Submissions

Author Guidelines

We would like you to get familiar with the formatting rules and requirements applicable to the articles, which are submitted for publication in the following issue of the peer-reviewed journal Studia Ukrainica Posnaniensia (Ukrainian Studies in Poznan). We would like to inform you that each article gets two blind reviews. Article is allowed to be published only in case of positive reviews.

ARTICLE FORMATTING RULES AND REQUIREMENTS

1. The article may be written in Ukrainian, Polish or English and must be carefully proofread by the author. The article should not have been already published in another periodical, nor should it be submitted to another journal to be considered for publication. In case of any, it should be appropriately explained in the notes to the article submitted for printing.
2. The text of the article should be submitted in the text editor Microsoft Word 2003, 2007, doc or * rtf format and send it to the e-mail address sup@amu.edu.pl. Pages without headers/footers, alignment in width. All the illustrations, charts and tables, which are in the text, must be placed accordingly, but not at the end of the article.
3. The pages of the text file should not be numbered. Words should be typed without carry-over.
4. For the articles in Ukrainian, you should provide the abstracts in Polish and English; for the articles in Polish, you should provide the abstracts in Ukrainian and English; for the articles in English you should provide the abstracts in Polish and Ukrainian. The manuscripts, which are considered to be published, must have very detailed abstracts, containing important methodological information, in particular: 1) relevance of the research, 2) outline of the direction within which the article is done: 3) purpose (task), 4) results and conclusions. Volume of the abstract is between 100 and 150 words (800–1000 characters with gaps). The list of keywords must include those, which are used in the text of the abstract.
5. Technical parameters:

1) Format А4, all the page margins — 2,5; font Times New Roman; line interval — 1,0; paragraph indention — 0,6; font size — 12.

2) The first line shall represent the title of the article (in the original language of the article): font size — 12, in capital letters, bold font and centre alignment.

3) The author — name, surname — should be indicated through the line after the title of the article using the font size 10 (bold font, capital letters and centre alignment).

4) Educational institution, city and country — font size 10 (normal font and centre alignment);

5) E-mail; ORCID iD (it should be indicated the line after the name of the educational institution) — font size 10 (normal font and centre alignment);

6) Abstract. The text of the abstract and the keywords (that are included in the next line after the abstract using the paragraph indention, for instance: Ключові слова:… Słowa kluczowe:…, Keywords…) should be written using font size 10, normal font and alignment in width.

If the article is written in Ukrainian, the items 2), 3), 4) and 6) should be duplicated in Polish in the same sequence and form in the next line after the Ukrainian text along with the abstract in Polish. If the article is written in Polish, the items 2), 3), 4) and 6) should be the same duplicated in Ukrainian and English along with the abstracts (you should not indicate ones more the e-mail address and ORCID iD). If the article is written in English, the items 2), 3), 4) and 6) should be the same duplicated in Polish and Ukrainian along with the abstracts and the keywords (you should not indicate ones more the e-mail address and ORCID iD).

7) The main text of the article: font Times New Roman, font size — 12 (standard), line interval — 1,0. Quotations and names of the periodicals should be written in quotation marks („”) and in the normal font; if the quotation itself has words and word combination in the quotation marks, you should use the cyrillic quotation marks («»). The figurative meanings of words, etc. should be written in quotation marks (“”) and in normal font. The meaning of words, the interpretation of concepts, etc. should be written in single quotation marks (‘’). Titles of the artistic works or the scientific papers should be written in italics and without the quotation marks. Surnames of the scholars, writers, etc. must be followed with one initial or full name (however, in the list of references, surnames and initials must be indicated as in the source used). Inside the parentheses, if necessary, you may use slashes (/ ...... /). It is suggested for you to use in the text of the article the shortened forms of the commonly used word (for the Ukrainian language): наприклад — напр., дивися — див., таблиця — табл., рисунок — рис.; рік — р., роки — рр., половина — пол., початок ХХ ст. — поч. ХХ ст. (with figures denoting year, century/its parts — друга пол. ХХ ст., 20-і рр. ХХ ст.).

