JERUSALEM – “THE HEAVENS TELL” DAVID RAKIA – PAINTINGS
PDF (English)

Słowa kluczowe

LIGHT
AIR
MUSIC
KABBALAH
HEBREW LETTERS
LOWER AND UPPER SPHERES
ELEVATION OF SOUL
ALLEVIATION OF PAIN
PEACE
PERFECTION
SPIRITUAL
MYTHICAL
MYSTERIOUS
UNITY
PURITY
EARTHLY
ETHEREAL

Jak cytować

Dorot, R. (2013). JERUSALEM – “THE HEAVENS TELL” DAVID RAKIA – PAINTINGS. Studia Europaea Gnesnensia, (7), 285–308. Pobrano z https://pressto.amu.edu.pl/index.php/seg/article/view/2508

Abstrakt

The article highlights the uniqueness of the city of Jerusalem through the original, mystical qualities of this famous Jerusalem artist.

Rakia perceives both the ethereal and the earthly Jerusalem, uniting them into a perfect singularity that constitutes the core of the world.

Through the application of three elements, the artist combines imagination and originality in his successful creation of authentic images of the city. He conveys a mystical spirituality through the purity of light; content and biblical-historical-religious associations are added through the use of the letters of the Hebrew alphabet; through his choice of one dominant color that might not be realistic , he bestows upon the holy city both a realistic and imaginary-spiritual character that accurately reflect its rare complexity.  

PDF (English)

Bibliografia

Bialik H.N., Take me under your wing, Tel Aviv 1997, p. 178.

Cahana S.Z., The Letters and their Secrets, Jerusalem, 1984, p. 35.

Hashavua D., “Colorful Vision” an interview with David Rakia, Jerusalem, February 1965.

Kandinsky V., Concerning the Spiritual in Art, Jerusalem, 1999

Klein Y., Seek the Peace of Jerusalem — The Origin and Meaning of the Name Jerusalem, [in:] Y. Boussidan, Jerusalem, Names in Praise, Jerusalem 2005, p. 29.

Lippiner E., The Vision of the Letters, Jerusalem, 1989, p. 2.

Mendelson M.L., David Rakia, Tel Aviv, 1978, p. 9.

Ofrat G., David Rakia — Signs, Jerusalem, 2009, p. 44.

Ronen A., Ha’aretz, 21.09.62.

Schwartz A., Mordechai Ardon: The Colors of Time, Jerusalem–Tel Aviv, 2003, p. 38.

Tal M., Haboker, 17.02.1961.

Whitford F., Kandinsky, London, 1967, p. 36.

Pobrania

Brak dostępnych danych do wyświetlenia.