Słowa kluczowe
World Youth Festivals
Czechoslovakia
1950s
folklore revival movement
Jak cytować
Liczba wyświetleń: 49
Liczba pobrań: 20
Abstrakt
One of the most significant mass manifestations of the state-subsidised cultural expres- sions of the Socialist Bloc in the second half of the 20th century was “Red Woodstock”, the World Festival of Youth and Students. The first edition took place in the summer of 1947 in Prague. Incidentally, this festival featured Czechoslovak amateur and professional folk music and dance en- sembles in a preliminary line-up, which later became the most important established ensembles in the country. Some of these ensembles then appeared regularly at Youth Festivals. Such festival performances were considered very influential performance opportunity for ensembles of folk music and dance in Czechoslovakia in the 1950s. The present article, based on data gathered through interviews grounded in oral history and archival research, explores the role of the World Youth Festivals in the process of foundation of Czechoslovak ensembles of folk music and dance and their repertoire negotiation of the traditional music and dance within the vague framework of socialist realism on the one hand, and an everyday-life perspective and ordinary desire to perform pronounced by the ensembles’ members on the other.
Finansowanie
The research for this study was facilitated through the institutional support of the Institute of Ethnology of the Czech Academy of Sciences, v. v. i., RVO: 68378076
Bibliografia
Bláha, Z. (2017, October 14). [Interview]
Bláha, Z., Nedorostová, B. (2017). Zdeněk Bláha: Můj život s lidovou muzikou [Zdeněk Bláha: My life with folk music]. Nava.
Bonuš, F. (1951). Podstata a úkoly nové práce tanečních souborů [The essence and tasks of the new work of dance ensembles]. Lidová tvořivost, 2(1): 11–15.
Boym, S. (2001). The future of nostalgia. Basic Books.
Československý svaz mládeže – ústřední výbor, Praha [Czechoslovak Youth Union – Central Committee, Prague]. Fund NAD 1026, National Archives Czech Republic.
Festival míru. III. světový festival mládeže a studentstva za mír [Festival of peace. 3rd World Festival of Youth and Students for peace]. (1951). Mladá fronta.
Franc, M., Knapík, J. (2013). Volný čas v českých zemích 1957–1967 [Free time in the Czech Lands 1957–1967]. Academia.
Glückauf, T., Lajka, J. (1981). Světová federace demokratické mládeže [World Federation of Democratic Youth]. ÚV SSM and Mladá fronta.
Jacobs, T. (2018). Institutional developments of Sorbian folk dance post 1945. In D. Stavělová, T. J. Buckland (Eds.), Folklore revival movements in Europe post 1950. Shifting contexts and perspectives (pp. 223–242). Institute of Ethnology of the Czech Academy of Sciences.
JR. (1947). Festivalová soutěž národních tanců [Festival competition of national dances]. Taneční listy, 1: 141.
Kajanová, D., Štefančík, V. (1989). Za mier a priateľstvo: Z histórie festivalov mládeže [For peace and friendship: from the history of the World Youth Festivals]. Smena.
Klementová, M. (2019, March 20). [Interview]
Koivunen, P. (2014). The World Youth Festival as an arena of the “cultural Olympics”: meanings of competition in Soviet culture in the 1940s and 1950s. In K. Miklóssy, M. Illc (Eds.), Competition in Socialist Society (pp. 141–157). Routledge.
Kolomazníková, H. (1962). VIII. Světový festival mládeže [8th World Festival of Youth]. Lidová tvořivost, 13(10): 220–221.
Konrády, A., Fliegelová, L. (2012). „Hdyž pukl zahučí, hned srdce poskočí, aneb Jak jsem začal pukla mačkat“. Veselé vzpomínání na muzikantský život a Konrádyho dudáckou muziku [A merry recollection of the musician’s life and the Konrády’s bagpipe music ensemble]. [Self-published]
Kosíková, J. (1998). Vladimír Úlehla a počátky Moravského tanečního a pěveckého sboru [Vladimír Úlehla and the beginnings of the Moravian dance ensemble and choir]. Národopisná revue, 8: 173–181.
