Abstract
This text is a translation into Polish of an essay originally published as A. Vidler, “Architecture’s Expanded Field”, in: Architecture Between Spectacle and Use, ed. A. Vidler, Williamstown, MA/New Haven–London 2008, pp. 143–154. This theoretical study looks at the “expanded field” of contemporary architecture, its diverse modes, iterations and combinations with other domains such as sculpture or landscape using the diagrammatic model introduced by Rosalind E. Krauss for her consideration of 20th-century sculpture. Vidler discusses different types of architecture dominant in the last decades of the 20th and the beginning of the 21st century, pointing to the most recently dominant model called “diagram architecture”.
References
Eisenman P., Diagram Diaries, New York 1999
Greenberg C., Towards a Newer Laocoön, „Partisan Review” 1940, 7(4), s. 296–310
Ito T., Diagram Architecture, „El Croquis” 1996, 77(1), s. 18
Krauss R., Oryginalność awangardy i inne mity modernistyczne, tłum. M. Szuba, Gdańsk 2011, s. 275–288
Krauss R., Sculpture in the Expanded Field, „October” 1979, 8, s. 30–44 DOI: https://doi.org/10.2307/778224
Lessing G.E., Laokoon, czyli o granicach malarstwa i poezji, opr. naukowe M. Mencfel, tłum. H. Zymon-Dębicki, Kraków 2012, s. 3
Vidler A., Architecture’s Expanded Field, w: Architecture Between Spectacle and Use, red. A. Vidler, Williamstown, MA/New Haven–London 2008, s. 143–154
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