Abstract
The article is dedicated to the interaction of Uladzimir Karatkievich with young Ukrainian poets from the mid-twentieth century who studied in Kyiv. Such a process is interpreted in terms of literary mores and through an overview, comparative-typological reading of their works. The analysis indicates that the Belarusian author was integrated into an environment in which he was formed as the man of letters interested in historical topics and as an extraordinary reader. Like Vasyl Symonenko and Mykola Som, he recorded the recognizable image of the student community of those years, in particu- lar, strengthening the creative atmosphere. Using irony, as well as playing around with everyday details, the writers of this generation sought to demarcate themselves from the socialist realistic worldview and stereotyped interpretations of facts in general. In turn, thanks to the intensive polylogue among the early Sixtiers, the university myth is reflected in the structure of Kyiv text.
References
Hordynskyi S., Bohdan Ihor Antonych: Yoho zhyttia i tvorchist [Bohdan Ihor Antonych: His life and work], [v:] B.I. Antonych, Zibrani tvory, Vinnipeg: Obiednannia Ukrainskykh Pysmennykiv v Ekzyli „Slovo”, 1967, s. 7–26.
Yermolenko V., Moia ironiia [My irony], [v:] Ironiia: zbirnyk statei, Lviv: Litopys; Kyiv: Smoloskyp, 2006, s. 109–117.
Z matiriu nezabutnoho Vasylia Symonenka Hannoiu Fedorivnoiu Symonenko-Shcherban rozmovliaie poet Mykola Som [Poet Mykola Som talks with the mother of the unforgettable Vasyl Symonenko, Anna Fedorivna Symonenko-Shcherban], [v:] M. Som, Z matiriu na samoti, Kyiv: Smoloskyp, 2005, s. 11–66.
Ilnytskyi M., Vid „dochasnoho svitla” do „surm ostannoho dnia” [From the “early light” to the “trumpets of the last day”], [v:] B.I. Antonych, Povne zibrannia tvoriv, Lviv: Litopys, 2009, s. 3–36.
Kalynets I., Znane i neznane pro Antonycha: materiialy do biohrafii B.I. Antonycha [Known and unknown about Antonych: materials for the biography of B.I. Antonych], Lviv: Drukarski kunshty, 2011.
Kiporenko M., „V mene vlasna pohorda yest”: Spohady pro V. Symonenka-studenta [“I have my own contempt”: Memories of student V. Simonenko], [v:] V. Symonenko, Vybrani tvory, Kyiv: Smoloskyp, 2015, s. 713–726.
Kolomiiets T., Volodymyr Korotkevych: „Biloruskym natsionalistom mene zrobyly ukraintsi” [Volodymyr Korotkevych: “Ukrainians made me a Belarusian nationalist”], [v:] „Kultura i zhyttia”, 18.12.2020, s. 12.
Kotsiubynska M., Knyha spomyniv [A book of memories], Kharkiv: Akta, 2006.
Melnikava Z., Uladzimir Karatkevich i tvorcha-filasofskiia poshuki „filalahichnaha” pakalennia [Uladzimir Karatkevich and the creative and philosophical searches of the “philological” generation], [v:] „Studia Białorutenistyczne”, 2013, t. 7, s. 125–148.
Rohoza B., Molodym zalyshyvsia naviky: Zhyttia i tvorchist V. Symonenka [He remained young forever: the life and work of V. Simonenko], „Khreshchatyk”, 20.12.1997, s. 1, 5.
Snizhko M., Poema pro ukrainsku Zhannu d’Ark [A poem about the Ukrainian Joan of Arc], [v:] V. Symonenko, Vybrani tvory, Kyiv: Smoloskyp, 2015, s. 736–748.
Shalahinov B., Romantychnyi slovnyk [Romantic dictionary], Kyiv: Vydavnycho-polihrafichnyi tsentr NaUKMA, 2010.
Makowiecki T., Norwid wobec powstania styczniowego [Norwid against the January Uprising], [v:] „Pamiętnik Literacki”, 1929, t. 26, no. 1/4, s. 564–581.
Antonych B.I., Povne zibrannia tvoriv [Complete collection of works], Lviv: Litopys, 2009. Didenko V., Nebokrai [Skyline], Kyiv: Dnipro, 1987.
Karatkevich U., Abranaia [Selected], [v:] U. Karatkevich, Zbor tvorau u 25 tamakh, t. 12: Publitsystyka. Ese-narysy: 1952–1982, Minsk: Mastatskaia litaratura, 2016, s. 421–438. DOI: https://doi.org/10.1007/BF02220285
Karatkevich U., Zbor tvorau u 25 tamakh, t. 1: Paeziia: 1950–1960 [Collection of works in 25 volumes, vol. 1: Poetry: 1950–1960], Minsk: Mastatskaia litaratura, 2012.
