Abstract
The article attempts to explore the features of early 21st century Ukrainian poetry for children. The purpose of exploration is to identify the genre and ideographic features of poetry: innovation and traditionalism. Tracing the genre modifications of poetry and their common and distinctive features, the author addresses the key features of poetry for children in general: artistic and literary discourse, the functions of poetry, thematic direction, strophic structure of the poem, the existence of images, characters and others. The article proves that the basis for the renewal of poetic genres is traditional genres of folklore and poetry. There are organically updated folk genres in modern poetry for children (praise, scarecrows, fables, nonsense, counters, patter, games) and newly created genres (poetry-pictures, tricks, coloring books, checks, stumbling blocks, therapeutic poems). The search for new forms of expression of idiosyncrasies of artists leads to the emergence of original genres. These have appeared as an original phenomenon in the Ukrainian literature of the early 21st century and offer a wide scope for further research.
References
Babii I., Khudozhno-zobrazhalna rol avtorskykh neolohizmiv u formuvanni pysmennytskoho idiostyliu [Artistic and Pictorial Role of Author’s Neologisms in the Formation of Literary Idiosyncrasy], [v:] „Studia Ukrainica Posnaniensia”, 2015, z. 3, s. 11–18.
Vinogradov G.S., Detskaya satiricheskaya lirika [Children’s Satirical Lyrics], [v:] „Kameny”, 1998, № 1–2, s. 42–62.
Hrushevskyi M., Kazka (Nasha kazkova tradytsiia. Holovnishi kazkovi motyvy. Internatsionalne i natsionalne) [Fairy Tale (Our Fairy-Tale Tradition. The Main Fairy-Tale Motives. International and National)], [v:] „Istoriia ukrainskoi literatury”: v 9 kn., за ред. В. Дончика, t. 1, Kyiv: Lybid, 1993, s. 330.
Dovzhenok H., Ukrainskyi dytiachyi folklor: virshovani zhanry [Ukrainian Children’s Folklore: Poetic Genres], Kyiv: Nauk. dumka, 1981.
Igrovaya poe’tika [Game Poetics]: Sb. nauch. tr. rost. shk. igrovoj poe’tiki, pod red. A.M. Lyuksemburga, G.F. Raximkulovoj, Rostov-na-Donu: Litfond, Vyp. 1, 2006.
Klos O., Ihrova model khudozhnoho svitu u vizii postmodernizmu [Game Model of the Art World in the Vision of Postmodernism], [v:] „Visnyk Lvivskoho universytetu. Seriia filolohichna”, 2018, vyp. 67, ch. 2, s. 194–201.
Kovaliv Yu.I., Zhanrova typolohiia [Genre Typology], [v:] „Literaturoznavcha entsyklopediia”: u 2 t., Kyiv: VTs „Akademiia”, 2007, t. 1: A–L, s. 366–367.
Kopystianska N.Kh., Zhanr, zhanrova systema u prostori literaturoznavstva [Genre, Genre System in the Space of Literary Criticism] [monohrafiia], Lviv: PAIS, 2005.
Kornienko O.A., Tipologiya form igrovoj poe’tiki v literature [Typology of Forms of Play Poetics in Literature], [v:] Elektronnyi resurs: http://dspace.nbuv.gov.ua/bitstream/handle/123456789/16594/51-Kornienko.pdf?sequence=1 (21.11.2020).
Korniienko O.O., Ihrova poetyka u literaturi [Game Poetics in Literature]: navch. posibnyk, Kyiv: Vyd-vo NPU im. M.P. Drahomanova, 2017.
Myshanych S.V., Systema zhanriv v ukrainskomu folklori [The System of Genres in Ukrainian Folklore], [v:] „Ukrainoznavstvo: Posibnyk”, за ред. П. Кононенка, Kyiv: Zodiak-EKO, 1994, s. 263–276.
Muzychenko A., Zhartivlyvi virshyky dlia hry [Humorous Poems for the Game], [v:] Elektronnyi resurs: http://www.barabooka.com.ua/zhartivlivi-virshiki-dlja-gri/ (16.09.2020).
Sazonova Ya., Odoratyvne pidgruntia modeliuvannia emotsii tryvohy i strakhu u fiktsionalnomu dyskursi zhakhiv [Odorative Basis for Modeling the Emotions of Anxiety and Fear in the Fictional Discourse of Horror], [v:] „Studia Ukrainica Posnaniensia”, 2013, z. 1, s. 185.
Iankovska Zh., Paradyhma folklorno-literaturnoi arkhetypnosti [Paradigm of Folklore and Literary Archetype], „Studia Ukrainica Posnaniensia”, 2017, z. 5, s. 269–277.
Adamczykowa Z., Literatura dla dzieci. Funkcje – kategorie – gatunki [Children’s Literature. Functions – Categories – Genres], Warszawa: Wyższa Szkoła Pedagogiczna TWP, 2001.
Baran Z., W kręgu poezji religijnej dla dzieci [In the Circle of Religious Poetry for Children], Kraków: Wydawnictwo Naukowe Akademii Pedagogicznej, 2001.
Andrusiak I., Liakatsiia [Lakatsiya], Kyiv: Fontan kazok, 2017.
Andrusiak I., Strashna kazka [A Terrible Tale], [v:] Elektronnyi resurs: https://www.ukrlib.com.ua/books/printit.php?tid=16142 (15.10.2019).
