Keywords
Ołeś Ulianenko
krytyka literacka
tradycja „noir”
powieść
literatura ukraińska
How to Cite
Abstract
Druga część monografii Pod „Znakiem Sabaota” albo „Tam, gdzie…” Ulianenko to gruntowna kontynuacja studium twórczości ukraińskiego pisarza Ołesia Ulianenki (1962–2010) autorstwa Feliksa Szteinbuka. Ulianenkoznawca z Bratysławy powziął zamiar jak najrzetelniej odzwier- ciedlić istotę i cel pisarstwa Ulianenki, dla którego prawdziwym i jedynym przedmiotem rozważań stał się człowiek i jego dusza. Oryginalne dociekania wytrawnego badacza proponują alternatywne względem tradycyjnych historycznoliterackich interpretacji egzegetyczne odczytanie prozatorskiej spuścizny Ulianenki. Książka, która zgodnie z obietnicą jej autora, zawiera najpełniejszą, dogłębną i oryginalną analizę twórczości prozaika, a jednocześnie stanowi podstawę do dalszych fundamen- talnych badań nad spuścizną literacką pisarza z pewnością zasługuje na należyte docenienie zarówno ze strony krytyki literackiej, jak również szerokiego grona czytelników.
References
Horniatko-Szumiłowicz A., Obraz współczesnej Ukrainy czy „pornografia cierpienia”? (na podstawie powieści Жінка його мрії Ołesia Ulianenki) [The image of contemporary Ukraine or the “pornography of suffering”? (based on the novel Жінка його мрії by Oles Ulianenko], [w:] „Teka Komisji Polsko-Ukraińskich Związków Kulturowych”, 2019, nr 5/14, s. 149–168.
Horniatko-Szumiłowicz A., Ołeś Ulianenko. Szkic do portretu pisarza-nonkonformisty [Oles Ulianenko. A sketch for a portrait of a non-conformist writer], [w:] „Studia Slavica”, XVII/ 2, ed. by J. Czaplińska i J. Raclavska, s. 177–187.
Rewakowicz M.G., Ukraine’s Quest for Identity Embracing Cultural Hybridity in Literary Imagination, 1991–2011, Lanham, MD: Lexington Books, 2019.
Shteinbuk F., Transgressive Character of the Femme Fatale Image in Oles Ulianenko’s Novel “Seraphim”, [in:] „Respectus Philologicus”, 2022, no. 41 (46), pp. 107–119. DOI: https://doi.org/10.15388/RESPECTUS.2022.41.46.112
Horniatko-Szumiłowicz А., „Vovcha zoria” і „Stalinka”: pro zagublene pokolinnia ochyma Jevhena Pashkovskogo ta Olesia Ulianenka [“Wolf Star” and “Stalinka”: about the lost generation through the eyes of Yevhen Pashkovsky and Oles Ulyanenko], [v:] „Przegląd Wschodnioeuropejski”, 2020, XI/2, pp. 217–226. DOI: https://doi.org/10.31648/pw.6504
Horniatko-Szumiłowicz А., Mizh nizhnistiu i brutalinistiu – „mala proza” Olesia Ulianenka [Between tenderness and brutality – the “little prose” of Oles Ulyanenko], [v:] Modernizm(y) słowiański(e) w anturażu czułości [Slavic modernism(s) in the entourage of tenderness], ed. by I. Malej, A. Matusiak, A. Paszkiewicz, Wrocław: Oficyna Wydawnicza Atut, 2021, pp. 203–218.
Horniatko-Szumiłowicz А., Miske peklo vs silska idyliia v ukrajinskii suchasnii prozi (na osnovi “Stalinky” Olesia Ulianenka i “Soniakhiv” Kateryny Motrych) [Urban hell vs rural idyll in modern Ukrainian prose (based on “Stalinka” by Oles Ulianenko and “Sunflowers” by Kateryna Motrych], [v:] Obce/swoje. Miasto i wieś w literaturze i kulturze ukraińskiej XX–XXI wieku [Foreign/own. Town and village in Ukrainian literature and culture of the 20th and 21st centuries], ed. by K. Glinianowicz, K. Kotyńska, e-book (pdf), Kraków 2015, pp. 125–138.
Horniatko-Szumiłowicz А., Perestupaiuchy mezhu: shtrykhy do portretiv Olesia Ulianenka i Jevhena Pashkovskogo [Crossing the border: features to the portraits of Oles Ulyanenko and Yevhen Pashkovsky], [v:] Przekraczanie granic. Rosyjska, ukraińska i białoruska przestrzeń literacka, kulturowa i językowa z perspektywy XXI wieku [Crossing borders. Russian, Ukrainian and Belarusian literary, cultural and linguistic space from the perspective of the 21st century], ed. by M. Kawęcka, M. Mocarz-Kleindienst, B. Siwek, M. Wideł-Ignaszczak, Lublin: Wydawnictwo KUL, 2020, pp. 307–322.
