Understanding Korean Webtoon culture: Transmedia storytelling, snack culture, and the globalization process
PDF (Język Polski)

Keywords

South Korea
webtoon
transmedia
globalization
comic book

How to Cite

Wolna, W. (2023). Understanding Korean Webtoon culture: Transmedia storytelling, snack culture, and the globalization process. Refleksje. Pismo Naukowe studentów I doktorantów WNPiD UAM, (25), 119–134. https://doi.org/10.14746/r.2023.1.9

Abstract

It is worth noting that some dimensions of culture emerging in South Korea in recent
years are becoming increasingly popular on a global scale. This article presents the
global success of webtoons, Korean webcomics, as tools of soft power, indicating
a state’s ability to influence others through the attractiveness of its culture. In this
context, culture is understood as one of the resources of soft power, or soft power
– which can play specific roles in a state’s foreign policy and, in particular, positively
contribute to increasing the influence of such a country. Strengthening soft power
through the promotion of popular culture can bring such benefits. South Korea successfully
promotes its pop culture globally, generating interest from representatives of other countries. The aim of this article is to describe how Korean digital comics, webtoons, have developed over the years and analyze how webtoons have become a source for transmedia storytelling. It discusses how snack culture has contributed to the development of webtoons, transforming them into Korean TV series or films. Korean webcomics have become popular worldwide due to their accessibility to readers, diverse genres, and engaging plots. New forms of communication, advancements in transportation, and technology have revolutionized global markets and significantly increased trade, as falling costs enable smaller states and multinational corporations to engage in inexpensive and efficient exchange of goods and information (Nye, 1990, pp. 161–162).

https://doi.org/10.14746/r.2023.1.9
PDF (Język Polski)

References

daykorean (2023), Manhwa – Korean comics for entertainment and learning, https://www.90daykorean.com/manhwa/, 30.04.2023.

Appadurai A. (1996), Modernity at Large: Cultural Dimensions of Globalization, University of Minnesota Press, Minneapolis.

Becoming Webtoon (2023), https://headerbidding.co/becoming-webtoon/, 25.06.2023.

Cho H. (2016), The webtoon: a new form for graphic narrative, “The Comics Journal”, Stany Zjednoczone, https://www.tcj.com/the-webtoon-a-new-form-forgraphic-narrative/, 30.04.2023.

Eisner W. (2008), Comics and Sequential Art: Principles and Practices from the Legendary Cartoonist, W.W. Norton, Nowy York.

Jang W. (2017), Webtoon as a new korean wave in the proces of glocalization, https:// barnettcenter.osu.edu/sites/default/files/2019-08/webtoon_as_a_new_korean_wave.pdf, 30.04.2023. DOI: https://doi.org/10.13185/KK2017.02908

Jeong K. (2020), Webtoons Go Viral?: The Globalization Processes of Korean Digital Comics, https://accesson.kr/kj/assets/pdf/8510/journal-60-1-71.pdf, 30.04.2023.

Kattenbelt C. (2008), Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships, Holandia, Culture, language and represntation ISSN 1697-7750, vol. VI, Cultural Studies Journal of Universitat Jaume I, https://core.ac.uk/download/pdf/39085592.pdf, 30.04.2023.

Kim J., Yu J. (2019), Platformizing Webtoons: The Impact on Creative and Digital Labor in South Korea, “Social Media + Society”, October–December 2019, s. 1–11, https://journals.sagepub.com/doi/pdf/10.1177/2056305119880174, 30.04.2023.

Koh D.Y. (2019), (Un)making the “Korean” Astro Boy Atom, Korea Południowa, “Korea Journal”, vol. 52, nr 1, s. 171–205, https://www.dbpia.co.kr/Journal/articleDetail?nodeId=NODE09375471, 30.04.2023.

Krajewski M. (2005), Kultury kultury popularnej, Wydawnictwo Naukowe UAM.

Manhwa (2023), https://www.cyberdefinitions.com/definitions/MANHWA.html, 24.06.2023.

Martins C. (2019), Transmedia storytelling e webtoons: velhos mundos em roupagens novas Transmedia storytelling and webtoons: old worlds in new clothes, https://www.researchgate.net/publication/336011834_Transmedia_storytelling_e_webtoons_velhos_mundos_em_roupagens_novas_Transmedia_storytelling_and_webtoons_old_worlds_in_new_clothes, 25.06.2023.

McCloud S. (2010), Reinventing Comics: How Imagination and Technology are Revolutionizing an Art Form, Perennial, Nowy York.

McKinney DW. (2020), Riding the Wave: The Steady Rise of Korean Manhwa, https:// lareviewofbooks.org/article/riding-the-wave-the-steady-rise-of-korean-manhwa/, 24.06.2023.

Ministry of Culture, Sports and Tourism and Korean Culture and Information Service (2023), Hallyu (Korean Wave), https://www.korea.net/AboutKorea/Cultureand-the-Arts/Hallyu, 30.04.2023.

Nye J. S. (1990), Soft Power, “Foreign Policy”, nr 80, https://www.jstor.org/stable/1148580, 23.06.2023. DOI: https://doi.org/10.2307/1148580

Park J. (2022), The Current Status of the Webtoon Industry and Implications for Global Expansion, https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4322932, 26.06.2023. DOI: https://doi.org/10.2139/ssrn.4322932

Salkowitz R. (2022), Webtoon Is Paying Its Creators Millions To Make Mobile Comics, https://www.forbes.com/sites/robsalkowitz/2022/07/18/webtoonis-paying-its-creators-millions-to-make-mobile-comics/?sh=2861ea5913b9, 30.04.2023.

Statista (2020), Leading platforms to consume webtoons in South Korea in 2019, by number of page views, https://www.statista.com/statistics/1261649/leadingwebtoon-platforms-by-page-view-number/, 30.04.2023.

The Korean Animation Industry in the Global Stage (2023), https://www.d8aspring.com/eye-on-asia/the-korean-animation-industry-in-the-global-stage, 24.06.2023.

Top Korean Webtoon Sites to Check Out – Manhwa Websites (2023), https://seoulspace.com/top-korean-webtoon-sites-to-check-out-manhwa-websites/, 24.06.2023.

Transmedia Storytelling in 2021 (2021), https://targetinternet.com/resources/transmedia-storytelling-in-2021/, 30.04.2023.

Webtoon Naver (2023), https://www.webtoons.com/en/, 30.04.2023.

Webtoon Kakao (2023), https://webtoon.kakao.com/, 30.04.2023.

Webtoon Lezhin (2023), https://www.lezhinus.com/en, 30.04.2023.

Yong Jin D. (2019a), Snack Culture’s Dream of Big-Screen Culture: Korean Webtoons’ Transmedia Storytelling, “International Journal of Communication” 13(2019), Canada, https://webcache.googleusercontent.com/search?q=cache:5NzqHjvyaOIJ:https://ijoc.org/index.php/ijoc/article/download/10004/2647&cd=1&hl=pl&ct=clnk&gl=pl,30.04.2023.

Yong Jin D. (2019b), Korean Webtoonist Yoon Tae Ho: History, Webtoon Industry, and Transmedia Storytelling, “International Journal of Communication” 13 (2019), Canada, https://ijoc.org/index.php/ijoc/article/viewFile/10015/2653, 30.04.2023.