The role of the artist in the Maya society in the late classical period based on epigraphic analysis of the signatures of scribes and sculptors
No. 19 (2019), Summaries of dissertations
No. 19 (2019)

The role of the artist in the Maya society in the late classical period based on epigraphic analysis of the signatures of scribes and sculptors

Summaries of dissertations
https://doi.org/10.14746/seg.2019.19.21
Published 2019-06-15
Kajetan Jagodziński
https://orcid.org/0000-0003-3107-403X
Instytut Kultury Europejskiej Uniwersytetu im. Adama Mickiewicza w Poznaniu
Poland
Journal cover Gniezno European Studies, no. 19, year 2019
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Keywords

The Maya Society
artist
scribes
sculptors

How to Cite

Jagodziński, K. (2019). The role of the artist in the Maya society in the late classical period based on epigraphic analysis of the signatures of scribes and sculptors . Gniezno European Studies, 19(19), 415–422. https://doi.org/10.14746/seg.2019.19.21
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Abstract

The role of the artist in the Maya society in the late classical period based on epigraphic analysis of the signatures of scribes and sculptors

 

https://doi.org/10.14746/seg.2019.19.21
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References

Jagodziński K. 2017, Znaczenie almanachu 1c z Kodeksu Drezdeńskiego dla rozwoju epigrafiki majańskiej, Studia Europaea Gnesnensia 15, pp. 129-147.

Johnston K. 2005, Dedos rotos: La captura del escriba en la cultura Maya Clásica [online]. FAMSI [access: 2018-03-08]. Available at: <http://www.famsi.org/reports/03101es/62kevin/62kevin.pdf>.

Just B. 2018, Collecting Art of the Maya [online]. Princeton [access: 2018-08-07]. Available at: <https://artmuseum.princeton.edu/story/collecting-art-maya>.

Martin S., Grube N. 2000, Chronicle of the Maya Kings and Queens: Deciphering the Dynasties of the Ancient Maya, London, p. 128.

Thompson J.E.S. 1988, Un comentario al Códice de Dresde. Libro de jeroglifos mayas, Ciudad de México, p. 41