The text must be provided without the carry-over and underscores; illustrative linguistic material or meaningful terms should be provided in italics; the non-standard Office Word fonts should be sent in the attachment file via the e-mail.

One should differentiate between a long dash (—) (a punctuation mark in the sentence), a short dash (–) (between numbers of pages, dates, e.g.: XIX–XX centuries, p. 10–15) and a hyphen (-), which is used according to the rules (e.g. мова-донор).

A non-breaking space should be put between the surname and initials (Y. Hrytsak) as well as between those words that should not be broken apart switching to another page – і т. д.,ім. Лесі Українки, с. 234, № 5, etc.

8)Quotation. In the journal, the Harvard system of quotation is used. References to the sources used in the text of the article must be made as follows: in square brackets the author's surname or the abbreviated name of the source is given, followed by the year of publication, after the year of publication, the colon and the page number from which the quotation is given (see examples below).

During the selection of the articles, the editorial board will favor those scientific researches that will include references to the publications taken from journals published in the SKOPUS parametric base and in the previous editions of the Studia Ukrainica Posnaniensia journal.

9) The original references and their transliteration (at least 8 sources) are given at the end of the article with 1.5 interval from the main text (its formatting rules see below).

ATTENTION!If it is necessary, after the references (line interval — 1.5) the list of used sources may be included (of course after it there should be transliterated References with English translation of the titles.

10) Notes. If it is necessary, the links may be made on each page for giving notes: line interval — 1.0; font size — 10. 

References to unpublished work are not permitted

The Editorial Board reserves the right to return materials to the authors for correcting mistakes and omissions of the formatting. The author is obliged to finalize the article in accordance with the comments of the reviewers or the Editorial Board.

If the author does not eliminate these deficiencies within the specified time period, the Editorial Board on this basis has the right to reject the article.

EXAMPLES OF NOTE FORMATTING

In the article text: One should emphasize that the compromise is not possible for the researcher in this case. In his thoughts on V. Stus's poetry, contained in the same edition^[1], M. Pavlyshyn singles out four possible models for reading these works.

Nieprzypadkowo większość swoich powieści ukraiński pisarz osadza w scenerii historycznej, stosując jednocześnie strategie narracyjne, przez niektórych badaczy jego twórczości określane jako postmodernistyczne^[2].

EXAMPLES OF REFERENCES FORMATTING

in the article text

(only what is given in square brackets should written):

а) monographs, textbooks, dissertations, abstracts, etc., e.g.:

[Sobień-Górska 2020: 17] – Sobień-Górska M., Ukrainki. Co myślą o Polakach, u których pracują?, Warszawa: Czerwone i Czarne, 2020.

[Hundorova 2013: 59] – Hundorova T., Pisliachornobylska biblioteka. Ukrainskyi literaturnyi postmodernizm, Kyiv: Krytyka, 2013.

[Belei 1997] – Belei L., Ukrainska literaturno-khudozhnia antroponimiia kintsia XVIII–XX st., avtoref. dys. ... d-ra. filol. nauk, Uzhhorod, 1997.

б) parts of monographs, articles in scientific journals, collections of scientific works, conference materials, etc., e.g.:

[Kolibaba 2022: 25] – Kolibaba L., Zminy v hramatychnomu vyrazhenni semantyky chasu v ukrainskii literaturnii movi pershykh dvokh desiatyrich XXI stolittia, „Studia Ukrainica Posnaniensia”, 2022, t. X/1, s. 25.

в) lexicographic sources, e.g.:

[Etymolohichnyi slovnyk… 2004, 4: 554] – Etymolohichnyi slovnyk ukrainskoi movy, v   7 tomakh, hol. red. O. Melnychuk, Kyiv: Naukova dumka, 2004, t. 4, s. 554.

г) web resources:

[Ukrainski anekdoty 2017] – Ukrainski anekdoty, http://ukr-anecdotes.com/rozdil/pro-teshhu/page/16.

EXAMPLES OF REFERENCES FORMATTING

References

Monographs, textbooks, dissertations, abstracts

Hundorova T., Pisliachornobylska biblioteka: Ukrainskyi literaturnyi postmodern, Kyiv: Krytyka, 2005.