Kotek, J. (1996). Students and the Cold War. Palgrave Macmillan. DOI: https://doi.org/10.1007/978-1-349-24838-4
Krekola, O., Mikkonen, S. (2011). Backlash of the Free World: the US presence at the World Youth Festival in Helsinki, 1962. Scandinavian Journal of History, 36(2): 230–255. DOI: https://doi.org/10.1080/03468755.2011.565566
Koivunen, P. (2016). Friends,“potential friends,” and enemies: Reimagining Soviet relations to the First, Second, and Third Worlds at the Moscow 1957 Youth Festival. In P. Babiracki, A. Jersild (Eds.), Socialist internationalism in the Cold War (pp. 219–247). Palgrave Macmillan. DOI: https://doi.org/10.1007/978-3-319-32570-5_9
Koivunen, P. (2014). The World Youth Festival as an arena of the “cultural Olympics”: meanings of competition in Soviet culture in the 1940s and 1950s. In K. Miklóssy, M. Ilic (Eds.), Competition in Socialist Society (pp. 125–141). Routledge.
Koivunen, P. (2009). The 1957 Moscow Youth Festival: propagating a new, peaceful image of the Soviet Union. In M. Ilic, J. Smith (Eds.), Soviet State and Society under Nikita Khrushchev (pp. 64–83). Routledge.
Kröschlová, J. (1953). Mezinárodní porota lidového tance v Bukurešti, její práce a výsledky [Folk dance international jury in Bucharest, its work and results]. Lidová tvořivost, 4(11): 370–374.
Laudová, H. (1954). Význam lidové umělecké tvořivosti v boji za mír a úkoly souborů lidových písní a tanců v budování socialismu v naší vlasti [The importance of folk art creativity in the struggle for peace and the tasks of ensembles of folk songs and dances in building socialism in our country]. In O lidovém tanečním umění [About the art of folk dancing] (pp. 9–25). Orbis.
Leszkowová, L. (1985). Z Československého státního souboru písní a tanců [From the Czechoslovak State Ensemble of Songs and Dances]. Taneční listy, 23(3): 3.
LGF. (1953). Připravujeme Festival lidové umělecké tvořivosti [Preparations of the Folk Art Creativi- ty Festival]. Lidová tvořivost, 4(6): 182–183.
Macák, B. (1959). Setkání ve Vídni: valčíková píseň k VII. Světovému festivalu ve Vídni [Meeting in Vienna: waltz song for the 7th World Youth Festival in Vienna]. Lidová tvořivost, 10(7): 150–151.
Ministerstvo informací 1945–1953 [Ministry of Information 1945–1953]. Fund NAD 861, National Archives Czech Republic.
Ministerstvo kultury 1953–1956 [Ministry of Culture 1953–1956]. Fund NAD 867, National Archives Czech Republic.
Ministerstvo školství a kultury 1945–1967 [Ministry of Education and Culture]. Fund NAD 994, National Archives Czech Republic.
Olson, L. J. (2004). Performing Russia: Folk revival and Russian identity. Routledge Carson.
Pavlicová, M., Uhlíková, L. (2018). „Něco za něco...“: Folklorní hnutí v českých zemích ve světle totalitární kulturní politiky [“Quid pro quo”: Czech folklore revival movement in the light of totalitarian cultural policy]. Český lid, 105(2): 177–197. DOI: https://doi.org/10.21104/CL.2018.2.03
Pavlicová, M., Uhlíková, L. (2008a). Folklorismus v historických souvislostech let 1945–1989 (na příkladu folklorního hnutí v České republice) [Folklorism in historical context of the years 1945–1989 (following the example of the folklore movement in the CzechRepublic)]. Národopisná revue, 18(4): 187–197.
Pavlicová, M., Uhlíková, L. (2008b). Folklorní soubory jako výrazný činitel etnokulturních procesů: úcta k tradici i naplňování sociálních a osobních potřeb [Folklore ensembles as a significant factor in ethnocultural processes: respect for tradition and fulfillment of social and personal needs]. In M. Toncrová (Ed.), Vývojové proměny etnokulturní tradice (pp. 25–36). EÚ AV ČR [Developmental changes of ethnocultural tradition].
Pavlicová, M., Uhlíková, L. (1997). Od folkloru k folklorismu. Slovník folklorního hnutí na Moravě a ve Slezsku [From folklore to folklorism. A dictionary of the folklore movement in Moravia and Silesia]. Ústav lidové kultury.
