Nr 19 (2019)

Articles

Gordana Blagojević
11-30
Contemporary composer Vladimir Jovanović and his role in the renewal of church Byzantine music in Serbia from the 1990s until today
pdf (English)
Hanna Winiszewska
31-40
Professional career and family life of Viennese Primadonnas. The case of Catarina Cavalieri and Aloysia Weber (Lange)
pdf (English)
Natalia E. Copeland
41-52
InMI and its potential originality – musical creativity in composers’ minds
pdf (English)
Mark Reybrouck
53-80
Experience as cognition: musical sense-making and the ‘in-time/ outside-of-time’ dichotomy
pdf
Justyna Humięcka-Jakubowska
81-94
Freedom in music on the example of the works of Karlheinz Stockhausen and Iannis Xenakis
pdf (English)
Marcin Gmys
95-105
Archives and blank spots: scholarly perspectives for recovering Polish music (1794–1945)
pdf (English)
Agnieszka Cieślak
107-116
Meanings of music in film from a cognitive perspective
PDF (English)
Sławomira Żerańska-Kominek
117-134
Poetic Images of Nightingale in the Art Song. On Some Aspects of Musical Meaning
PDF (English)
Sylwia Makomaska
135-145
Erik Satie – the ‘progenitor’ of muzak or the precursor of ‘pipedown’ movement? On the concept of musique d’ameublement
PDF (English)
Violetta Kostka
147-154
Second Movement of Compartment 2, Car 7 for Vibraphone, Violin, Viola and Cello by Paweł Szymański in Light of Cognitive Musical Grammar
PDF (English)
Kinga Kiwała
155-172
Aspects of Intertextuality in the Works of the ‘Stalowa Wola Generation’ (Eugeniusz Knapik, Andrzej Krzanowski, Aleksander Lasoń)
PDF (English)
Jakub Kopaniecki
173-184
Walking the streets of a virtual metropolis. The audiosphere of the game Grand Theft Auto IV
PDF (English)