Keywords
Justine Frank
Marquis de Sade
Jacob Frank
surrealism
parafiction
How to Cite
Abstract
The article is devoted to the biography of Justine Frank (1900-1943), a marginalized member of the surrealist movement, a painter and writer who combined Judaism with pornography, a critic of the Zionist project who tragically died in Palestine. Written by an Israeli artist and an expert on the interwar avant-garde, Roee Rosen, it is not only an artistic provocation – a part of a larger experiment in the field of the so-called parafiction also including editions of Frank’s novel Sweet Sweat and exhibitions of her paintings – but also an interesting statement in the discussion on the possibilities and limitations of feminist criticism, as it points out the problem of fabrication of the indispensable precursors.
References
Bojarska Katarzyna, Rosen Roee (2014), One Man and One Woman; or, Too Many Characters in a Conversation, „Widok”, nr 5, [online], [dostęp: 23 sierpnia 2019], http://pismowidok.org/index.php/one/article/view/171/282.
Borkowska Grażyna (1992), Córki Miltona (o krytyce feministycznej ostatnich piętnastu lat), w: Po strukturalizmie. Współczesne badania teoretycznoliterackie, red. Ryszard Nycz, Wiedza o kulturze, Wrocław, s. 71-92.
Chadwick Whitney (1985), Women Artists and the Surrealist Movement, Little Brown, New York [USA]. Frank Justine (2009), Sweet Sweat, Sternberg Press, Berlin–New York [Niemcy–USA].
Führer-Ha’sfari Joanna (2003), I’m My Own Grandma, The Past and Present Life of Justine Frank, w: Roee Rosen, Justine Frank, A Retrospective, [online], [dostęp: 23 sierpnia 2019], https://www.roeerosen.com/writings-and-art-books, The Herzliya Museum of Art, Herzliya [Izrael].
Führer-Ha’sfari Joanna (2014), Things Collapse in the World, Georges Bataille with Jacob and Justine Frank, w: C.H.O.S.E.N, red. Galit Eilat, Aneta Szyłak, The Israeli Center for Digital Art, Holon [Izrael], s. 95-112.
Gajewska Agnieszka (2008), Zwrot biograficzny krytyki feministycznej, w: Dwadzieścia lat literatury polskiej 1989-2009. Idee, ideologie, metodologie, red. Inga Iwasiów, Arleta Galant, Wydawnictwo Naukowe Uniwersytetu Szczecińskiego, Szczecin, s. 97-109.
Kuczyńska Agnieszka (2017), Fantomas i surrealiści, „Kultura i Historia”, nr 32, s. 207-215.
Lambert-Beatty Carrie (2009), Make believe: Parafiction and plausibility, „October”, nr 129, s. 51-84.
Majbroda Katarzyna (2012), Feministyczna krytyka literatury w Polsce po 1989. Tekst, dyskurs, poznanie z odmiennej perspektywy, Universitas, Kraków.
Melzer Gilad (2016), Roee Rosen’s Conceptual Surrealism, w: Roee Rosen, Roee Rosen. A group Exhibition, Tel Aviv Museum of Art, Tel Aviv, [Izrael], s. 321-310.
Rosen Roee (1999), זימה סוריאליסטית כשרה למהדרין: על זיעה מתוקה, הרומן
הפורנוגרפי של ז’אסטין פראנק, „וביקורת תיאוריה” , nr 15, [online], [dostęp: 23 sierpnia 2019], https://theory-and-criticism.vanleer.org.il.
Roee Rosen, reż. (2005), Two Women and a Man, [online], [dostęp: 25 kwietnia 2019], http://roeerosen.com/tagged/Justine-Frank.
Rosen Roee (2009a), Glaat-Kosher Surrealist Smut: Reading „Sweet Sweat”, w: Justine Frank, Roee Rosen, Sweet Sweat, Sternberg Press, Berlin–New York [Niemcy–USA], s. 149-221.
Rosen Roee (2009b), Stained portfolio. On the Life and Work of Justine Frank, w: Justine Frank, Roee Rosen, Sweet Sweat, Sternberg Press, Berlin–New York [Niemcy–USA], s. 13-83.
Świerkosz Monika (2011), Historia literatury kobiet – niedokończony projekt, „Wielogłos”, nr 10, s. 60-76.
Świerkosz Monika (2017), Arachne i Atena. Literatura, polityka i kobiecy klasycyzm, Wydawnictwo Uniwersytetu Jagiellońskiego, Kraków.
License
Authors
Authors of texts accepted for publication in „Poznańskie Studia Polonistyczne. Seria Literacka” are required to complete, sign and return to the editor's office the Agreement for granting a royalty-free license to works with a commitment to grant a CC sub-license.
Under the agreement, the authors of texts published in „Poznańskie Studia Polonistyczne. Seria Literacka” grant the Adam Mickiewicz University in Poznań a non-exclusive, royalty-free license and authorize the use of Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0)Creative Commons sub-license.
The authors retain the right to continue the free disposal of the work.
Users
Interested Internet users are entitled to use works published in „Poznańskie Studia Polonistyczne. Seria Literacka” since 2016, for non-commercial purposes only, under the following conditions:
- attribution - obligation to provide, together with the distributed work, information about the authorship, title, source (link to the original work, DOI) and the license itself.
- no derivatives - the work must be preserved in its original form, without the author's consent it is not possible to distribute the modified work, such as translations, publications, etc.
Copyrights are reserved for all texts published before 2016.
Miscellaneous
Adam Mickiewicz University in Poznań retains the right to magazines as a whole (layout, graphic form, title, cover design, logo etc.).