Abstract
In January 1906, in the turbulent period of 1905–1907, the poet, artist, and social
activist Antoni Lange published in the Warsaw weekly Świat an essay called
“Marzenia warszawskie” (“The Warsaw Dreams”). A several page text, illustrated
with woodcuts by the painter Andrzej Zarzycki, included a spectacular vision of metropolitan
Warsaw of the future: a capital city with many public buildings and modern
infrastructure, a genuine center of Polish national and cultural life. The present essay
analyzes unexamined ideas of Lange in terms of the history of architecture, and
in a double political and social context. “The Warsaw Dreams” was deeply rooted in
the political reality of the former Kingdom of Poland, addressing the issue of liberalization
of the Russian rule during the 1905 revolution. Using the vocabulary of urban
planning and making a list of changes in the city’s architecture, Lange articulated
a vision of the future space of Warsaw as a Polish metropolis of modernity, administered
independently of Russia. In his essays he proposed to extend the city limits and
remove its fortifications as well as introduce local government with significant prerogatives
as an instrument of Warsaw’s great transformation – its aestheticization
and construction of public buildings, such as national government edifices, schools,
and cultural centers. The authors argue that by describing public architecture of the
future Warsaw as a “dream” full of copies of well-known European architectural monuments
from Venice, Prague, and Cracow, Lange created a comprehensive political
project of autonomy of the Kingdom of Poland in the Russian empire. “The Warsaw
Dreams” originally combined together architecture and politics, urban space and the
problems of Polish modernization, and the discourses of nationalism and socialism.
Lange’s visionary proposal from 1906 is of the most imaginative responses to the
challenges of the development of Warsaw at the turn of the 20th century in the context
of Polish political and social problems of those times.
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