Keywords
studioworks
art object
materiality
thing
How to Cite
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Abstract
Translation into Polish of a text, orginally published in English, by the British scholar Briony Fer. It concerns the “studioworks” by the American artist Eva Hesse. The article discusses the difficulty of classifying and naming elements of Hesse’s objects which are produced or remain as an effect of her work in her studio. It also focuses on “minor”, lesser known and difficult to classify work by Hesse.
References
Adorno, T. W., Teoria estetyczna, tłum. K. Krzemieniowa, Warszawa 1994
Brancusi’s Wooden Sculpture, w: Constantin Brancusi. The Essence of Things, [kat. wystawy], London 2004.
Brassaï, Conversations with Picasso, Chicago–London 1999, Eva Hesse Drawing, red. C. De Zegher, New Haven–London 2006, s. 273–304.
Eva Hesse, red. M. Nixon, October Files series, Cambridge, MA, 2002.
Fer, B., Eva Hesse. Studioworks, Edinburgh 2009
Kafka, Opowieści i przypowieści, tłum. L. Czyżewski, R. Karst et. al., Warszawa 2016
Lewallen, C., M., A Rose Has No Teeth. Bruce Nauman in the 1960s, Berkeley 2007
Lippard, L., Eva Hesse, New York 1976
Nixon, M., Fantastic Reality. Louise Bourgeois and a Story of Modern Art, October Files series, Cambridge, MA, 2005, Rilke, R. M., Letters of Rainer Maria Rilke 1902–1926, London 1947
The Studio of Alberto Giacometti in the Photographer’s Eye, w: The Studio of Alberto Giacometti, red. V. Wiesinger, Paris 2007
Wood, J., Close Encounters. The Sculptor’s Studio in the Age of the Camera, [kat. wystawy], Henry Moore Institute Leeds 2001
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