Karatkevich U., Zbor tvorau u 25 tamakh, t. 19: Listy: Chastka 1 [Collection of works in 25 volumes, t. 19-1: Letters], Minsk: Mastatskaia litaratura, 2020.
Karatkevich U., Zbor tvorau u 25 tamakh, t. 20: Listy: Chastka 2 [Collection of works in 25 volumes, t. 20-2: Letters], Minsk: Mastatskaia litaratura, 2022.
Karatkevich U., „Moi se hradok!” [This is my town], [v:] U. Karatkevich, Zbor tvorau u 25 tamakh, t. 12: Publitsystyka. Ese-narysy: 1952–1982 [Collection of works in 25 volumes, t. 12:], Minsk: Mastatskaia litaratura, 2016, s. 438–456.
Karatkevich U., Son ab tym, shto było [Dream about what was], [v:] U. Karatkevich, Zbor tvorau u 25 tamakh, t. 12: Publitsystyka. Ese-narysy: 1952–1982 [Collection of works in 25 volumes, t. 12:], Minsk: Mastatskaia litaratura, 2016, s. 411–420.
Korotkevich V., Horod u kraia raduhi [The city at the edge of the rainbow], 1962, Kyiv: Tsentralnyi derzhavnyi arkhiv-muzei literatury i mystetstva Ukrainy, fond 670, opys 1, sprava 1942, mashynopys.
Samoilenko O., Korotkevich V., Zhurnalisty [Journalists], 1953, Kyiv: Tsentralnyi derzhavnyi arkhiv-muzei literatury i mystetstva Ukrainy, fond 670, opys 2, sprava 323, mashynopys.
Symonenko V., Vybrani tvory [Selected works], Kyiv: Smoloskyp, 2015. Som M., Ydu na pobachennia [I’m going on a date], Kyiv: Molod, 1957.
License
![Creative Commons License](http://i.creativecommons.org/l/by-nc-sa/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
- The Author hereby warrants that he/she is the owner of all the copyright and other intellectual property rights in the Work and that, within the scope of the present Agreement, the paper does not infringe the legal rights of another person.The owner of the copyright work also warrants that he/she is the sole and original creator thereof and that is not bound by any legal constraints in regard to the use or sale of the work.
- The Author grants the Purchaser non-exclusive and free of charge license to unlimited use worldwide over an unspecified period of time in the following areas of exploitation:
2.1. production of multiple copies of the Work produced according to the specific application of a given technology, including printing, reproduction of graphics through mechanical or electrical means (reprography) and digital technology;
2.2. marketing authorisation, loan or lease of the original or copies thereof;
2.3. public performance, public performance in the broadcast, video screening, media enhancements as well as broadcasting and rebroadcasting, made available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them;
2.4. inclusion of the Work into a collective work (i.e. with a number of contributions);
2.5. inclusion of the Work in the electronic version to be offered on an electronic platform, or any other conceivable introduction of the Work in its electronic version to the Internet;
2.6. dissemination of electronic versions of the Work in its electronic version online, in a collective work or independently;
2.7. making the Work in the electronic version available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, in particular by making it accessible via the Internet, Intranet, Extranet;
2.8. making the Work available according to appropriate license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) as well as another language version of this license or any later version published by Creative Commons. - The Author grants the Adam Mickiewicz University in Poznan permission to:
3.1. reproduce a single copy (print or download) and royalty-free use and disposal of rights to compilations of the Work and these compilations.
3.2. send metadata files related to the Work, including to commercial and non-commercial journal-indexing databases. - The Author declares that, on the basis of the license granted in the present Agreement, the Purchaser is entitled and obliged to allow third parties to obtain further licenses (sublicenses) to the Work and to other materials, including derivatives thereof or compilations made based on or including the Work, whereas the provisions of such sub-licenses will be the same as with the attributed license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)or another language version of this license, or any later version of this license published by Creative Commons. Thereby, the Author entitles all interested parties to use the work, for non-commercial purposes only, under the following conditions:
4.1. acknowledgment of authorship, i.e. observing the obligation to provide, along with the distributed work, information about the author, title, source (link to the original Work, DOI) and of the license itself.
4.2. the derivatives of the Work are subject to the same conditions, i.e. they may be published only based on a licence which would be identical to the one granting access to the original Work. - The University of Adam Mickiewicz in Poznań is obliged to
5.1. make the Work available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, without any technological constraints;
5.2. appropriately inform members of the public to whom the Work is to be made available about sublicenses in such a way as to ensure that all parties are properly informed (appropriate informing messages).
Other provisions
- The University of Adam Mickiewicz in Poznań hereby preserves the copyright to the journal as a whole (layout/stylesheet, graphics, cover design, logo etc.)