Horniatko-Szumiłowicz А., „Pokrytka” Tarasa Shevchenka vs „poviia” Olesia Ulianenka [Taras Shevchenko’s “Single mother” vs Oles Ulianenko’s “whore”], [v:] Słowo. Tekst. Czas XII. Frazeologia w idiolekcie i systemach języków słowiańskich. W 200. rocznicę urodzin Tarasa Szewczenki [Word. Text. Time XII. Phraseology in idiolect and systems of Slavic languages. On the 200th anniversary of the birth of Taras Shevchenko], vol. 1–2, ed. by M. Aleksiejenko, H. Biłowus, M. Horda, W. Mokijenko, H. Walter, Szczecin–Greisfwald 2014; vol. 1, pp. 128–137.
Horniatko-Szumiłowicz A., Tvorcha ekstrema vs tradycyinyi prozopys (Pro rizni typy khudozhnogo svitovidobrazhennia u suchasnij ukrajinskii prozi) [Creative extreme vs traditional prose (About different types of artistic worldview in modern Ukrainian prose)], [v:] Homo Communicans IV: chelovek v prostranstve mezhkulturnoi kommunikatsii [Homo Communicans IV: A man in the space of intercultural communication], ed. by K. Janashek, J. Miturska-Bojanovska, B. Rodzevych, Szczecin 2014, pp. 107–116.
Horniatko-Szumiłowicz А., Chuttieve spryiniattia romaniv Olesia Ulianenka [Sensory perception of Oles Ulianenko’s novels], [v:] „Slavica Wratislaviensia”, 2015, vol. 161, senses 2, pp. 189–199.
Zborovska N., Mistychna bezodnia u prozi Olesia Ulianenka [The mystical abyss in the prose of Oles Ulianenko], [v:] N. Zborovska, Feministychni rozdumy. Na karnavali mertvykh potsilunkiv [Feminist Reflections. At the carnival of dead kisses], Lviv: Litopys, 1999, pp. 160–178.
Zborovska N., Oles Ulianenko – poet i mistyk [Oles Ulianenko – a poet and a mystic], „Kurier Kryvbasu”, 1999, no. 110, pp. 61–171.
Camus А., Mif pro Sizifa [The myth of Sisyphus], [v:] A. Camus, Mif pro Sizifa. Ese [The Myth of Sisyphus. Essay], transl. into Ukrainian: O. Zhupanskyi, the file version: 1.0, „Portfel”, 2015, pp. 91–95. PDF.
Pastukh B., „Heroi moikh tvoriv zhyvut navkolo mene”: O. Ulianenko [“The heroes of my works live around me”: O. Ulianenko], [v:] „Ukrajinska literaturna hazeta”, 23.09.2011, № 19, pp. 14–15. Punina О., Poetyka ekspresionizmu v lirytsi Olesia Ulianenka [The poetics of expressionism in Oles Ulyanenko’s lyrics], [v:] „Dyvoslovo”, 2015, no. 1, pp. 55–59.
Punina О., Samitnyi henii. Oles Ulianenko. Literaturnyi portret [A solitary genius. Oles Ulyanenko. Vignette], Kyiv: Akademvydav, 2016.
Pukhonska О., Travma apokaliptychnoho chasu v romani O. Ulianenka „Stalinka” [The trauma of the apocalyptic time in O. Ulyanenko’s novel “Stalinka”], [v:]. „Vcheni zapysky TNU imeni V.I. Vernadskoho”. Seriia: Filolohiia. Sotsialni komunikatsii [„Scientific notes of V.I. Verna- dsky Taurida National University”. Series: Philology. Social communications], 2019, vo. 30, pp. 142–147. DOI: https://doi.org/10.32838/2663-6069/2019.4-1/27
Slaboshpytskyi М., Plavets kriz vyr ekstrymu: Oles Ulianenko [Swimmer through the vortex of extreme: Oles Ulianenko], [in:] „Berezil”, 2019, no. 2, pp. 134–174.
Solovei О., Utrachenyi pohliad: Statti retsenzii, esei [Lost sight: Review articles, essays], Vinnytsia: Prostir Literatury, 2018.
U zniatomu na plivku dni [In the filmed day], ed. by N. Stepula, Kyiv: Ukrajinskyi priorytet, 2012. Tenditna N., Estetyka smerti u prozi Ye. Pashkovskoho ta O. Ulianenka: Monohrafiia [Aesthetics of death in the prose of E. Pashkovsky and O. Ulianenko: Monograph], Sloviansk: Kantsler, 2010.
