Keywords
Joanna Zach
poetic of confession
representation of experience
crisis of poetic language
How to Cite
Abstract
The article discusses the plausibility of Joanna Zach’s concept described as the “poetic of confession”. “Self discovery” is, for Miłosz, related to Romantic and early-Modernist sources of creative expression, and to poetry as a specific confession of faith. This, in turn, assumes an unending tension between biography, immersed in concrete reality, and its textual representation (the truth of life is confronted with the truth of poetry). What follows is that for Miłosz the key category is experience, suspended between history and the present, and between reality and its textual transformation.References
Banowska L., Miłosz i Mickiewicz. Poezja wobec tradycji, Poznań 2005.
Janion M., Zmierzch paradygmatu, w: eadem, „Czy będziesz wiedział, co przeżyłeś”, Warszawa 1996.
Kiślak E., Walka Jakuba z aniołem. Czesław Miłosz wobec romantyczności, Warszawa 2001.
Stala M., Trzy nieskończoności. O poezji Adama Mickiewicza, Bolesława Leśmiana i Czesława Miłosza, Kraków 2001.
Zach J., Miłosz i poetyka wyznania, Kraków 2002.
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