Keywords
deconstruction
identity
narrative
discourse
war
How to Cite
Abstract
The article explores the challenges faced by the Ukrainian humanities during the ongoing Russo-Ukrainian War, as well as the responses that can be given to these challenges. Among the time-driven responses are: representing and understanding the war at the appropriate discursive level; deconstructing contemporary Russian narratives, forming and understanding Ukrainian nar- ratives about the war; destroying Russian imperial narratives on intellectual platforms outside the country; true understanding of the history of the Soviet period, including its late period, without which Ukrainian society is unable to overcome its post-Sovietness (collective resentment, feelings of inferiority, personality split, compensatory search for “scapegoats”); creating a concept of a modern Ukraine, which will emerge and be shaped on the basis of identity, creativity, technology, and effort.
References
Гаврилюк Н., Поезія полеглих: Ігор Мисяк, [в:] Електронний ресурс: https://zbruc.eu/node/118930.
Головань Т., Поезія, [в:] „Вічність триває цей день…” Художні хроніки війни, Тернопіль: Джура, 2023, с. 10–39.
Грицак Я., Подолати минуле: глобальна історія України, Київ: Портал, 2022. Зінченко О., Як українці зруйнували імперію зла, Харків: Віват, 2024.
Клаузевіц К., Природа війни, Харків: Vivat, 2018.
Павлишин М., Постколоніальна критика і теорія, [в:] Антологія світової літературно-критичної думки, ред. М. Зубрицької, Львів: Літопис, 1996, с. 531–534.
Пастух Т., До нового канону української поезії, [в:] Електронний ресурс: https://zbruc.eu/node/117641.
Поліщук Я., Сакральна сутність поезії Євромайдану, [в:] „Slavia Orientalis”, 2022, № 2, с. 311–324. DOI: https://doi.org/10.24425/slo.2022.142180
Пухонська О., Поза межами бою: Дискурс війни в сучасній літературі, Брустури: Дискурсус, 2022.
Рябчук М., Лексикон націоналіста та інші есеї, Львів: ВСЛ, 2021. Саїд Е., Орієнталізм, Київ: Основи, 2001.
Томпсон Є., Трубадури імперії: Російська література і колоніалізм, Київ: Основи, 2006. Улюра Г., Писати війну, Київ: Темпора, 2023.
Шерех Ю., Над озером. Баварія, [в:] Ю. Шерех, Пороги і Запоріжжя: Література, мистецтво, ідеології, в 3 томах, т. І, Харків: Фоліо, 1998, с. 542–595.
Шкандрій М., В обіймах імперії: Російська і українська літератури новітньої доби, Київ: Факт, 2004.
Buyskych J., Old-new colonial tendencies in social anthropology: empathy in wartime, [in:] „Ethnologia Polona”, 2023, no. 44, pp. 55–85.
Havryliuk N., Poeziia polehlykh: Ihor Mysiak [Poetry of the fallens], [v:] Elektronnyi resurs https://zbruc.eu/node/118930.
Holovan T., Poeziia [Poetry], [v:] „Vichnist tryvaie tsei den…” Khudozhni khroniky viiny, Ternopil: Dzhura, 2023, s. 10–39.
Hrytsak Ya., Podolaty mynule: hlobalna istoriia Ukrainy [Overcoming the past: a global history of Ukraine], Kyiv: Portal, 2022.
Zinchenko O., Yak ukraintsi zruinuvaly imperiiu zla [How Ukrainians destroyed the evil empire], Kharkiv: Vivat, 2024.
Klauzevits K., Pryroda viiny [The nature of war], Kharkiv: Vivat, 2018.
Pavlyshyn M., Postkolonialna krytyka i teoriia [Postscolonial critic and theory], [v:] Antolohiia svitovoi literaturno-krytychnoi dumky, red. M. Zubrytskoi, Lviv: Litopys, 1996, s. 531–534.
Pastukh T., Do novoho kanonu ukrainskoi poezii [Towards a new canon of Ukrainian poetry], [v:] Elektronnyi resurs: https://zbruc.eu/node/117641.
Polishchuk Ya., Sakralna sutnist poezii Yevromaidanu [The sacred essence of Euromaidan poetry], [v:] „Slavia Orientalis”, 2022, no. 2, s. 311–324.
