

Keywords

acid communism
eeriness
Outside
accelerationism

How to Cite

Karalus, A. (2021). Acid Rider. Mark Fisher’s Idea of “Acid Communism” and Experience of Outerness. Praktyka Teoretyczna, 40(2), 37–57. https://doi.org/10.14746/prt.2021.2.3

Abstract

Acid Communism remains an intriguing but regrettably unfinished introductory sketch to the Mark Fisher’s unwritten historical reconstruction of those radical political projects which grew up out of the psychedelic culture. This compelling idea is a consequence of Fisher’s prior theoretical endeavours. The article attempts to embed his idea of “acid communism” in a broader context, focusing on Fisher’s reflection on psychedelic experience, defined as a form of contact with the Outside. I argue that there is a striking convergence between the conception of “acid communism” and matters discussed by Fisher in his last book, The Weird and the Eerie, where he analyzed potentially transformative shock of an encounter with radical Otherness. For that reason I will address briefly two musical and cultural phenomena which came into being after the psychedelic era and use them as exemplifications of the “weird” and “eerie” modes of experience, unfulfilled promises of post-capitalist future, which did not find political representation and sank to the level of unrealized and “haunted” future of modernism. In the concluding part of my article I would show how the idea of “acid communism” is tied to the question regarding the so called post-capitalist desire and to the Fisher’s idiosyncratic version of futurist-accelerationism.

https://doi.org/10.14746/prt.2021.2.3
PDF (Język Polski)

References

Brown, Wendy. 1999. „Resisting Left Melancholy.” boundary 2 3(26): 19–27.

Brown, Wendy. 2005. Edgework: Critical Essays on Knowledge and Politics. Princeton: Princeton University Press.

Butt, Gavin, Kodwo Eshun, i Mark Fisher. 2016. Post-Punk Then and Now. London: Repeater Books.

Colquhoun, Matt. 2020. Egress: On Mourning, Melancholy and Mark Fisher. London: Repeater Books.

Diski, Jenny. 2013. Lata sześćdziesiąte. Tłum. Maciej Płaza. Łódź: Officyna.

Fisher, Mark. 2012. „Post-Capitalist Desire.” W What We Are Fighting for: A Radical Collective Manifesto, red. Federico Campagna i Emanuele Campiglio. London: Pluto Press.

Fisher, Mark. 2013a. “»A Social and Psychic Revolution of Almost Inconceivable Magnitude«: Popular Culture’s Interrupted Accelerationist Dreams.” E-flux Journal 46, https://www.e-flux.com/journal/46/60084/a-social-and-psychic-revolution-of-almost-inconceivable-magnitude-popular-culture-s-interrupted-accelerationist-dreams/.

Fisher, Mark. 2013b. Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Winchester: Zero Books.

Fisher, Mark. 2014a. „Terminator vs. Avatar.” W #Accelerate#. The Accelerationist Reader, red. Robin Mackay i Armen Avanessian. Falmouth: Urbanomic.

Fisher, Mark. 2014b. „Practical Eliminativism.” W Speculative Aesthetics, red. Robin Mackay, Luke Pendrell i James Trafford. Falmouth: Urbanomic.

Fisher, Mark. 2016. The Weird and the Eerie. London: Repeater Books.

Fisher, Mark. 2018a. “Baroque Sunbursts.” W Rave: Rave And Its Influence on Culture, red. Nav Haq. London: Black Dog Press.

Fisher, Mark. 2018b. K-Punk: The Collected and Unpublished Writings of Mark Fisher (2004-2016), red. Darren Ambrose. Wstęp Simon Reynolds. London: Repeater Books.

Fisher, Mark. 2020a. Postcapitalist Desire: The Final Lectures, red. Matt Colquhoun. London: Repeater Books.

Fisher, Mark. 2020b. Realizm kapitalistyczny. Czy nie ma alternatywy? Tłum. Andrzej Karalus. Warszawa: Książka i Prasa.

Frank, Thomas C. 1998. Conquest of the Cool: Business Culture, Counterculture, and the Rise of Hip Consumerism. Chicago: University of Chicago Press.

Jawłowska, Aldona. 1975. Drogi kontrkultury. Warszawa: PIW.

Land, Nick. 2011. Fanged Noumena: Collected Writings 1987–2003, red. Robin Mackay i Ray Brassier. Falmouth: Urbanomic.

Marcus, Greil. 1990. Lipstick Traces: A Secret History of the Twentieth Century. Cambridge: Belknap Press.

Marcuse, Herbert. 1998. Eros i cywilizacja. Tłum. Hanna Jankowska i Arnold Pawelski. Warszawa: Wydawnictwo Literackie Muza SA.

Miéville, China. 2009. “M.R. James and the Quantum Vampire.” W Collapse: Philosophical Research and Development, t. IV, red. Robin Mackay. Falmouth: Urbanomic.

Miller, Jonathan, reżyser. 1966. Alice in Wonderland. BBC.

Reynolds, Simon. 2005. Rip it Up and Start Again: Postpunk 1978–1984. London: Faber and Faber.

Reynolds, Simon. 2008. Energy Flash: A Journey Through Rave Music and Rave Culture. Berkeley: Soft Skull Press.

Sowa, Jan, i Krzysztof Wolański. 2017. Sport nie istnieje. Igrzyska w społeczeństwie spektaklu. Warszawa: WAB.

Willis, Ellen. 2012. “The Family: Love It or Leave It.” W Beginning to See the Light: Sex, Hope, and Rock-and-Roll. Minneapolis: University of Minnesota Press.