Abstract
The essay offers a philosophical interpretation of the concept of the garden according
to the contemporary Italian aesthetician Rosario Assunto (1915–1994). Assunto
systematically developed a philosophical theory focused on the question of the
identity of the garden. He was interested in the “idea of the Garden” which, in his
opinion, determined historical gardens both at the ontological and epistemological
level. He defined the garden in terms of a happy connection of man and nature, based
on the aesthetic contemplation of beauty, characteristic of all the gardens regardless
of historical differences among them. According to Assunto, gardens are places which
combine together aesthetics, ethics, and logic. This combination determines the
unique identity of the garden which takes various forms, depending on the individual
poetics of their makers, socio-historical realities, taste, and the correspondent ideas of
nature. Assunto’s starting points are thus historical versions of the garden, descriptive
literature, and German philosophy of the turn of the 19th century. For the Italian
philosopher, gardens have not only historical and artistic, but also ecological aspects,
so that they should be protected and restored. Assunto’s theory is a unique proposal
which anticipates today’s reflection on the topic of gardens, but seems much more
satisfactory than many contemporary approaches (A. Berleant, M. Miller, S. Ross).
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