Opublikowane: 2020-01-30

Articles

Contemporary composer Vladimir Jovanović and his role in the renewal of church Byzantine music in Serbia from the 1990s until today

Gordana Blagojević

11-30

pdf (English)

Professional career and family life of Viennese Primadonnas. The case of Catarina Cavalieri and Aloysia Weber (Lange)

Hanna Winiszewska

31-40

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InMI and its potential originality – musical creativity in composers’ minds

Natalia E. Copeland

41-52

pdf (English)

Experience as cognition: musical sense-making and the ‘in-time/ outside-of-time’ dichotomy

Mark Reybrouck

53-80

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Freedom in music on the example of the works of Karlheinz Stockhausen and Iannis Xenakis

Justyna Humięcka-Jakubowska

81-94

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Archives and blank spots: scholarly perspectives for recovering Polish music (1794–1945)

Marcin Gmys

95-105

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Meanings of music in film from a cognitive perspective

Agnieszka Cieślak

107-116

PDF (English)

Poetic Images of Nightingale in the Art Song. On Some Aspects of Musical Meaning

Sławomira Żerańska-Kominek

117-134

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Erik Satie – the ‘progenitor’ of muzak or the precursor of ‘pipedown’ movement? On the concept of musique d’ameublement

Sylwia Makomaska

135-145

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Second Movement of Compartment 2, Car 7 for Vibraphone, Violin, Viola and Cello by Paweł Szymański in Light of Cognitive Musical Grammar

Violetta Kostka

147-154

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Aspects of Intertextuality in the Works of the ‘Stalowa Wola Generation’ (Eugeniusz Knapik, Andrzej Krzanowski, Aleksander Lasoń)

Kinga Kiwała

155-172

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Walking the streets of a virtual metropolis. The audiosphere of the game Grand Theft Auto IV

Jakub Kopaniecki

173-184

PDF (English)