Peacock, M. (2012). The perils of building Cold War consensus at the 1957 Moscow World Festival of Youth and Students. Cold War History, 12(3): 515–535. DOI: https://doi.org/10.1080/14682745.2011.645809
Pospíšil, J. (1974). Vývoj repertoáru amatérských souborů lidových písní a tanců v Čechách [De- velopment of the repertoire of amateur ensembles of folk songs and dances in the Czech Republic]. Taneční sborník, 7: 9.
Roy, D. C. (2014). Dance performance of Lúčnica, Slovak National Folklore Ballet. What is the meaning of staged folkloric performances? The Edwin Mellen Press.
Shay, A. (2002). Choreographic politics: State Folk Dance Ensembles, Representation and Power. Wesleyan University Press.
Socialistický svaz mládeže – ústřední výbor, Praha [Socialist Youth Union – Central Committee, Prague]. Fund NAD 356, National Archives Czech Republic.
Soukupová, Z. (1967). Vývoj souborů lidových písní a tanců v Jihočeském kraji [Development of ensembles of folk songs and dances in the South Bohemian region]. Tanečním souborům, 7(1): 6–14.
Speer, M. E., Ibrahim, S., Schiller, D. et al. (2021). Finding positive meaning in memories of negative Czechoslovak Folk Music and Dance Ensembles and the World Youth Festival... events adaptively updates memory. Nature Communications, 12(1). DOI: https://doi.org/10.1038/s41467-021-26906-4
Stavělová, D. et al. (2021). Tíha a beztíže folkloru. Folklorní hnutí druhé poloviny 20. století v českých zemích [Weight and weightlessness of the folklore: The folklore revival movement of the second half of the 20th century in Czech Lands]. Academia.
Stavělová, D. (2018). The folklore revival movement in former Czechoslovakia: Dichotomy of the term. In D. Stavělová, T. J. Buckland (Eds.), Folklore revival movements in Europe post 1950. Shifting contexts and perspectives (pp. 113–128). Institute of Ethnology of the CAS.
Stavělová, D. (2017). Zítra se bude tančit všude, aneb jak jsme se protancovali ke svobodě. Dichotomie tzv. folklorního hnutí druhé poloviny 20. století [Tomorrow, people will be dancing everywhere or how did we dance towards freedom. Dichotomy of the folklore revival movement of the second half of the 20th century]. Český lid, 104(4): 411–432. DOI: https://doi.org/10.21104/CL.2017.4.01
Taylor, K. (2003). Socialist orchestration of youth: The 1968 Sofia Youth Festival and encounters on the fringe. Ethnologia Balkanica, 7: 43–61.
Uhlíková, L. (2018). Recollecting versus remembering: On the era of the new folk songs in Czechoslovakia during the totalitarian regime. In I. Přibylová, L. Uhlíková (Eds.), Od folkloru k world music: O paměti [From folklore to world music: On memory] (pp. 56–71). Městské kulturní středisko.
Urbanová, V. (1953). Festivaly za mír [Festivals for peace]. Lidová tvořivost, 4(6): 181–182.
Vaněk, M. (2018). Folklore in the era of socialism: Display window of official culture or a little island of freedom? Folklore movement in contemporary historical research and oral historical studies. In D. Stavělová, T. J. Buckland (Eds.), Folklore revival movements in Europe post 1950. Shifting contexts and perspectives (pp. 103–112). Institute of Ethnology of the CAS.
Vondrušková, A. (Ed.). (2000). Od folkloru k folklorismu. Slovník folklorního hnutí v Čechách [From folklore to folklorism. Dictionary of the folklore movement in Bohemia]. Ústav lidové kultury.
White, K. (2018). East Germany’s Red Woodstock: The 1973 Festival between the “Carnivalesque” and the Everyday. Central European History, 51(4): 585–610. DOI: https://doi.org/10.1017/S0008938918000754
Za mír a přátelství mezi národy [For peace and friendship among nations]. (1955). Lidová tvořivost, 6(7): 156–157.
Licencja
Prawa autorskie (c) 2022 Zita Skořepová
Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Bez utworów zależnych 4.0 Międzynarodowe.