Kharchuk R., Oles Ulianenko – „Ioho pravda – zavzhdy nyshchivna” [Oles Ulianenko – “His truth is always devastating”], [v:] R. Kharchuk, Suchasna ukrainska proza. Postmodernyi period [Modern Ukrainian prose. Postmodern period], Kyiv: VTs Akademiia, 2008, pp. 92–97.
Shteinbuk F., „Vohnenne oko” spokusy v odnoimennomu romani Olesia Ulianenka [“Fiery eye” of temptation in Oles Ulianenko’s novel of the same name], [v:] „Studia Ukrainica Posnaniensia”, 2021, 9.2, pp. 189–199.
Shteinbuk F., Zhanrova svoieridnist romanu Olesia Ulianenka Perly i svyni [Genre originality of Oles Ulyanenko’s novel Pearls and Pigs], [v:] „Naukovyi visnyk Uzhhorodskoho universytetu”: seriia: Filolohiia, Uzhhorod: PP Danylo S.I., 2020, vyp. 2 (44), pp. 446–452.
Shteinbuk F., Inkubatsiia „Iaiets dynozavra”. Zbirka krytychnykh eseiv-miniatiur [Incubation of “Dinosaur Eggs”. A collection of miniature critical essays], Kyiv: Liuta sprava, 2019.
Shteinbuk F., Pid „Znakom Savaofa”, abo „Tam, de…” Ulianenko [Under the “Sign of Sabaoth” or “Where The …” Ulianenko]: monograph, part 1, Kyiv: Vydavnychyi dim Dmytra Buraho, 2020.
Shteinbuk F., Pid „Znakom Savaofa”, abo „Tam, de…” Ulianenko [Under the “Sign of Sabaoth” or “Where The …” Ulianenko]: монографія, part 2, Kyiv: Vydavnychyi dim Dmytra Buraho, 2022.
License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
- The Author hereby warrants that he/she is the owner of all the copyright and other intellectual property rights in the Work and that, within the scope of the present Agreement, the paper does not infringe the legal rights of another person.The owner of the copyright work also warrants that he/she is the sole and original creator thereof and that is not bound by any legal constraints in regard to the use or sale of the work.
- The Author grants the Purchaser non-exclusive and free of charge license to unlimited use worldwide over an unspecified period of time in the following areas of exploitation:
2.1. production of multiple copies of the Work produced according to the specific application of a given technology, including printing, reproduction of graphics through mechanical or electrical means (reprography) and digital technology;
2.2. marketing authorisation, loan or lease of the original or copies thereof;
2.3. public performance, public performance in the broadcast, video screening, media enhancements as well as broadcasting and rebroadcasting, made available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them;
2.4. inclusion of the Work into a collective work (i.e. with a number of contributions);
2.5. inclusion of the Work in the electronic version to be offered on an electronic platform, or any other conceivable introduction of the Work in its electronic version to the Internet;
2.6. dissemination of electronic versions of the Work in its electronic version online, in a collective work or independently;
2.7. making the Work in the electronic version available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, in particular by making it accessible via the Internet, Intranet, Extranet;
2.8. making the Work available according to appropriate license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) as well as another language version of this license or any later version published by Creative Commons. - The Author grants the Adam Mickiewicz University in Poznan permission to:
3.1. reproduce a single copy (print or download) and royalty-free use and disposal of rights to compilations of the Work and these compilations.
3.2. send metadata files related to the Work, including to commercial and non-commercial journal-indexing databases. - The Author declares that, on the basis of the license granted in the present Agreement, the Purchaser is entitled and obliged to allow third parties to obtain further licenses (sublicenses) to the Work and to other materials, including derivatives thereof or compilations made based on or including the Work, whereas the provisions of such sub-licenses will be the same as with the attributed license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)or another language version of this license, or any later version of this license published by Creative Commons. Thereby, the Author entitles all interested parties to use the work, for non-commercial purposes only, under the following conditions:
4.1. acknowledgment of authorship, i.e. observing the obligation to provide, along with the distributed work, information about the author, title, source (link to the original Work, DOI) and of the license itself.
4.2. the derivatives of the Work are subject to the same conditions, i.e. they may be published only based on a licence which would be identical to the one granting access to the original Work. - The University of Adam Mickiewicz in Poznań is obliged to
5.1. make the Work available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, without any technological constraints;
5.2. appropriately inform members of the public to whom the Work is to be made available about sublicenses in such a way as to ensure that all parties are properly informed (appropriate informing messages).
Other provisions
- The University of Adam Mickiewicz in Poznań hereby preserves the copyright to the journal as a whole (layout/stylesheet, graphics, cover design, logo etc.)