Andrusiak I., Tvory dlia ditei.Mala Storinka [Works for Children. Small Page], [v:] Elektronnyi resurs: https://mala.storinka.org/%D0%B4%D0%B8%D1%82%D1%8F%D1%87%D1%96-%D0%B4%D1%80%D0%B0%D0%B6%D0%BD%D0%B8%D0%BB%D0%BA%D0%B8.html (15.10.2019).
Barto A., Izbrannye stixi [Selected Poems], Moskva: Planeta detstva: Prem’era, 1999.
Bzhexva Yan., Na zemlyax Bergamotax [In the Lands of Bergamot], L’vіv: Vidavnictvo Starogo Leva, 2004, s. 32.
Dermanskyi S., Byhymoty ne medmedi [Bigimots are not Bears], Kyiv : Fontan kazok, 2015.
Esenovskij M., Nebo v pomidorax [Tomato Sky], Stixi. Zhurnal poe’zii „Plavuchij most”, № 4 (8), 2015, [v:]: http://www.plavmost.org/?p=6440 (12.10.2021).
Kruk H., Raz ovechka, dva ovechka [One Sheep, two Sheep], Kharkiv: Vydavnytstvo Vivat, 2018.
Malyk H., Straus richkoiu plyve [An Ostrich Swims Along the River], Kyiv: „Veselka”, 1984.
Movchun L., Use pidrostaie [Everything is growing], Kyiv: Hrani – T, 2010.
Osadko H., Yak drakonchyk Yurasyk vriatuvav lis vid brakoniera [Like a Dragon, Jurassic Saved the Forest From a Poacher], [v:] Elektronnyi resurs: http://abetka.ukrlife.org/kazki.html (14.08.2020).
Oster G., Vrednye sovety: kniga dlya neposlushnyx detej i ix roditelej [Bad Advice: a Book for Naughty Kids and their Parents], Moskva: Moskovskij knizhnyj dvor, 1990.
Savka M., Kazka pro staroho Leva [A Tale about an Old Lion], Lviv: Vydavnytstvo Staroho Leva, 2011.
Skyba R., Balamutynky [Balamutynky], Lviv: Vydavnytstvo Staroho Leva, 2011.
Skyba R., Zatyshnyi virshyk [A Cozy Poem], [v:] „Malenka feia”, 2011, № 2, s. 15.
Skyba R., Perevirshyky [Perevershiki], Ternopil: Navchalna knyha – Bohdan, 2010.
Trokhym N., Lvivski virshyky [Lviv Poems], Lviv: Dzhezva, 2015.
Xotomskaya V., Stonozhka [Stonogka], Leningrad: Izdatel’stvo: Detskaya literatura, 1982.
Big Books of Sesons, Holidays, and Weather [compiled by E. Cothen Low], Westport: Libraries Unlimited, 2011.
License
- The Author hereby warrants that he/she is the owner of all the copyright and other intellectual property rights in the Work and that, within the scope of the present Agreement, the paper does not infringe the legal rights of another person.The owner of the copyright work also warrants that he/she is the sole and original creator thereof and that is not bound by any legal constraints in regard to the use or sale of the work.
- The Author grants the Purchaser non-exclusive and free of charge license to unlimited use worldwide over an unspecified period of time in the following areas of exploitation:
2.1. production of multiple copies of the Work produced according to the specific application of a given technology, including printing, reproduction of graphics through mechanical or electrical means (reprography) and digital technology;
2.2. marketing authorisation, loan or lease of the original or copies thereof;
2.3. public performance, public performance in the broadcast, video screening, media enhancements as well as broadcasting and rebroadcasting, made available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them;
2.4. inclusion of the Work into a collective work (i.e. with a number of contributions);
2.5. inclusion of the Work in the electronic version to be offered on an electronic platform, or any other conceivable introduction of the Work in its electronic version to the Internet;
2.6. dissemination of electronic versions of the Work in its electronic version online, in a collective work or independently;
2.7. making the Work in the electronic version available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, in particular by making it accessible via the Internet, Intranet, Extranet;
2.8. making the Work available according to appropriate license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) as well as another language version of this license or any later version published by Creative Commons. - The Author grants the Adam Mickiewicz University in Poznan permission to:
3.1. reproduce a single copy (print or download) and royalty-free use and disposal of rights to compilations of the Work and these compilations.
3.2. send metadata files related to the Work, including to commercial and non-commercial journal-indexing databases. - The Author declares that, on the basis of the license granted in the present Agreement, the Purchaser is entitled and obliged to allow third parties to obtain further licenses (sublicenses) to the Work and to other materials, including derivatives thereof or compilations made based on or including the Work, whereas the provisions of such sub-licenses will be the same as with the attributed license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)or another language version of this license, or any later version of this license published by Creative Commons. Thereby, the Author entitles all interested parties to use the work, for non-commercial purposes only, under the following conditions:
4.1. acknowledgment of authorship, i.e. observing the obligation to provide, along with the distributed work, information about the author, title, source (link to the original Work, DOI) and of the license itself.
4.2. the derivatives of the Work are subject to the same conditions, i.e. they may be published only based on a licence which would be identical to the one granting access to the original Work. - The University of Adam Mickiewicz in Poznań is obliged to
5.1. make the Work available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, without any technological constraints;
5.2. appropriately inform members of the public to whom the Work is to be made available about sublicenses in such a way as to ensure that all parties are properly informed (appropriate informing messages).
Other provisions
- The University of Adam Mickiewicz in Poznań hereby preserves the copyright to the journal as a whole (layout/stylesheet, graphics, cover design, logo etc.)