Vol. 9 (2010)

Published 2018 October 17

Journal cover , volume 9, year 2010

Articles

Marcin Gmys, Danuta Jasińska, Anna Lubońska

17-18

From the Editors

https://doi.org/10.14746/ism.2010.9.1

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Mirosław Strzyżewski

19-30

Much ado about Chopin. Discussion in the Warsaw press from 1830

https://doi.org/10.14746/ism.2010.9.2

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Elżbieta Nowicka

31-52

Chopin and the Warsaw literati - part two

https://doi.org/10.14746/ism.2010.9.3

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Agata Seweryn

53-68

Slowacki’s Chopin

https://doi.org/10.14746/ism.2010.9.4

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Justyna Cecylia Nowicka

69-82

Chopin as Romantic narrator (in his youth)

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Danuta Jasińska

83-100

Sketch for a portrait of Kalkbrenner and Chopin

https://doi.org/10.14746/ism.2010.9.5

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Irena Poniatowska

101-114

Chopin - Grottger

https://doi.org/10.14746/ism.2010.9.6

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Stefan Keym

115-138

“Od Chopina do ... Noskowskiego”? Zygmunt Noskowskis langer Weg zu Chopin

https://doi.org/10.14746/ism.2010.9.7

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Tomasz Baranowski

139-150

Chopin in the music culture of Russia in the second half of the nineteenth century. From Glinka to Scriabin

https://doi.org/10.14746/ism.2010.9.8

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Magdalena Dziadek

151-164

On collective forms of the Chopin cult in Poland during the nineteenth century

https://doi.org/10.14746/ism.2010.9.9

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Magdalena Piotrowska

165-176

Accents of Chopin anniversaries in territories annexed by Prussia

https://doi.org/10.14746/ism.2010.9.10

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Radosław Okulicz-Kozaryn

177-194

The play of nerves. Chopin in the era of mental disorder

https://doi.org/10.14746/ism.2010.9.12

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Justyna Bajda

195-214

The place of musie in thepoetry of Kazimierz Przerwa-Tetmajer

https://doi.org/10.14746/ism.2010.9.13

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Marcin Gmys

215-250

On the trail of a trail, the trace of a trace. Kazimierz Przerwa-Tetmajer’s Cień Chopina and its compositional interpretations

https://doi.org/10.14746/ism.2010.9.14

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Kazimierz Maciąg

251-264

It all began with George Sand. Novelistic portraits of Fryderyk Chopin and his music in foreign literature. A survey

https://doi.org/10.14746/ism.2010.9.15

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Danuta Sosnowska

265-282

Fryderyk Chopin’s correspondence from the perspective of body studies. The discovery of corporeality

https://doi.org/10.14746/ism.2010.9.16

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Dariusz Czaja

283-296

Water, time and a dark-green coat. On Chopin’s Barcarolle

https://doi.org/10.14746/ism.2010.9.17

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Jacek Szerszenowicz

297-316

Chopin: Visual Contexts

https://doi.org/10.14746/ism.2010.9.18

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Krzysztof Kornacki

317-342

Chopin on the cinema screen. Aesthetic and cultural determinants

https://doi.org/10.14746/ism.2010.9.19

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Ewa Dahlig-Turek

343-356

Chopin and Polish FOLK

https://doi.org/10.14746/ism.2010.9.20

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Jakub Kasperski

357-370

Fryderyk Chopin in popular instrumental music

https://doi.org/10.14746/ism.2010.9.21

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Patrycja Madeła

371-382

Chopin and jazz. The case of Andrzej Jagodziński’s arrangement ofthe Prelude in E minor

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