Stanisław Barańczak Hi-Fi. Antynomia modernistycznej estetyki
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Słowa kluczowe

Barańczak
modernism
poetics
aesthetics
beauty
play
truth

Jak cytować

Biedrzycki, K. (2014). Stanisław Barańczak Hi-Fi. Antynomia modernistycznej estetyki. Poznańskie Studia Polonistyczne. Seria Literacka, (24), 283–290. Pobrano z https://pressto.amu.edu.pl/index.php/pspsl/article/view/1167

Abstrakt

The interpretation of the poem “Hi-Fi” by Stanisław Barańczak leads to the reflection over the tension between the two modernist aesthetic postulates: the pursuit of pure beauty in art and the pursuit of the truth about the world by means of art. For Barańczak the pretext for entering into this discussion was the arrival of new technical abilities – sensitive appliances which can register and recreate all sounds from a concert, also the ones non-musical, unwanted from the perspective of an expected aesthetic perfection.

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Bibliografia

Barańczak S., Hi-Fi, w: idem, Wiersze zebrane, Kraków 2007, s. 433–434.

Nicholls P., The Princeton Encyclopedia of Poetry &Poetics, Princeton–NJ 2012, s. 889–894.

Nycz R., Poetyka doświadczenia. Teoria – nowoczesność – literatura, Warszawa 2012.