Keywords
visual arts
memory
socialist Yugoslavia
culture of power
political character
architecture
subjectivity
memory
socialist Yugoslavia
culture of power
political character
architecture
subjectivity
How to Cite
Bogusławska, M. (2016). Post-Yugoslav theatre of memory in the visual projects of Bálint Szombathy and Jasmina Cibic. Balcanica Posnaniensia. Acta Et Studia, 22(2), 187–200. https://doi.org/10.14746/bp.2015.22.23
Abstract
The starting point of my considerations is the category of the theatre of memory, taken from Francis Yates’ book Art of memory. The category was applied in the book in relation to ancient traditions and mnemonic techniques. In the article I attempt to reinterpret this category and apply it in the description of the contemporary practices of commemorating and reminding of the Socialist Yugoslavia’s experience in space and through space. I am interested in the artistic activities of contemporary visual creators who in their works deal with the subject of SFRY. Referring to the example of the works of the artists belonging to different generations, I discuss two trends seen in the reception of this historical experience. Metonymic approach (Szombathy) is based on problematizing one’s own biographical experience as a part of the G reat H istory, while the metaphorical recognition (Cibic) means a search for universal content in what is historical and local.References
Albahari David, Mamidło, tłum. Dorota Jovanka Ćirlić, Wydawnictwo W.A.B., Warszawa 2008.
Благојевић Љиљана, Нови Београд. Оспорени модернизам. Стратегије модернизма у планирању и пројектовању урбане структуре и архитектуре Новог Београда, Завод за уџбенике, Архитектонски факултет Универзитета у Београду, Завод за заштиту споменика, Београд 2007.
Bogusławska Magdalena, Egzotyczni przyjaciele Josipa Broza Tity, w: Komunistyczni bohaterowie, t. 1: Tradycja, kult, rytuał, red. Magdalena Bogusławska, Zuzanna Grębecka, Ewa Wróblewska-Trochimiuk, Libron, Warszawa – Kraków 2011.
Bogusławska Magdalena, Obraz władzy we władzy obrazu. Artystyczne konceptualizacje Josipa Broza Tity, Wydział Polonistyki UW – Libron, Warszawa – Kraków 2015.
Đilas Milovan, Druženje s Titom, Harrow, Middlesex 1980.
Mandalian Andrzej, Czerwona orkiestra, Wydawnictwo Sic!, Warszawa 2009.
Šuvaković Miško, Sećanje na umetnost komunizma. Analiza kontradikcija: pristupi i prestupi, „Remont Art Files” 2008–2009, br. 2–3.
Szombathy Bálint, Bili smo heroi / Hősök voltunk [katalog wystawy], http://pl.scribd.com/doc/240135050/ Balint-Szombathy-Bili-smo-heroji-H%C5%91sok-voltunk-KATALOG.
Yates Frances A., Sztuka pamięci, tłum. Witold Radwański, Państwowy Instytut Wydawniczy, Warszawa 1977.
License
- The Author hereby warrants that he/she is the owner of all the copyright and other intellectual property rights in the Work and that, within the scope of the present Agreement, the paper does not infringe the legal rights of another person.The owner of the copyright work also warrants that he/she is the sole and original creator thereof and that is not bound by any legal constraints in regard to the use or sale of the work.
- The Author grants the Purchaser non-exclusive and free of charge license to unlimited use worldwide over an unspecified period of time in the following areas of exploitation:
2.1. production of multiple copies of the Work produced according to the specific application of a given technology, including printing, reproduction of graphics through mechanical or electrical means (reprography) and digital technology;
2.2. marketing authorisation, loan or lease of the original or copies thereof;
2.3. public performance, public performance in the broadcast, video screening, media enhancements as well as broadcasting and rebroadcasting, made available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them;
2.4. inclusion of the Work into a collective work (i.e. with a number of contributions);
2.5. inclusion of the Work in the electronic version to be offered on an electronic platform, or any other conceivable introduction of the Work in its electronic version to the Internet;
2.6. dissemination of electronic versions of the Work in its electronic version online, in a collective work or independently;
2.7. making the Work in the electronic version available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, in particular by making it accessible via the Internet, Intranet, Extranet;
2.8. making the Work available according to appropriate license pattern Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0) as well as another language version of this license or any later version published by Creative Commons. - The Author grants the Adam Mickiewicz University in Poznan permission to:
3.1. reproduce a single copy (print or download) and royalty-free use and disposal of rights to compilations of the Work and these compilations.
3.2. send metadata files related to the Work, including to commercial and non-commercial journal-indexing databases. - The Author declares that, on the basis of the license granted in the present Agreement, the Purchaser is entitled and obliged to allow third parties to obtain further licenses (sublicenses) to the Work and to other materials, including derivatives thereof or compilations made based on or including the Work, whereas the provisions of such sub-licenses will be the same as with the attributed license pattern Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0) or another language version of this license, or any later version of this license published by Creative Commons. Thereby, the Author entitles all interested parties to use the work, for non-commercial purposes only, under the following conditions:
4.1. acknowledgment of authorship, i.e. observing the obligation to provide, along with the distributed work, information about the author, title, source (link to the original Work, DOI) and of the license itself.
4.2. the derivatives of the Work are subject to the same conditions, i.e. they may be published only based on a licence which would be identical to the one granting access to the original Work. - The University of Adam Mickiewicz in Poznań is obliged to
5.1. make the Work available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, without any technological constraints;
5.2. appropriately inform members of the public to whom the Work is to be made available about sublicenses in such a way as to ensure that all parties are properly informed (appropriate informing messages).
Other provisions
- The University of Adam Mickiewicz in Poznań hereby preserves the copyright to the journal as a whole (layout/stylesheet, graphics, cover design, logo etc.)