Krokhmalna H., Terminy v idiostyli vchenoho, avtoref. … kand. filol. nauk, Lviv 2011.

Pieńkos J., Podstawy juryslingwistyki. Język w prawie – prawo w języku, Warszawa: Oficyna Prawnicza Muza S. A., 1999.

Lexicographic sources

Slovnyk ukrainskoi movy, v 11 tomakh, red. I. Bilodid, t. 5, Kyiv: Naukova dumka, 1974.

Parts of monographs

Horniatko-Shumylovych A., Vasyl Tkachuk. Mizh tradytsiieiu i novatorstvom. Narys problematyky, [v:] Jakubowska-Krawczyk K., Nowacki A. (red.), Tożsamość ukraińska wobec przemian XVII–XXI w., Lublin: Wydawnictwo KUL, 2017, s. 141–157.

Articles in scientific journals, collections of scientific works, conference materials

Movchan L., Kohnityvna linhvistyka: pryntsypy analizu movnoho materialu, „Naukovyi visnyk Skhidnoievropeiskoho natsionalnoho universytetu im. Lesi Ukrainky. Filolohichni nauky. Movoznavstvo”, 2013, no. 1, s. 78–79.

Shulzhuk K., Semantychna struktura skladnoho bahatokomponentnoho rechennia, „Movoznavstvo”, 1987, no. 6, s. 24–32.

Web resources

Kolomiichuk B., Ya vpershe v ukrainskii beletrystytsi zobrazyv Froida, https://www.bbc.com/ukrainian/features-38207319.

Example of article formatting

The concept of the Sixtiers in cultural discourse

Yaroslav Polishchuk

Adam Mickiewicz University in Poznań, Poznań – Poland

yarpol@amu.edu.pl; ORCID: 0000-0001-9081-7900

Автор простежує становлення концепції покоління шістдесятників – від кінця 1950-х до 2020-х років – у суспільно-культурному дискурсі України. Цей поколіннєвий проєкт мав свої перемоги і поразки. Після блискучого дебюту шістдесятників та декларації ідеї правди і спротиву щодо тоталітарної системи настав тривалий період застою та маргіналізації цієї формації. Сатисфакція за тривале мовчання стала можливою вже за доби незалежної України, але шістдесятники скористалися нею головно в політичній сфері. Однак у літературі періоду Незалежності їхня присутність доволі скромна, радше символічна. Таким чином, мистецька самореалізація цього покоління є лише частковою, незважаючи на факт, що саме культурницька місія стала основою концепції генерації шістдесятих.

Ключові слова: покоління шістдесятників, концепція, інтелектуали, культурний дискурс, ідея, радянський період.

Koncepcja pokolenia lat 60. w dyskursie kulturowym

Jarosław Poliszczuk

Uniwersytet im. Adama Mickiewicza, Poznań – Polska

Autor artykułu śledzi kształtowanie się koncepcji pokolenia lat 60. – od przełomu lat 50–60. XX wieku po lata ostatnie – w dyskursie społeczno-kulturowym Ukrainy. Ten projekt pokoleniowy doznał zarówno wzlotów, jak i upadków. Po wspaniałym debiucie „sześćdziesiątników” i zadeklarowaniu przez nich idei sprawiedliwości oraz sprzeciwu wobec systemu totalitarnego, nastąpił długi okres stagnacji oraz marginalizacji samej formacji. Zasłużoną satysfakcję po czasie trwałego milczenia przyniosła doba niepodległości Ukrainy, jednak „sześćdziesiątnicy” potrafili skorzystać z niej w różnej mierze, przeważnie w wymiarze politycznym. Jednakże w literaturze okresu Niepodległości ich obecność jest zaznaczona słabo, prawie symbolicznie. Zatem samorealizację artystyczną tego pokolenia wypada uznać za częściową, mimo że właśnie misja związana z promocją kultury była sednem koncepcji generacyjnej.

Słowa kluczowe: pokolenie lat 60., koncepcja, intelektualiści, dyskurs kulturowy, idea, okres sowiecki.

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