Keywords
writer
innvation
play
performance
reflection
How to Cite
Abstract
This study is dedicated to contemporary research on experimental literature, which was recognized as an outstanding phenomena and also as the form of artistic transgression during recent years. The reason for reflections on this topic was the publication of the monograph by Oksana Kovatska entitled Experimental Sails of Ukrainian Prose of the 1920s (Kyiv 2020). Kovatska appreciates the element of experiment in the Ukrainian post-revolutionary literature, and highly appreciates the innovative search of the young generation of contemporary writers. In particular, she focuses on three figures of literary experimentation, considering them in the context of the works of Viktor Petrov (Domontovych), Arkadii Liubchenko and Mike Johansen. Oksana Kovatska’s monograph is published as a pioneering work in the field of the problem presented here.
References
Korniejenko A., „Rozstrzelane odrodzenie” [Rozstrzelane Odrodzenie], Kraków–Przemyśl: Towarzystwo Przyjaciół Nauk w Przemyślu, 2010.
Korniejenko A., Ukraiński modernizm. Próba periodyzacji procesu historycznoliterackiego [Ukrainian Modernism. An Attempt at Periodization of the Historical and Literary Process], Kraków: Universitas, 1998.
Krupa P., „Na Zachód” i „Z dala od Moskwy”? Publicystyka Mykoły Chwylowego lat 1925–1926 [“To the West” and “Away from Moscow”? Publicistic of Mykola Chwylowyi, 1925–1926], Kraków: Universitas, 2018.
Nowacki A., „Myśli pod prąd”. Twórczość Mykoły Chwylowego w kontekście ukraińskiej dyskusji literackiej lat 1925–1928 [„Thinks Against the Tide.” The Works of Mykola
Chwylowyi in the Context of the Ukrainian Literary Discussion in 1925–1928 Years], Lublin: Wydawnictwo KUL, 2013.
Schechner R., Performatyka. Wstęp [Performatics. Admission], przekł. T. Kubikowski, Wrocław: Ośrodek Badań Twórczości Jerzego Grotowskiego i Poszukiwań Teatralno--Kulturowych, 2006.
Shkandrij M., Avant-Garde Art in Ukraine, 1910–1930: Contested Memory Hardcover, Brookline: Academic Studies Press, 2019.
Antolohiia ukrainskoi literaturno-krytychnoi dumky pershoi polovyny XX stolittia [Anthology of Ukrainian literary and critical thought of the first half of the twentieth century], red. V. Aheieva, Kyiv: Smoloskyp, 2016.
Bila A., Ukrainskyi literaturnyi avanhard: poshuky, stylovi napriamky [Ukrainian literary avantgarde: searches, style directions], Kyiv: Smoloskyp, 2006.
Viktor Petrov. Mapuvannia tvorchosty pysmennyka [Victor Petrov. Mapping the writer’s work], red. K. Glinianowicz, P. Krupa, J. Majewska, Kraków: Universitas, 2021.
Lutskyi Yu., Literaturna polityka v radianskii Ukraini 1917–1934 [Literary policy in Soviet Ukraine 1917–1934], Kyiv: Helikon, 2000.
Mikhayl Semenko i ukrainskiy panfuturizm [Mykhail Semenko and Ukrainian panfuturism], Sankt-Peterburg: Izd. Yevropeyskogo universiteta v SPb., 2016.
Polishchuk V., Literaturnyi avanhard. Perspektyvy rozvytku ukrainskoi kultury, polemika i teoriia poezii [Literary avant-garde. Prospects for the development of Ukrainian culture, polemics and poetry theory], Kharkiv 1926.
Shkandrij M., Avant-Garde Art in Ukraine, 1910–1930: Contested Memory Hardcover, Brookline: Academic Studies Press, 2019.
Ukrainskyi avangard. 1910–1930 rokiv: Albom [Ukrainian avant-garde. 1910–1930. Album], avtor. vst. st. ta uporiad. D. Horbachov. Kyiv: Mystetstvo, 1996.
License
- The Author hereby warrants that he/she is the owner of all the copyright and other intellectual property rights in the Work and that, within the scope of the present Agreement, the paper does not infringe the legal rights of another person.The owner of the copyright work also warrants that he/she is the sole and original creator thereof and that is not bound by any legal constraints in regard to the use or sale of the work.
- The Author grants the Purchaser non-exclusive and free of charge license to unlimited use worldwide over an unspecified period of time in the following areas of exploitation:
2.1. production of multiple copies of the Work produced according to the specific application of a given technology, including printing, reproduction of graphics through mechanical or electrical means (reprography) and digital technology;
2.2. marketing authorisation, loan or lease of the original or copies thereof;
2.3. public performance, public performance in the broadcast, video screening, media enhancements as well as broadcasting and rebroadcasting, made available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them;
2.4. inclusion of the Work into a collective work (i.e. with a number of contributions);
2.5. inclusion of the Work in the electronic version to be offered on an electronic platform, or any other conceivable introduction of the Work in its electronic version to the Internet;
2.6. dissemination of electronic versions of the Work in its electronic version online, in a collective work or independently;
2.7. making the Work in the electronic version available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, in particular by making it accessible via the Internet, Intranet, Extranet;
2.8. making the Work available according to appropriate license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) as well as another language version of this license or any later version published by Creative Commons. - The Author grants the Adam Mickiewicz University in Poznan permission to:
3.1. reproduce a single copy (print or download) and royalty-free use and disposal of rights to compilations of the Work and these compilations.
3.2. send metadata files related to the Work, including to commercial and non-commercial journal-indexing databases. - The Author declares that, on the basis of the license granted in the present Agreement, the Purchaser is entitled and obliged to allow third parties to obtain further licenses (sublicenses) to the Work and to other materials, including derivatives thereof or compilations made based on or including the Work, whereas the provisions of such sub-licenses will be the same as with the attributed license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)or another language version of this license, or any later version of this license published by Creative Commons. Thereby, the Author entitles all interested parties to use the work, for non-commercial purposes only, under the following conditions:
4.1. acknowledgment of authorship, i.e. observing the obligation to provide, along with the distributed work, information about the author, title, source (link to the original Work, DOI) and of the license itself.
4.2. the derivatives of the Work are subject to the same conditions, i.e. they may be published only based on a licence which would be identical to the one granting access to the original Work. - The University of Adam Mickiewicz in Poznań is obliged to
5.1. make the Work available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, without any technological constraints;
5.2. appropriately inform members of the public to whom the Work is to be made available about sublicenses in such a way as to ensure that all parties are properly informed (appropriate informing messages).
Other provisions
- The University of Adam Mickiewicz in Poznań hereby preserves the copyright to the journal as a whole (layout/stylesheet, graphics, cover design, logo etc.)