Towards perfect completeness remembering Lutosławski
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Słowa kluczowe

Lutosławski
evolution in art
a work’s political context
Chopin as arche
autotelism and avant-garde
the truth of a work of art

Jak cytować

Tomaszewski, M. (2018). Towards perfect completeness remembering Lutosławski. Interdisciplinary Studies in Musicology, 10, 175–182. Pobrano z https://pressto.amu.edu.pl/index.php/ism/article/view/15028

Liczba wyświetleń: 155


Liczba pobrań: 51

Abstrakt

The text is in its character a statement by a “witness to an era”. It is an attempt at describing Lutoslawski’s artistic path and his culture-forming activity from the perspective of an evolution within a concrete historical and political situation. This aesthetic evolution is evidenced in the composer’s utterances: significant interviews and private, confessional notes. They outline his creative path from the impact of Chopin as the emotional arche, through subsequent phases and breakthroughs: from academic aesthetics based on the Hanslick paradigm, through socialist-realist indoctrination and uncritical fascination with the avant-garde, to a gradual crystallisation of his own idiom. Eventually, this entirely own idiom, marked with a lyrical opening, consists in a return to everlasting values, expressly defined by the composer: the truth and the beauty of a work of art.

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