Pukhonska O., Poza mezhamy boiu: Dyskurs viiny v suchasnii literaturi [Out of the boarders of fight: Discourse of the war in contemporary literature], Brustury: Dyskursus, 2022.
Riabchuk M., Leksykon natsionalista ta inshi esei [Lexicon of a nationalist and other essays], Lviv: VSL, 2021.
Said E., Oriientalizm [Orientalism], Kyiv: Osnovy, 2001.
Tompson E., Trubadury imperii: Rosiiska literatura i kolonializm [Troubadours of the Empire: Russian Literature and Colonialism], Kyiv: Osnovy, 2006.
Uliura H., Pysaty viinu [To write war], Kyiv: Tempora, 2023.
Sherekh Yu., Nad ozerom. Bavariia [Above the lake. Bavaria], [v:] Yu. Sherekh, Porohy i Zaporizhzhia: Literatura, mystetstvo, ideolohii, v 3 tomakh, t. I, Kharkiv: Folio, 1998, s. 542–595.
Shkandrii M., V obiimakh imperii: Rosiiska i ukrainska literatury novitnoi doby [In the arms of the empire: Russian and Ukrainian literature of the modern era], Kyiv: Fakt, 2004.
Buyskych J., Old-new colonial tendencies in social anthropology: empathy in wartime, [in:] “Ethnologia Polona”, 2023, no. 44, pp. 55–85. DOI: https://doi.org/10.23858/ethp.2023.44.3366
License
Copyright (c) 2024 Taras Pastuch
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
- The Author hereby warrants that he/she is the owner of all the copyright and other intellectual property rights in the Work and that, within the scope of the present Agreement, the paper does not infringe the legal rights of another person.The owner of the copyright work also warrants that he/she is the sole and original creator thereof and that is not bound by any legal constraints in regard to the use or sale of the work.
- The Author grants the Purchaser non-exclusive and free of charge license to unlimited use worldwide over an unspecified period of time in the following areas of exploitation:
2.1. production of multiple copies of the Work produced according to the specific application of a given technology, including printing, reproduction of graphics through mechanical or electrical means (reprography) and digital technology;
2.2. marketing authorisation, loan or lease of the original or copies thereof;
2.3. public performance, public performance in the broadcast, video screening, media enhancements as well as broadcasting and rebroadcasting, made available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them;
2.4. inclusion of the Work into a collective work (i.e. with a number of contributions);
2.5. inclusion of the Work in the electronic version to be offered on an electronic platform, or any other conceivable introduction of the Work in its electronic version to the Internet;
2.6. dissemination of electronic versions of the Work in its electronic version online, in a collective work or independently;
2.7. making the Work in the electronic version available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, in particular by making it accessible via the Internet, Intranet, Extranet;
2.8. making the Work available according to appropriate license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) as well as another language version of this license or any later version published by Creative Commons. - The Author grants the Adam Mickiewicz University in Poznan permission to:
3.1. reproduce a single copy (print or download) and royalty-free use and disposal of rights to compilations of the Work and these compilations.
3.2. send metadata files related to the Work, including to commercial and non-commercial journal-indexing databases. - The Author declares that, on the basis of the license granted in the present Agreement, the Purchaser is entitled and obliged to allow third parties to obtain further licenses (sublicenses) to the Work and to other materials, including derivatives thereof or compilations made based on or including the Work, whereas the provisions of such sub-licenses will be the same as with the attributed license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)or another language version of this license, or any later version of this license published by Creative Commons. Thereby, the Author entitles all interested parties to use the work, for non-commercial purposes only, under the following conditions:
4.1. acknowledgment of authorship, i.e. observing the obligation to provide, along with the distributed work, information about the author, title, source (link to the original Work, DOI) and of the license itself.
4.2. the derivatives of the Work are subject to the same conditions, i.e. they may be published only based on a licence which would be identical to the one granting access to the original Work. - The University of Adam Mickiewicz in Poznań is obliged to
5.1. make the Work available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, without any technological constraints;
5.2. appropriately inform members of the public to whom the Work is to be made available about sublicenses in such a way as to ensure that all parties are properly informed (appropriate informing messages).
Other provisions
- The University of Adam Mickiewicz in Poznań hereby preserves the copyright to the journal as a whole (layout/stylesheet, graphics, cover design, logo etc.)