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Abstract
The article deals with the use of sacral images, motives, themes by Taras Shevchenko’s writings and painting. The semiotic interactions in the Ukrainian artist’s works is analyzed. The typology of bbiblical themes in Taras Shevchenko’s painting and poetry is investigated.References
Д. Степовик, Унікальний внесок Тараса Шевченка в образотворче мистецтво (до 150-річчя упокоєння поета і мистця), [eлектронний ресурс:] http://www.kda.org.ua/statti/1145-unikalny-vnesok-tarasa-shevchenka-v-obrazotvorche-mustetstvo.htm
Л. Генералюк, Євангельські теми і ремінісценції в мистецтві Шевченка: словесно-іконічний паралелізм, [в:] „Мистецтвознавство України”, Київ 2008, вип. 9, с. 261-279.
П. Михед, „Молюся, Господи, внуши їм уст моїх глаголи...” (Уваги до вивчення теми: „Шевченко-пророк”), [в:] „Сучасність” 2004, № 3, с. 103-115.
Є. Нахлік, Доля – Los – Судьба: Шевченко і польські та російські романтики, Львів 2003.
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Т. Шевченко, Повне зібрання творів: у 12-ти тт., т. 2, Київ 2001.
С. Росовецький, Шевченківська енциклопедія: в 6-ти тт., т. 1: А–В, Київ 2012.
Т. Бовсунівська, Мнемонічний пратекст Тараса Шевченка, [в:] „Шевченкознавчі студії”, Київ 2008, вип. 11, с. 3-15.
А. Козачковський, Із спогадів про Т.Г. Шевченка, [в:] Спогади про Тараса Шевченка, В.С. Бородін (упоряд.), Київ 1982, с. 67-79.
В. Яцюк, Шевченкова сепія „Старець на кладовищі” (історія створення та семантика символів), [в:] „Світи Тараса Шевченка”, редактор М.Л. Залевська-Онишкевич, Нью-Йорк–Львів 2001, т. ІІ, с. 301–309.
Г. Штонь, „Кобзар” і Святе Письмо, [в:] „Слово і Час” 2000, № 1, с. 11-23.
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